EMMA See also:

• EMMA CALVE (1864– )

CALVE (1864– )  , See also:

• SPANISH

Spanish operatic See also:

• SOPRANO (a variant of Ital. sovrano, supreme, sovereign, Late Lat. superanus, from super, above)

soprano, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• MADRID

Madrid, and trained in See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris, making her first important See also:

• APPEARANCE (from Lat. apparere, to appear)

appearance in See also:

• OPERA (Italian for " work ")

opera at See also:

• BRUSSELS (Fr. Bruxelles, Flem. Brussel)

Brussels in 1882 . She sang mainly in Paris for some years, but in 1892 was first engaged at Covent See also:

• GARDEN (from O. Fr. garden, mod. Fr. jardin; this, like our words " garth," a paddock attached to a building, and " yard," comes from a Teutonic word for an enclosure which appears in Gothic as gards and O. H. Ger. gart, cf. Dutch gaarde and Ger. .garten)

Garden, See also:

• LONDON

London, and at once became famous as the most vivid Carmen (in Bizet's opera) of the See also:

• DAY (O. Eng. dreg, Ger. Tag; according to the New English Dictionary, " in no way related to the Lat. dies")
• DAY, JOHN (1574-1640?)
• DAY, THOMAS (1748-1789)

day .