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See also:CAECILIUS See also:STATIUS, or STATIUS CAECILIUS , See also:Roman comic poet, contemporary and intimate friend of See also:Ennius, died in 168 (or 166) B.C . He was See also:born in the territory of the Insubrian Gauls, and was probably taken as a prisoner to See also:Rome (c . 200), during the See also:great Gallic See also:war . Originally a slave, he assumed the name of See also:Caecilius from his See also:patron, probably one of the Metelli . He supported himself by adapting See also:Greek plays for the Roman See also:stage from the new See also:comedy writers, especially See also:Menander . If the statement in the See also:life of See also:Terence by Suetonius is correct and the See also:reading See also:sound, Caecilius's See also:judgment was so esteemed. that he was ordered to hear Terence's See also:Andria (exhibited 166 B.C.) read and to pronounce an See also:opinion upon it . After several failures Caecilius gained a high reputation . Volcacius Sedigitus, the dramatic critic, places him first amongst the comic poets; See also:Varro credits him with pathos and skill in the construction of his plots; See also:Horace (Epistles, ii . 1 . 59) contrasts his dignity with the See also:art of Terence . See also:Quintilian (Inst . Oral., x . 1 . 99) speaks somewhat disparagingly of him, and See also:Cicero, although he admits with some hesitation that Caecilius may have been the See also:chief of the comic poets (De Optimo Genere Oratorum, I), considers him inferior to Terence in See also:style and Latinity (Ad Att. vii . 3), as was only natural, considering his See also:foreign extraction . The fact that his plays could be referred to by name alone without any indication of the author (Cicero, De Finibus, ii . 7) is sufficient See also:proof of their widespread popularity . Caecilius holds a See also:place between See also:Plautus and Terence in his treatment of the Greek originals; he did not, like Plautus, confound things Greek and Roman, nor, like Terence, eliminate everything that could not be romanized . The fragments of his plays are chiefly preserved in Aalus See also:Genius, who cites several passages from the Plocium (necklace) together with the See also:original Greek of Menander . The See also:translation which is diffuse and by no means See also:close, fails to reproduce the spirit of the original . Fragments in See also:Ribbeck, Scaenicae Romanorum Poesis Fragmenta (1898) ; see also W . S . See also:Teuffel, Caecilius See also:Statius, &c . (1858) ; See also:Mommsen, Hist. of Rome (Eng. tr.), bk. iii. ch . 14; F . Skutsch in Pauly-Wissowa, Realencyclopadie (1897) . |
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