See also:

• JEAN

JEAN See also:

• BAPTISTE

BAPTISTE See also:

• JEAN BAPTISTE CARPEAUX (1827-1875)

CARPEAUX (1827-1875)  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French sculptor, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• VALENCIENNES

Valenciennes, See also:

• FRANCE
• FRANCE, ANATOLE (1844– )

France, on the 1th of May 1827 . He was the son of a See also:

• MASON, FRANCIS (1799—1874)
• MASON, GEORGE (1725—1792)
• MASON, GEORGE HEMMING (1818–1872)
• MASON, JAMES MURRAY (1798-1871)
• MASON, JOHN (1586-1635)
• MASON, JOHN YOUNG (1799-1859)
• MASON, LOWELL (1792—1872)
• MASON, SIR JOHN (1503–1566)
• MASON, SIR JOSIAH (1795-1881)
• MASON, WILLIAM (1725—1797)

mason, and passed his See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early See also:

• LIFE

life in extreme poverty . In 1842 he came to See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris, and after working for two years in a See also:

• DRAWING

drawing-school, was admitted to the Ecole See also:

• DES

des See also:

• BEAUX, CECILIA (1863– )

Beaux-Arts on the 9th of See also:

• SEPTEMBER (Lat. septem, seven)

September 1854 . The See also:

• GRAND

Grand Prix de See also:

• ROME
• ROME (Roma)

Rome was awarded to his statue of " See also:

• HECTOR

Hector bearing in his arms his son Astyanax." His first See also:

• WORK

work exhibited at the See also:

• SALON

Salon, in 1853, did not show the spirit of an innovator, and was very unlike the work of his See also:

• MASTER (Lat. magister, related to tnagis, more, as the corresponding minister is to minus, less; the English form is due partly to the O. Eng. maegister, and partly to O. Fr. maistre, mod. maitre; cf. Du. meester, Ger. Meister, Ital. maestro)

master See also:

• RUDE, FRANCOIS (1784–1855)

Rude . At Rome he was fascinated by See also:

• DONATELLO (diminutive of Donato) (c. 1386-1466)

Donatello, and yet more influenced by See also:

• MICHELANGELO (MICHELAGNIOLO BUONARROTI) (1475-1564)

Michelangelo, to whom he owes his feeling for vehement and passionate See also:

• ACTION

action . He sent from Rome a bust, " La Palombella," 1856; and a " Neapolitan Fisherman," 1858 . This work was again exhibited in the Salon of 18541 and took a second-class See also:

• MEDAL (Fr. medaille, from Lat. metallum)

medal; but it was not executed in See also:

• MARBLE (from Lat. marmor, Gr. pApµapos, shining stone)

marble till 1863 . In his last See also:

• YEAR

year in Rome he sent See also:

• HOME
• HOME, DANIEL DUNGLAS (1833-1886)
• HOME, EARLS OF

home a dramatic See also:

• GROUP

group, " Ugolino and his Sons," and exhibited at the same See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time a " Bust of Princess Mathilde." This gained him a second-class medal and the favour of the Imperial See also:

• FAMILY

family . In 1864 he executed the " Girl with a See also:

• SHELL
• SHELL (O. Eng. scell, scyll, cf. Du. sceel, shell, Goth. skalja, tile; the word means originally a thin flake,. cf. Swed. skalja, to peel off; it is allied to " scale " and " skill," from a root meaning to cleave, divide, separate)

Shell," the See also:

• COMPANION (through the O. Fr. compaignon or compagnon, from the Late Lat. companio,—cum, with, and panis, bread,—one who shares meals with another; the word has been wrongly derived from the Late Lat. compagnus, one of the same pages or district)

companion figure to the See also:

• YOUNG
• YOUNG, A
• YOUNG, ARTHUR (1741-1820)
• YOUNG, BRIGHAM (1801-1877)
• YOUNG, CHARLES MAYNE (1777–1856)
• YOUNG, EDWARD (1683–1765)
• YOUNG, JAMES (1811-1883)
• YOUNG, THOMAS (1773-1829)

young fisherman; and although in 1865 he did not exhibit at the Salon, busts of Mme . A . E . See also:

• ANDRE, JOHN (1751-178o)

Andre," of " See also:

• GIRAUD, GIOVANNI, COUNT (1776-1834)

Giraud " the painter, and of " Mlle .

