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See also: Italian musical composer, was See also: born at See also: Crema in 1599 or 1600
.
His real name was Pier See also: Francesco Caletti-See also: Bruni, but he is better known by that of See also: Cavalli, the name of his See also: patron, a Venetian nobleman
.
He became a See also: singer at St Mark's in Venice in 1617, second organist in 1639, first organist in 1665, and in 1668 See also: maestro di cappella
.
He is, however, chiefly important for his operas
.
He began to write for the stage in 1639 (Le Nozze di Teti e di Peleo), and soon established so See also: great a reputation that he was summoned to See also: Paris in 166o to produce an See also: opera (Serse) at the Louvre in honour of the See also: marriage of See also: Louis XIV
.
He visited Paris again in 1662, bringing out his Ercole Amante
.
His
See also: death occurred in Venice on the ,4th of See also: January 1676
.
Twenty-seven operas of Cavalli are still extant, most of them being preserved in the library of St Mark at Venice
.
See also: Monteverde had found opera a musicoliterary experiment, and See also: left it a magnificent dramatic spectacle
.
Cavalli succeeded in making opera a popular entertainment
.
He reduced Monteverde's extravagant orchestra to more See also: practical limits, introduced melodious arias into his See also: music and. popular types into his libretti
.
His operas have all the characteristic exaggerations and absurdities of the 17th century, but they have also a remarkably strong sense of dramatic effect as well as a great musical facility,' and a See also: grotesque See also: humour which was characteristic of Italian See also: grand opera down to the death of Alessandro See also: Scarlatti
.
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