CRISTOBAL DE See also:CASTILLEJO (1490-1556)
, See also:Spanish poet, was See also:born at See also:Ciudad Rodrigo in 1490
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In 1518 he See also:left See also:Spain with See also:Ferdinand of See also:Austria, afterwards See also:emperor, whose private secretary he eventually became
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While residing at See also:Vienna in 1528–1530 he wrote the Historia de Piramo y Tisbe, and dedicated it to See also:Anna von Schaumberg, with whom he had a platonic love-affair
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He seems to have visited See also:Venice, to have beenneglected by his See also:patron, to have fallen See also:ill in 1540, and to have passed his last years in poverty
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He died on the 12th of See also:June 1556, and was buried at Vienna
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See also:Castillejo's poems are interesting, not merely because of their See also:intrinsic excellence, but also as being the most powerful protest against the metrical innovations imported from See also:Italy by Boscan and Garcilaso de la See also:Vega
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He adheres to the native quintillas or to the coplas de See also:pie quebrado, and only abandons these traditional forms when he indulges in See also:caustic See also:parody of the new school—as in the lines Contra los que dejan los metros castellanos
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He excels by virtue of his charming simplicity and his ingenious wit, always keen, sometimes licentious, never brutal
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The urbane gaiety of his occasional poems is delightfully spontaneous, and the cynical See also:humour which informs the Dialogo de See also:las condiciones de las mujeres and the Dialogo de la See also:vida de la come is impregnated with the See also:Renaissance spirit
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Castillejo is the See also:Clement See also:Marot of Spain
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His plays are lost; the best See also:text of his verses is that printed at See also:Madrid in 1792
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