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CASTANETS (Fr. castagnettes, Ger. Kastagnetten, Span. castanuelas) , See also: instruments of percussion, introduced through the Moors by way of See also: Spain into See also: Europe from the See also: East, used for marking the rhythm in dancing
.
Castanets, always used in pairs, one in each See also: hand, consist of two See also: pear or mussel-shaped See also: bowls of hard See also: wood, hinged together by a See also: silk cord, the See also: loop being passed over the thumb and first See also: finger
.
The two halves are then struck against each other by the other fingers in single, See also: double or triple beats, giving out series of hollow clicks of indefinite musical See also: pitch
.
When intended for use in the orchestra the pair of castanets is mounted one at each end of a wooden stick about 8 in. long, which facilitates the playing
.
Castanets are also sometimes used in military bands and are then specially. constructed
.
The two halves are kept open by a slight spring fixed to a See also: frame attached to the hoop of a See also: side drum, and the instrument is worked by the drummer with an ordinary drum-stick
.
An instance of the use of castanets in See also: opera occurs in the Habanera in Carmen
.
A quaint description of castinatts is given in Harleian MS
.
2034 (f
.
208) at the See also: British Museum (before 1688) with a pencil sketch which tallies very well with the above
.
The MS. is by Randle Holme and forms See also: part of the See also: Academy of Armoury
.
Castanets (KpbraXa) were used by the See also: ancient Greeks, and also by the See also: Romans (See also: Lat. crotalum, crotala) to accompany the dances in the Dionysiac and Bacchanalian See also: rites
.
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