EMILIO DEL See also:

• EMILIO DEL CAVALIERE

CAVALIERE  , 16th-See also:

• CENTURY (from Lat. centuria, a division of a hundred men)

century See also:

• ITALIAN

Italian musical composer, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• ROME
• ROME (Roma)

Rome about 1550 of a See also:

• NOBLE, SIR ANDREW (1832- )

noble See also:

• FAMILY

family . He held a See also:

• POST

post at the See also:

• COURT
• COURT (from the O. Fr. court, Late Lat. cortis, curtis, a popular form of class. Lat. cohors, gen. cohortis; the mod. Fr. form tour is due to the influence of the Lat. curia, the word used in medieval documents to translate " court " in the feudal sense)
• COURT, ANTOINE (1696-176o)

court of See also:

• FERDINAND
• FERDINAND (1577-1650)
• FERDINAND (COLOGNE)
• FERDINAND (Span. Fernando or Hernando; Ital. Ferdinando or Ferrante; in O. H. Ger. Herinand, i.e. " brave in the host," from O. H. G. Heri, "army," A. S. here, Mod. Ger. Heer, and the Goth. nan]jan, " to dare ")
• FERDINAND, MAXIMILIAN KARL LEOPOLD MARIA

Ferdinand I. of See also:

• TUSCANY
• TUSCANY (Toscana)

Tuscany from 1588 to 1597, and during his See also:

• RESIDENCE (Latin residere, to remain behind, to dwell, reside)

residence at See also:

• FLORENCE
• FLORENCE (Ital. Firenze, Lat. Florentia)

Florence was on terms of intimacy with J . See also:

• PERI, JACOPO (1561–16 ?)

Peri, O . See also:

• RINUCCINI, GIOVANNI BATTISTA (1592-1653)

Rinuccini, G . See also:

• CACCINI, GIULIO (1558-1615?)

Caccini and the See also:

• REST (O. Eng. rest, reste, bed, cognate with other Teutonic forms, e.g. Ger. Rast, Riiste, rest, and probably Gothic Rasta, league, i.e. resting or stopping place)

rest of the See also:

• BARTH
• BARTH, HEINRICH (1821–1865)
• BARTH, KASPAR VON (1587-1658)

Barth circle . In 1597 he returned to Rome, and became connected with the See also:

• CONGREGATION (Lat. congregatio, a gathering together, from cum, with, grex, gregis, a flock, herd)

Congregation of the See also:

• ORATORY (Lat. oratorio, sc. ors; from orare, to speak or pray)

Oratory founded by St See also:

• PHILIP
• PHILIP (Gr.'FiXtrsro , fond of horses, from dn)^eiv, to love, and limos, horse; Lat. Philip pus, whence e.g. M. H. Ger. Philippes, Dutch Filips, and, with dropping of the final s, It. Filippo, Fr. Philippe, Ger. Philipp, Sp. Felipe)
• PHILIP, JOHN (1775-1851)
• PHILIP, KING (c. 1639-1676)
• PHILIP, LANOGRAVE OF HESSE (1504-1567)

Philip See also:

• NERI, PHILIP (FILIppo DE) (1515-1595)

Neri . Here in 1600 was performed See also:

• CAVALIERE, EMILIO DEL

Cavaliere's contribution to the musical See also:

• REFORMATION
• REFORMATION, THE

reformation initiated by his circle of See also:

• FRIENDS, SOCIETY
• FRIENDS, SOCIETY OF

friends in Florence—La Rappresentazione di Anima e di Corp, a sacred See also:

• DRAMA (literally "action," from Gr. Snail, act or do)

drama, which is regarded as the first example of what is now called See also:

• ORATORIO

oratorio . It is generally supposed that he was no longer living when the See also:

• WORK

work was performed, but some authorities assign 16o2 as the date of his See also:

• DEATH

death . Cavaliere's See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style is more facile than that of Peri and Caccini, but he is inferior to them in See also:

• DEPTH

depth of musical expression . He is, however, important as being the first to apply the new monodic style to sacred See also:

• MUSIC

music, and as the founder of the See also:

• ROMAN

Roman school of the 17th century which included Mazzocchi, See also:

• CARISSIMI, GIACOMO (c. 1604–1674)

Carissimi and Alessandro See also:

• SCARLATTI, ALESSANDRO (1659-1725)

Scarlatti . See also H . See also:

• GOLDSCHMIDT, HERMANN (1802-1866)

Goldschmidt, Studien zur Geschichte der italienischen Oper See also:

• IM(K2+a2+h2—2 ah cos 0)

im 17 .

Jahrhundert, See also:

• BAND

Band i .