BERNARDO See also:

• BERNARDO CASTELLO (1557—1629)
• CASTELLO, GIOVANNI BATTISTA (1500 ?–1569 ?)
• CASTELLO, VALERIO (1625-1659)

CASTELLO (1557—1629)  , Genoese portrait and See also:

• HISTORICAL

historical painter, See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at Albaro near See also:

• GENOA (anc. Genua, Ital. Genova, Fr. GPnes)

Genoa, was the intimate friend of See also:

• TASSO, TORQUATO (1544-1595)

Tasso, and took upon himself the task of designing the figures of the Gerusalemme Liberata, published in 1592; some of these subjects were engraved by See also:

• AGOSTINO
• AGOSTINO, or AGOSTINI [AUGUSTINUS], PAOLO (1593-1629)

Agostino See also:

• CARACCI, LODOVICO, AGOSTINO

Caracci . Besides See also:

• PAINTING

painting a number of See also:

• WORKS

works in Genoa, mostly in a rapid and superficial See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style, See also:

• CASTELLO, BERNARDO (1557—1629)
• CASTELLO, GIOVANNI BATTISTA (1500 ?–1569 ?)
• CASTELLO, VALERIO (1625-1659)

Castello was employed in See also:

• ROME
• ROME (Roma)

Rome and in the See also:

• COURT
• COURT (from the O. Fr. court, Late Lat. cortis, curtis, a popular form of class. Lat. cohors, gen. cohortis; the mod. Fr. form tour is due to the influence of the Lat. curia, the word used in medieval documents to translate " court " in the feudal sense)
• COURT, ANTOINE (1696-176o)

court of the See also:

• DUKE (corresponding to Fr. duc, Ital. duca, Ger. Herzog)

duke of See also:

• SAVOY, HOUSE
• SAVOY, HOUSE OF

Savoy .