See also:

• BENEDETTI, VINCENT, COUNT (1817--1900)

Benedetti " showed that he was not idle . He was working at the same time on the decorations of the See also:

• PAVILION

Pavilion de Fiore, of which the See also:

• PEDIMENT (equivalents, Gr. &ros, Lat. fastigium, Fr. ponton)

pediment alone was seen at the Salon, though the bas-See also:

• RELIEF

relief below is an even better example of his See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style . After producing a statue of the See also:

• PRINCE
• PRINCE (Lat. princeps, from primus capio, " I am the first to take "; Ital. principe, Fr. prince)

prince imperial, See also:

• CARPEAUX, JEAN BAPTISTE (1827-1875)

Carpeaux was made See also:

• CHEVALIER, ALBERT (1861– )
• CHEVALIER, MICHEL (1806-1879)
• CHEVALIER, ULYSSE (1841– )

chevalier of the See also:

• LEGION (Lat. legio)

Legion of See also:

• HONOUR (Lat. honos or lwnor, honoris; in English the word was spelled with or without the u indifferently until the 17th century, but during the 18th century it became fashion-able to spell the word " honor "; Johnson's and Webster's Dictionaries stereoty

Honour in 1866 . Two years later he received an important See also:

• COMMISSION (from Lat. commissio, committere)

commission to execute one of the four See also:

• GROUPS
• GROUPS, THEORY

groups for the See also:

• FACADE

facade of the new See also:

• OPERA (Italian for " work ")

opera See also:

• HOUSE
• HOUSE (O. Eng. hiss, a word common to Teutonic languages, cf. Dut. huis, Ger. Haus; in Gothic it is only found in gudhiss, a temple; it may be ultimately connected with the root of " hide," conceal)

house . His group, representing " Dancing," 1869, was greeted with indignant protests; it is nevertheless a See also:

• SOUND
• SOUND, THE (Danish Oresund)

sound work, full of See also:

• MOVEMENT

movement, with no See also:

• FAULT (Mid. Eng. faute, through the French, from the popular Latin use of fallere, to fail; the originallof the Latin being replaced in English in the 15th century)

fault but that of exceeding the Iimitations prescribed . In 1869 he exhibited a " Bust of M . Gamier," and followed this up with two pieces intended for his native See also:

• CITY (through Fr. cite, from Lat. civitas)

city: a statue of See also:

• WATTEAU, ANTOINE (1684-1721)

Watteau, and a bas-relief, " Valenciennes repelling Invasion." During the See also:

• COMMUNE (Med. Lat. communia, Lat. communis, common)
• COMMUNE, MEDIEVAL

Commune he came to See also:

• ENGLAND
• ENGLAND, THE CHURCH OF

England, and made a "Bust of See also:

• GOUNOD, CHARLES FRANCOIS (1818--1893)

Gounod " in 1871 . His last important work was a See also:

• FOUNTAIN (Late Lat. fontana, from ions, a spring)

fountain, the "Four Quarters of the See also:

• WORLD

World," in which the globe is sustained by four See also:

• FEMALE

female figures personifying See also:

• EUROPE

Europe, See also:

• ASIA

Asia, See also:

• AFRICA
• AFRICA, ROMAN

Africa and See also:

• AMERICA

America . This fountain is now in the See also:

• AVENUE (the past participle feminine of Fr. avenir, to come to)

Avenue de 1'Observatoire in Paris . Carpeaux, though exhausted by illness, continued designing indefatigably, till he died at the See also:

• CHATEAU (from Lat. castellum, fortress, through O. Fr. chastel, chasteau)

Chateau de Becon, near See also:

• COURBEVOIE

Courbevoie, on the 12th of See also:

• OCTOBER

October 1875, after being promoted to the higher grade of the Legion of Honour . Many of his best drawings have been presented by Prince Stirbey to the city of Valenciennes . See Ernest Chesneau, Carpeaux, sa See also:

• VIE

vie et son ceuvre (Paris, 1880); See also:

• PAUL
• PAUL (PAULUS)

Paul Foucart, See also:

• CATALOGUE (a Fr. adaptation of the Gr. KaraXoyos, a register, from Karalyety, to enrol or pick out)

Catalogue du Musee See also:

• CAR (Late Lat. carra)

Car peaux, Valenciennes (Paris, 1882) ; Jules See also:

• CLARETIE, JULES

Claretie, J .

Carpeaux (1882) ; See also:

• FRANCOIS (1558-1614)

Francois Bournand, J . B . Carpeaux (1893) .