See also:

• MARIE

MARIE See also:

• ANNE (1665-1714)
• ANNE (1693-1740)

ANNE DE CUPIS DE See also:

• MARIE ANNE DE CUPIS DE CAMARGO (1710-1770)

CAMARGO (1710-1770)  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French dancer, of See also:

• SPANISH

Spanish descent, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• BRUSSELS (Fr. Bruxelles, Flem. Brussel)

Brussels on the 15th of See also:

• APRIL

April 1710 . Her See also:

• FATHER

father, See also:

• FERDINAND
• FERDINAND (1577-1650)
• FERDINAND (COLOGNE)
• FERDINAND (Span. Fernando or Hernando; Ital. Ferdinando or Ferrante; in O. H. Ger. Herinand, i.e. " brave in the host," from O. H. G. Heri, "army," A. S. here, Mod. Ger. Heer, and the Goth. nan]jan, " to dare ")
• FERDINAND, MAXIMILIAN KARL LEOPOLD MARIA

Ferdinand See also:

• JOSEPH
• JOSEPH, COMTE DE (1785-1870)
• JOSEPH, FATHER (FRANCOIS LECLERC DU TREMBLAY) (1577-1638)

Joseph de Cupis, earned a scanty living as violinist and dancing-See also:

• MASTER (Lat. magister, related to tnagis, more, as the corresponding minister is to minus, less; the English form is due partly to the O. Eng. maegister, and partly to O. Fr. maistre, mod. maitre; cf. Du. meester, Ger. Meister, Ital. maestro)

master, and from childhood she was trained for the See also:

• STAGE (Fr. 6/age; from Lat. stare, to stand)

stage . At ten years of See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age she was given lessons by Mlle Francoise See also:

• PREVOST, ANTOINE FRANCOIS (1697–1763)
• PREVOST, CONSTANT (1787-1856)
• PREVOST, EUGENE MARCEL (1862- )
• PREVOST, PIERRE (1751-1839)

Prevost (168o-1741), then the first dancer at the See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris See also:

• OPERA (Italian for " work ")

Opera, and at once obtained an engagement as premiere danseuse, first at Brussels and then at See also:

• ROUEN

Rouen . Under her grandmother's See also:

• FAMILY

family name of See also:

• CAMARGO, MARIE ANNE DE CUPIS DE (1710-1770)

Camargo she made her Paris debut in 1726, and at once became the rage . Every new See also:

• FASHION (adapted from Fr. facon, agon, Lat. factio, making, facere, to do or make)

fashion See also:

• BORE

bore her name; her manner of doing her See also:

• HAIR (a word common to Teutonic languages)

hair was copied by all at See also:

• COURT
• COURT (from the O. Fr. court, Late Lat. cortis, curtis, a popular form of class. Lat. cohors, gen. cohortis; the mod. Fr. form tour is due to the influence of the Lat. curia, the word used in medieval documents to translate " court " in the feudal sense)
• COURT, ANTOINE (1696-176o)

court; her shoemaker—she had a tiny See also:

• FOOT

foot—made his See also:

• FORTUNE, ROBERT (1813-188o)

fortune . She had many titled adorers whom she nearly ruined by her extravagances, among others See also:

• LOUIS
• LOUIS (804–876)
• LOUIS (893–911)
• LOUIS, JOSEPH DOMINIQUE, BARON (1755-1837)
• LOUIS, or LEWIS (from the Frankish Chlodowich, Chlodwig, Latinized as Chlodowius, Lodhuwicus, Lodhuvicus, whence-in the Strassburg oath of 842-0. Fr. Lodhuwigs, then Chlovis, Loys and later Louis, whence Span. Luiz and—through the Angevin kings—Hungarian

Louis de See also:

• BOURBON
• BOURBON, CHARLES, DUKE OF (149o-1527)

Bourbon, See also:

• COMTE, AUGUSTE [ISIDORE AUGUSTE MARIE FRANCOIS XAVIER] (1798-1857)

comte de Clermont . At his wish she retired from the stage from 1736 to 1741 . In her See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time she appeared in seventy-eight ballets or operas, always to the delight of the public . She was the first See also:

• BALLET

ballet-dancer to shorten the skirt to what afterwards became the regulation length . There is a charming portrait of her by See also:

• NICOLAS
• NICOLAS, SIR NICHOLAS HARRIS (1799–1848)

Nicolas See also:

• LANCRET, NICOLAS (1660-1743)

Lancret in the See also:

• WALLACE, ALFRED RUSSEL (1823— )
• WALLACE, LEWIS [LEW] (1827—1905)
• WALLACE, SIR RICHARD
• WALLACE, SIR WILLIAM (c. 1270-1305)
• WALLACE, WILLIAM (1768-1843)
• WALLACE, WILLIAM (1844-1897)
• WALLACE, WILLIAM VINCENT (1814-1865)

Wallace collection, See also:

• LONDON

London .