See also:

• ALFRED

ALFRED See also:

• ALFRED CELLIER (1844-1891)

CELLIER (1844-1891)  , See also:

• ENGLISH

English musical composer, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• HACKNEY
• HACKNEY (from Fr. haquenee, Lat. equus, an ambling horse or mare, especially for ladies to ride; the English " hack " is simply an abbreviation)

Hackney on the 1st of See also:

• DECEMBER (Lat. decent, ten)

December 1844 . From 1855 to 186o he was a chorister at the See also:

• CHAPEL

Chapel Royal, St See also:

• JAMES
• JAMES (Gr. 'IlrKw,l3or, the Heb. Ya`akob or Jacob)
• JAMES (JAMES FRANCIS EDWARD STUART) (1688-1766)
• JAMES, 2ND EARL OF DOUGLAS AND MAR(c. 1358–1388)
• JAMES, DAVID (1839-1893)
• JAMES, EPISTLE OF
• JAMES, GEORGE PAYNE RAINSFOP
• JAMES, HENRY (1843— )
• JAMES, JOHN ANGELL (1785-1859)
• JAMES, THOMAS (c. 1573–1629)
• JAMES, WILLIAM (1842–1910)
• JAMES, WILLIAM (d. 1827)

James's, under the Rev . See also:

• THOMAS
• THOMAS (c. 1654-1720)
• THOMAS (d. 110o)
• THOMAS, ARTHUR GORING (1850-1892)
• THOMAS, CHARLES LOUIS AMBROISE (1811-1896)
• THOMAS, GEORGE (c. 1756-1802)
• THOMAS, GEORGE HENRY (1816-187o)
• THOMAS, ISAIAH (1749-1831)
• THOMAS, PIERRE (1634-1698)
• THOMAS, SIDNEY GILCHRIST (1850-1885)
• THOMAS, ST
• THOMAS, THEODORE (1835-1905)
• THOMAS, WILLIAM (d. 1554)

Thomas Helmore, where See also:

• ARTHUR (Fr. Arius)
• ARTHUR, CHESTER ALAN (1830 – 1886)

Arthur See also:

• SULLIVAN, JOHN (1740–1795)
• SULLIVAN, SIR ARTHUR SEYMOUR (1842—1900)
• SULLIVAN, THOMAS BARRY (1824-1891)

Sullivan was one of his youthful colleagues . His first See also:

• APPOINTMENT, POWER OF

appointment was that of organist at All See also:

• SAINTS, BATTLE OF THE

Saints' See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

church, See also:

• BLACKHEATH

Blackheath (1862) . In 1866 he succeeded Dr Chipp as director of the See also:

• ULSTER
• ULSTER, EARLS OF

Ulster See also:

• HALL
• HALL (generally known as SCHWABISCH-HALL, tc distinguish it from the small town of Hall in Tirol and Bad-Hall, a health resort in Upper Austria)
• HALL (O.E. heall, a common Teutonic word, cf. Ger. Halle)
• HALL, BASIL (1788-1844)
• HALL, CARL CHRISTIAN (1812–1888)
• HALL, CHARLES FRANCIS (1821-1871)
• HALL, CHRISTOPHER NEWMAN (1816—19oz)
• HALL, EDWARD (c. 1498-1547)
• HALL, FITZEDWARD (1825-1901)
• HALL, ISAAC HOLLISTER (1837-1896)
• HALL, JAMES (1793–1868)
• HALL, JAMES (1811–1898)
• HALL, JOSEPH (1574-1656)
• HALL, MARSHALL (1790-1857)
• HALL, ROBERT (1764-1831)
• HALL, SAMUEL CARTER (5800-5889)
• HALL, SIR JAMES (1761-1832)
• HALL, WILLIAM EDWARD (1835-1894)

Hall concerts, See also:

• BELFAST

Belfast, at the same See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time acting as conductor of the Belfast Philharmonic Society . In 1868 he returned to See also:

• LONDON

London as organist of St See also:

• ALBAN, SAINT

Alban's, See also:

• HOLBORN

Holborn . From 1871 to 1875 he was conductor at the See also:

• PRINCE
• PRINCE (Lat. princeps, from primus capio, " I am the first to take "; Ital. principe, Fr. prince)

Prince's See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

theatre, See also:

• MANCHESTER
• MANCHESTER (popularly Manchester-by-the-Sea)
• MANCHESTER, EARLS AND DUKES OF

Manchester; and from 1877 to 1879 at various London theatres . During this See also:

• PERIOD
• PERIOD (Gr. irepioSos, a going or way round, circuit, aepi, round, and &Sis, way, road)

period he composed many comic operas and operettas, of which the most successful was The See also:

• SULTAN (an Arabic word meaning " victorious " or " a ruler," sultat, dominion)

Sultan of Mocha, which was produced at Manchester in 1874, in London at the St James's theatre in 1876, and revived at the Strand theatre in 1887 . In x88o See also:

• CELLIER, ALFRED (1844-1891)

Cellier visited See also:

• AMERICA

America, producing a musical version of See also:

• LONGFELLOW, HENRY WADSWORTH (1807-1882)

Longfellow's Masque of See also:

• PANDORA (the " All-giving ")

Pandora at See also:

• BOSTON
• BOSTON, THOMAS (1676-1732)

Boston (1881) . In 1883 his setting of See also:

• GRAY
• GRAY (or GREY), WALTER DE (d. 1255)
• GRAY, ASA (1810-1888)
• GRAY, DAVID (1838-1861)
• GRAY, ELISHA (1835-1901)
• GRAY, HENRY PETERS (1819-18/7)
• GRAY, HORACE (1828–1902)
• GRAY, JOHN DE (d. 1214)
• GRAY, JOHN EDWARD (1800–1875)
• GRAY, PATRICK GRAY, 6TH BARON (d. 1612)
• GRAY, ROBERT (1809-1872)
• GRAY, SIR THOMAS (d. c. 1369)
• GRAY, THOMAS (1716-1771)

Gray's See also:

• ELEGY

Elegy in the See also:

• FORM (Lat. forma)

form of a See also:

• CANTATA (Italian for a song or story set to music)

cantata was produced at the See also:

• LEEDS
• LEEDS, THOMAS OSBORNE

Leeds Festival . In 1886 he won the See also:

• GREAT

great success of his See also:

• LIFE

life in Dorothy, a comic See also:

• OPERA (Italian for " work ")

opera written to a libretto by B . C .

See also:

• STEPHENSON, GEORGE (1781–1848)
• STEPHENSON, O
• STEPHENSON, ROBERT (1803-1859)

Stephenson, which was produced at the Gaiety theatre on the 25th of See also:

• SEPTEMBER (Lat. septem, seven)

September 1886, and, transferred first to the Prince of See also:

• WALES (Cymru, Gwalia, Cambria)

Wales theatre and subsequently to the Lyric theatre, ran until See also:

• APRIL

April 1889 . See also:

• DORIS

Doris (1889), and The Mountebanks, which was produced in See also:

• JANUARY

January 1892, a few days after the composer's See also:

• DEATH

death, were less successful . Cellier owed much to the See also:

• INFLUENCE (Late Lat. influentia, from influere, to flow in)

influence of See also:

• SIR

Sir Arthur Sullivan . He had little of the latter's See also:

• HUMOUR (Latin humor)

humour and vivacity, but he was a fertile melodist, and his See also:

• WRITING
• WRITING (the verbal noun of " to write," O. Eng. writan, to inscribe)

writing is invariably distinguished by elegance and refinement . He died in London on the 28th of December 1891 .