BARTOLOMMEO See also:

• BARTOLOMMEO CARDUCCI (156o-161o)
• CARDUCCI, GIOSUE (1836-1907)

CARDUCCI (156o-161o)  , See also:

• ITALIAN

Italian painter, better known as CARDUCHO, the See also:

• SPANISH

Spanish corruption of his Italian patronymic, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• FLORENCE
• FLORENCE (Ital. Firenze, Lat. Florentia)

Florence, where he studied See also:

• ARCHITECTURE (Lat. architectura, from the Gr. ap)(LTEKrwv, a master-builder)

architecture and See also:

• SCULPTURE
• SCULPTURE (Lat. sculptura, from sculpere, to carve, cognate with Gr. yXb4ew)

sculpture under See also:

• AMMANATI, BARTOLOMEO (1511-1592)

Ammanati, and See also:

• PAINTING

painting under Zuccaero . The latter See also:

• MASTER (Lat. magister, related to tnagis, more, as the corresponding minister is to minus, less; the English form is due partly to the O. Eng. maegister, and partly to O. Fr. maistre, mod. maitre; cf. Du. meester, Ger. Meister, Ital. maestro)

master he accompanied to See also:

• MADRID

Madrid, where he painted the See also:

• CEILING (from a verb " to ceil," i.e. to line or cover; of disputed etymology, but apparently connected with Fr. ciel, Lat. caelum, sky)

ceiling of the See also:

• ESCORIAL

Escorial library, assisting also in the See also:

• PRODUCTION (Lat. productionem, from producere, to pro-duce)

production of the frescos that adorn the cloisters of that famous See also:

• PALACE (Lat. Palatium, the name given by Augustus to his residence on the Palatine Hill)

palace . He was a See also:

• GREAT

great favourite with See also:

• PHILIP
• PHILIP (Gr.'FiXtrsro , fond of horses, from dn)^eiv, to love, and limos, horse; Lat. Philip pus, whence e.g. M. H. Ger. Philippes, Dutch Filips, and, with dropping of the final s, It. Filippo, Fr. Philippe, Ger. Philipp, Sp. Felipe)
• PHILIP, JOHN (1775-1851)
• PHILIP, KING (c. 1639-1676)
• PHILIP, LANOGRAVE OF HESSE (1504-1567)

Philip III., and lived and died in See also:

• SPAIN
• SPAIN (Espana)

Spain, where most of his See also:

• WORKS

works are to be found . The most celebrated of them is a Descent from the See also:

• CROSS

Cross, in the See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

church of See also:

• SAN

San Felipe el Real, in Madrid . His younger See also:

• BROTHER

brother VINCENZO (1568-1638), was born in Florence, and was trained as a painter by Bartolommeo, whom he followed to Madrid . He worked a great See also:

• DEAL

deal for Philip III. and Philip IV., and his best pictures are those he executed for the former monarch as decorations in the Prado . Examples of his See also:

• WORK

work are preserved at See also:

• TOLEDO
• TOLEDO, COUNCILS OF (Concilia toletana)

Toledo, at See also:

• VALLADOLID

Valladolid, at See also:

• SEGOVIA

Segovia, and at several other Spanish cities . For many years he laboured in Madrid as a teacher of his See also:

• ART

art, and among his pupils were Giovanni See also:

• RICCI, MATTEO (1552-1610)

Ricci, Pedro Obregon, Vela, Francisco Collantes, and other distinguished representatives of the Spanish school during the 17th See also:

• CENTURY (from Lat. centuria, a division of a hundred men)

century . He was also author of a See also:

• TREATISE

treatise or See also:

• DIALOGUE

dialogue, De See also:

• LAS

las Excelencias de laPintura, which was published in 1633 .