GIULIO See also:

• GIULIO CACCINI (1558-1615?)

CACCINI (1558-1615?)  , See also:

• ITALIAN

Italian musical composer, also known as Giulio Romano, but to be distinguished from the painter of that name, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• ROME
• ROME (Roma)

Rome about 1558, and in 1578 entered the service of the See also:

• GRAND

grand See also:

• DUKE (corresponding to Fr. duc, Ital. duca, Ger. Herzog)

duke of See also:

• TUSCANY
• TUSCANY (Toscana)

Tuscany at See also:

• FLORENCE
• FLORENCE (Ital. Firenze, Lat. Florentia)

Florence . He collaborated with J . See also:

• PERI, JACOPO (1561–16 ?)

Peri in the See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early attempts at musical See also:

• DRAMA (literally "action," from Gr. Snail, act or do)

drama which were the ancestors of See also:

• MODERN

modern See also:

• OPERA (Italian for " work ")

opera (Dafne, 1594, and Euridice, 1600), produced at Florence by the circle of musicians and amateurs which met at the houses of G . Bardi and Corsi . He also published in 16o1 Le nuove musiche, a collection of songs which is of See also:

• GREAT

great importance in the See also:

• HISTORY

history of singing as well as in that of the transition See also:

• PERIOD
• PERIOD (Gr. irepioSos, a going or way round, circuit, aepi, round, and &Sis, way, road)

period of musical See also:

• COMPOSITION
• COMPOSITION (Lat. compositio, from componere, to put together)

composition . He was a lyric composer rather than a dramatist like Peri, and the genuine beauty of his See also:

• WORKS

works makes them acceptable even at the See also:

• PRESENT

present See also:

• DAY (O. Eng. dreg, Ger. Tag; according to the New English Dictionary, " in no way related to the Lat. dies")
• DAY, JOHN (1574-1640?)
• DAY, THOMAS (1748-1789)

day .