See also:

• CARPACCIO, VITTORIO, or VITTORE (c. 1465-c. 1522)

CARPACCIO, See also:

• VITTORIO

VITTORIO, or VITTORE (c. 1465-c. 1522)  , See also:

• ITALIAN

Italian painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• VENICE
• VENICE (continued)
• VENICE (Venezia)

Venice, cf an old Venetian See also:

• FAMILY

family . The facts of his See also:

• LIFE

life are obscure, but his See also:

• PRINCIPAL

principal See also:

• WORKS

works were executed between 1490 and 1519; and he ranks as one of the finest precursors of the See also:

• GREAT

great Venetian masters . The date of his See also:

• BIRTH (a word common in various forms to Teutonic languages from the root of the verb " to bear ")

birth is conjectural . He is first mentioned in 1472 in a will of his See also:

• UNCLE

uncle Fra Ilario, and Dr See also:

• LUDWIG, KARL FRIEDRICH WILHELM (1816—1895)
• LUDWIG, OTTO (1813-1865)

Ludwig infers from this that he was born c . 1455, on the ground that no one could enter into an See also:

• INHERITANCE

inheritance under the See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age of fifteen; but the inference ignores the possibility of a testator making his will in prospect of the See also:

• BENEFICIARY (from Lat. beneficium, a benefit)

beneficiary attaining his legal age . See also:

• CONSIDERATION (from Lat. considerare, to look at closely, examine, generally taken to be from con-, and the base seen in sidus, sideris, a star, the word being supposed to be originally an astrological or astronomical term)

Consideration of the youthful See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style of his earliest dated pictures (" St See also:

• URSULA, ST

Ursula " See also:

• SERIES (a Latin word from serere, to join)

series, Venice, 1490) makes it improbable that at that See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time he had reached so mature an age as See also:

• THIRTY

thirty-five; and the date of his birth is more probably to be guessed from his being about twenty-five in 1490 . What is certain is that he was a See also:

• PUPIL (Lat. pupillus, orphan, minor, dim. of pupus, boy, allied to puer, from root pm- or peu-, to beget, cf. "pupa," Lat. for " doll," the name given to the stage intervening between the larval and imaginal stages in certain insects)

pupil (not, as sometimes thought, the See also:

• MASTER (Lat. magister, related to tnagis, more, as the corresponding minister is to minus, less; the English form is due partly to the O. Eng. maegister, and partly to O. Fr. maistre, mod. maitre; cf. Du. meester, Ger. Meister, Ital. maestro)

master) of Lazzaro Bastiani, who, like the See also:

• BELLINI
• BELLINI, LORENZO (1643-1704)
• BELLINI, VINCENZO (1801--18J5)

Bellini and See also:

• VIVARINI

Vivarini, was the See also:

• HEAD (in 0. Eng. heafad; the word is common to Teutonic languages; cf. Dutch hoofd, Ger. Haupt, generally taken to be in origin connected with Lat. caput, Gr. KerbOvi7)
• HEAD, SIR EDMUND WALKER, BART
• HEAD, SIR FRANCIS BOND, BART

head of a large atelier in Venice, and whose own See also:

• WORK

work is seen in such pictures as the " S . Veneranda " at See also:

• VIENNA (Ger. Wien; Lat. Vindobona)
• VIENNA, CONGRESS OF (1814-1815)

Vienna, and the " See also:

• DOGE

Doge See also:

• MOCENIGO

Mocenigo kneeling before the Virgin " and " Madonna and See also:

• CHILD
• CHILD, FRANCIS JAMES (1825-1896)
• CHILD, L
• CHILD, LYDIA MARIA (1802-1880)
• CHILD, SIR FRANCIS (1642-1713)
• CHILD, SIR JOHN (d. 1690)
• CHILD, SIR JOSIAH (163o - 1699)

Child" (formerly attributed to See also:

• CARPACCIO, VITTORIO, or VITTORE (c. 1465-c. 1522)

Carpaccio) in the See also:

• NATIONAL

National See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

Gallery, See also:

• LONDON

London . In later years Carpaccio appears to have' been influenced by Cima da See also:

• CONEGLIANO

Conegliano (e.g. in the " See also:

• DEATH

Death of the Virgin," 1508, at See also:

• FERRARA

Ferrara) . Apart from the " St Ursula " series, his scattered series of the " Life of the Virgin " and " Life of St See also:

• STEPHEN
• STEPHEN (1097?-1154)
• STEPHEN (ISTVAN) BATHORY (1533-1586)
• STEPHEN, SIR JAMES (1789-1859)
• STEPHEN, SIR JAMES FITZJAMES, BART
• STEPHEN, SIR LESLIE (1832-1904)

Stephen," and a " Dead See also:

• CHRIST (Gr. X pLQTOS, Anointed)
• CHRIST, WILHELM VON (1831-1906)

Christ " at See also:

• BERLIN
• BERLIN, CONGRESS AND TREATY OF
• BERLIN, ISAIAH (1725–1799)

Berlin, may be specially mentioned . For an authoritative and detailed See also:

• ACCOUNT
• ACCOUNT (through O. Fr. acont, Late Lat. comptum, cornputare, to calculate)

account, see the Life and Works of See also:

• VITTORIO

Vittorio Carpaccio, by Pompeo Molmenti and Gustav Ludwig, Eng. trans. by R . H .

Cust (1907) ; and the See also:

• CRITICISM
• CRITICISM (from the Gr. KpiTrlS, a judge, Kpivew, to decide, to give an authoritative opinion)

criticism by See also:

• ROGER (d. 1139)
• ROGER (d. 1181)

Roger See also:

• FRY
• FRY, ELIZABETH (178o-1845)
• FRY, SIR EDWARD (1827– )

Fry, A Genre Painter and his Critics," in the Quarterly See also:

• REVIEW (Fr. revue, from revoir, to see again, Lat. re and videre)

Review (London, See also:

• APRIL

April 1908) .