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See also:CASTANETS (Fr. castagnettes, Ger. Kastagnetten, Span. castanuelas) , See also:instruments of percussion, introduced through the See also:Moors by way of See also:Spain into See also:Europe from the See also:East, used for marking the See also:rhythm in dancing . See also:Castanets, always used in pairs, one in each See also:hand, consist of two See also:pear or See also:mussel-shaped See also:bowls of hard See also:wood, hinged together by a See also:silk See also:cord, the See also:loop being passed over the thumb and first See also:finger . The two halves are then struck against each other by the other fingers in single, See also:double or triple beats, giving out See also:series of hollow clicks of indefinite musical See also:pitch . When intended for use in the See also:orchestra the pair of castanets is mounted one at each end of a wooden stick about 8 in. See also:long, which facilitates the playing . Castanets are also sometimes used in military bands and are then specially. constructed . The two halves are kept open by a slight See also:spring fixed to a See also:frame attached to the hoop of a See also:side See also:drum, and the See also:instrument is worked by the drummer with an See also:ordinary drum-stick . An instance of the use of castanets in See also:opera occurs in the Habanera in Carmen . A See also:quaint description of castinatts is given in Harleian MS . 2034 (f . 208) at the See also:British Museum (before 1688) with a See also:pencil See also:sketch which tallies very well with the above . The MS. is by Randle Holme and forms See also:part of the See also:Academy of Armoury . Castanets (KpbraXa) were used by the See also:ancient Greeks, and also by the See also:Romans (See also:Lat. crotalum, crotala) to accompany the dances in the Dionysiac and Bacchanalian See also:rites .
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