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PIETRO See also: Italian painter, See also: born in See also: Rome, was an artist of the earliest epoch of the See also: modern See also: Roman school, and was taught See also: painting and mosaic by See also: Giotto while employed at Rome; it is believed that he assisted his master in the mosaic of the Navicella or See also: ship of St See also: Peter, in the porch of the See also: church of that
See also: saint
.
He also studied under the See also: Cosmati
.
See also: Lanzi describes him as an adept in both arts, and mentions with approbation his See also: grand See also: fresco of a Crucifixion at See also: Assisi, still in tolerable preservation; he was, moreover, versed in architecture and in sculpture
.
According to See also: George See also: Vertue, it is highly, probable that See also: Cavallini executed, in 1279, the mosaics and other ornaments of the See also: tomb of See also: Edward the See also: Confessor in See also: Westminster Abbey
.
He would thus be the " Petrus Civis See also: Romanus " whose name is inscribed on the shrine; but a comparison of See also: dates invalidates this surmise
.
He died in 1344, at the age of eighty-five, in the odour of sanctity, having in his later years been a See also: man of eminent piety
.
He is said to have carved for the See also: Basilica of See also: San Paolo fuori le Mura, close to Rome, a crucifix which spoke in 1370 to a See also: female saint
.
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