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See also: ANNE See also: CLAUDE PHILIPPE DE TUBIERES DE GRIMOARD DE PESTELS DE See also: LEVIS, COMTE DE, ,See also: Marquis d'Esternay,,baron de Bransac (1692—1765), French archaeologist and See also: man of letters, was See also: born at See also: Paris on the 31st of See also: October 1692
.
He was the eldest son of See also: Lieutenant-General Count de See also: Caylus
.
His See also: mother, Marthe See also: Marguerite le Valois de Vilette de See also: Murray, comtesse de Caylus (1673—1729), was a
See also: cousin of Mme de See also: Maintenon, who brought her up like her own daughter
.
She wrote valuable See also: memoirs of the See also: court of See also: Louis XIV. entitled Souvenirs; these were edited by Voltaire (1770), and by many later editors, notably Renouard (18o6), Ch
.
Asselineau (186o), M. de Lescure (1874), M
.
E
.
Raunie (1881), J
.
Soury (1883)
.
While a
See also: young man Caylus distinguished himself in the See also: campaigns of the French army, from 1709 to 1714
.
After the See also: peace of Rastadt he spent some See also: time in travelling in See also: Italy, See also: Greece, the See also: East, See also: England and See also: Germany, and devoted much See also: attention to the study and collection of antiquities
.
He became an active member of the See also: Academy of See also: Painting and Sculpture and of the Academy of Inscriptions
.
Among his antiquarian See also: works are Recueil d'antiquites egyptiennes, etrusques, grecques, romaines, et gauloises (6 vols., Paris, 1752-1755), Numismata Aurea Imperatorum Romanorum, and a Memoire (1755) on the method of en-See also: caustic painting with See also: wax mentioned by See also: Pliny, which he claimed to have rediscovered
.
See also: Diderot, who was no friend to Caylus, maintained that the proper method had been found by J
.
J
.
Bachelier
.
Caylus was an admirable engraver, and copied many of the paintings of the See also: great masters
.
He caused engravings to be made, at his own expense, of See also: Bartoli's copies from See also: ancient pictures and published Nouveaux sujets de peinlure et de sculpture (1755) and Tableaux tires de l'Iliade, de l'Odysse, et de l'Eneide (1757)
.
He encouraged artists whose reputations were still in the making,but his patronage was somewhat capricious
.
Diderot expressed this fact in an See also: epigram in his See also: Salon of 1765 "La wort nous a delivres du plus cruel See also: des amateurs." Caylus had quite another See also: side to his character
.
He had a thorough acquaintance with the gayest and most disreputable sides of Parisian See also: life, and See also: left a number of more or less witty stories dealing with it
.
These were collected (See also: Amsterdam, 1787)as his CEuvres badines completes
.
The best of them is the Histoire de M
.
Guillaume, cachet- (c
.
1730)
.
The Souvenirs du comte de Caylus, published in 1805, is of very doubtful authenticity . See also A. and J. de See also: Goncourt, Portraits intimes du XVIIIz siecle; Ch
.
Nisard's edition of the Correspondance du comte de Caylus avec le Pere Paciaudi (1877); and a See also: notice by O
.
Uzanne prefixed to a See also: volume of his Faceties (1879)
.
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