See also:

• DENIS (DIoNysms), SAINT
• DENIS, JOHANN NEPOMUK COSMAS MICHAEL (1729-1800)

DENIS See also:

• DENIS CALVART (1540-1619)

CALVART (1540-1619)  , Flemish painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• ANTWERP
• ANTWERP (Fr. Anvers)

Antwerp . After studying landscape-See also:

• PAINTING

painting for some See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time in his native See also:

• CITY (through Fr. cite, from Lat. civitas)

city he went to See also:

• BOLOGNA
• BOLOGNA, GIOVANNI DA (1524–1608)

Bologna, where he perfected himself in the See also:

• ANATOMY
• ANATOMY (Gr. avaroyil, from ava-silo c', to cut up)

anatomy of the human See also:

• FORM (Lat. forma)

form under Prospero See also:

• FONTANA, DOMENICO (1543-1607)
• FONTANA, LAVINIA (1552-1614)
• FONTANA, PROSPERO (1512-1597)

Fontana, and so completely lost the mannerism of Flemish See also:

• ART

art that his paintings appear to be the See also:

• WORK

work of an See also:

• ITALIAN

Italian . From Bologna he went to See also:

• ROME
• ROME (Roma)

Rome, where he assisted Lorenzo Sabbatini (1533–1577) in his See also:

• WORKS

works for the papal See also:

• PALACE (Lat. Palatium, the name given by Augustus to his residence on the Palatine Hill)

palace, and devoted much of his time to copying and studying the works of See also:

• RAPHAEL (Hebrew smm, " God heals ")

Raphael . He ultimately returned to Bologna and founded a school, of which the greatest ornaments are Guido and See also:

• DOMENICHINO (or DOMENICO), ZAMPIERI (1581-1641)

Domenichino . His works are especially admired for the See also:

• POWER [WILLIAM GRATTAN] TYRONE (1797-1841)

power of grouping and colouring which they display .