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PUBLIUS See also: Roman poet and grammarian, was See also: born about roo B.c
.
He is of importance as the See also: leader of the " new " school of See also: poetry (poetae novi, vewrspot, as See also: Cicero calls them)
.
Its followers rejected the See also: national epic and drama in favour of the artificial mythological epics and elegies of the Alexandrian school, and preferred See also: Euphorion of See also: Chalcis to See also: Ennius
.
Learning, that is, a knowledge of See also: Greek literature and myths, and strict adherence to metrical rules were regarded by them as indispensable to the poet
.
The veurrepot were also determined opponents of See also: Pompey and Caesar
.
The See also: great influence of See also: Cato is attested by the lines:
" Cato grammaticus, See also: Latina See also: Siren,
Qui solus legit ac facit poetas." 1
Our information regarding his See also: life is derived from Suetonius (De Grammaticis, II)
.
He was a native of Cisalpine See also: Gaul, and lost his See also: property during the Sullan disturbances before he had attained his majority
.
He lived to a great age, and during the latter See also: part of his life was in very reduced circumstances
.
He was at one See also: time possessed of considerable See also: wealth, and owned a See also: villa at See also: Tusculum which he was obliged to See also: hand over to his creditors
.
In addition to grammatical See also: treatises, Cato wrote a number of poems, the best-known of which were the See also: Lydia and See also: Diana
.
In the Indignatio (perhaps a See also: short poem) he defended himself against the accusation that he was of servile See also: birth
.
It is probable that he is the Cato mentioned as a critic of See also: Lucilius in the lines by an unknown author prefixed to Horace, Satires, i. lo
.
Among the minor poems attributed to Virgil is one called Dirae (or rather two, Dirae and Lydia) . The Dirae consists of imprecations against the estate of which the writer has been deprived, and where he is obliged to leave his beloved Lydia; in the Lydia, on the other hand, the estate is regarded with envy as the possessor of his charmer .See also: Joseph Justus See also: Scaliger was the first to attribute the poem (divided into two by F
.
Jacobs) to See also: Valerius Cato, on the ground
" Cato, the grammarian, the Latin siren, who alone reads aloud the See also: works and makes the reputation of poets."
that he had lost an estate and had written a Lydia
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The question has been much discussed; the balance of opinion is in favour of the Dirae being assigned to the beginning of the Augustan age, although so distinguished a critic as O
.
Ribbeck supports the claims of Cato to the authorship
.
The best edition of these poems is by A
.
F
.
Make (1847), with exhaustive commentary and excursuses; a clear account of the question will be found in M
.
Schanz's Geschichte der romischen Litteratur; for the " new " school of poetry see See also: Mommsen, Hist. of See also: Rome, bk. v. ch. xii
.
; F
.
Plessis, Poesie latine (1909), 188
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