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EMILIO DEL See also: Italian musical composer, was See also: born in See also: Rome about 1550 of a See also: noble See also: family
.
He held a See also: post at the See also: court of See also: Ferdinand I. of
See also: Tuscany from 1588 to 1597, and during his residence at Florence was on terms of intimacy with J
.
See also: Peri, O
.
Rinuccini, G
.
See also: Caccini and the rest of the Barth circle
.
In 1597 he returned to Rome, and became connected with the See also: Congregation of the Oratory founded by St See also: Philip Neri
.
Here in 1600 was performed
See also: Cavaliere's contribution to the musical See also: reformation initiated by his circle of See also: friends in Florence—La Rappresentazione di Anima e di Corp, a sacred drama, which is regarded as the first example of what is now called See also: oratorio
.
It is generally supposed that he was no longer living when the See also: work was performed, but some authorities assign 16o2 as the date of his See also: death
.
Cavaliere's See also: style is more facile than that of Peri and Caccini, but he is inferior to them in See also: depth of musical expression
.
He is, however, important as being the first to apply the new monodic style to sacred See also: music, and as the founder of the See also: Roman school of the 17th century which included Mazzocchi, See also: Carissimi and Alessandro See also: Scarlatti
.
See also H
.
See also: Goldschmidt, Studien zur Geschichte der italienischen Oper See also: im 17
.
Jahrhundert, See also: Band i
.
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