See also:

• CESPEDES
• CESPEDES (in Ital. CEDASPE), PABLO DE (1538—1608)

CESPEDES (in Ital. CEDASPE), PABLO DE (1538—1608)  , See also:

• SPANISH

Spanish poet, painter, sculptor and architect, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• CORDOVA (Span. C6rdoba)
• CORDOVA (Span. Cordoba; Lat. Corduba)

Cordova, and was educated at Alcals de Henares, where he studied See also:

• THEOLOGY

theology and See also:

• ORIENTAL

Oriental See also:

• LANGUAGES

languages . On leaving the university, he went to See also:

• ROME
• ROME (Roma)

Rome, where he became the See also:

• PUPIL (Lat. pupillus, orphan, minor, dim. of pupus, boy, allied to puer, from root pm- or peu-, to beget, cf. "pupa," Lat. for " doll," the name given to the stage intervening between the larval and imaginal stages in certain insects)

pupil and friend of Federigo See also:

• ZUCCARO, or ZUCCHERO

Zuccaro, under whose direction he studied particularly the See also:

• WORKS

works of See also:

• RAPHAEL (Hebrew smm, " God heals ")

Raphael and of See also:

• MICHELANGELO (MICHELAGNIOLO BUONARROTI) (1475-1564)

Michelangelo . In 156o, while yet in Rome, proceedings were taken against him by the See also:

• INQUISITION, THE (Lat. inquisitio, an inquiry)

Inquisition at See also:

• VALLADOLID

Valladolid on See also:

• ACCOUNT
• ACCOUNT (through O. Fr. acont, Late Lat. comptum, cornputare, to calculate)

account of a See also:

• LETTER (through Fr. lettre from Lat. littera or litera, letter of the alphabet; the origin of the Latin word is obscure; it has probably no connexion with the root of linere, to smear, i.e. with wax, for an inscription with a stilus)

letter which, found among the papers of the See also:

• ARCHBISHOP (Lat. archiepiscopus, from Gr. apxceatorcoros)

archbishop of See also:

• TOLEDO
• TOLEDO, COUNCILS OF (Concilia toletana)

Toledo, had been written by See also:

• CESPEDES
• CESPEDES (in Ital. CEDASPE), PABLO DE (1538—1608)

Cespedes during the preceding See also:

• YEAR

year, and in which he had spoken with See also:

• GREAT

great freedom against the See also:

• HOLY

holy See also:

• OFFICE (from Lat. officium, " duty," " service," a shortened form of opifacium, from facere, " to do," and either the stem of opes, " wealth," " aid," or opus, " work ")

office and the inquisitor-See also:

• GENERAL
• GENERAL (Lat. generalis, of or relating to a genus, kind or class)

general, Fernando de See also:

• VALDES, JUAN DE (c. 1500-1541)

Valdes . Cespedes remained in Rome at this See also:

• CRITICAL (in alphabetical order of authors)

critical moment, and he appears sightly to have treated the See also:

• PROSECUTION

prosecution with derision . It is not known how he contrived to bring the proceedings to an end; he returned, however, to See also:

• SPAIN
• SPAIN (Espana)

Spain a little before 1577, and in that year was installed in a prebend of the See also:

• CATHEDRAL

cathedral at Cordova, where he resided till his See also:

• DEATH

death . Pablo de Cespedes has been called the most savant of Spanish artists . According to his friend Francisco See also:

• PACHECO, FRANCISCO (1571-1654)

Pacheco, to whom posterity is indebted for the preservation of all of Cespedes's See also:

• VERSE (from Lat. versus, literally a line or furrow drawn by turning the plough, from vertere, and afterwards signifying an arrangement of syllables into feet)

verse that is extant, the school of See also:

• SEVILLE
• SEVILLE (Span. Sevilla, Lat. Ispalis or Hispalis, Moorish Ishbiliya)

Seville owes to him its introduction to the practice of See also:

• CHIAROSCURO (from the Ital. chiaro, Iight or brightness, and oscuro, darkness or shade)

chiaroscuro . He was a bold and correct draughtsman, a skilful anatomist, a See also:

• MASTER (Lat. magister, related to tnagis, more, as the corresponding minister is to minus, less; the English form is due partly to the O. Eng. maegister, and partly to O. Fr. maistre, mod. maitre; cf. Du. meester, Ger. Meister, Ital. maestro)

master of See also:

• COLOUR (Lat. color, connected with celare, to hide, the root meaning, therefore, being that of a covering)

colour and See also:

• COMPOSITION
• COMPOSITION (Lat. compositio, from componere, to put together)

composition; and the See also:

• INFLUENCE (Late Lat. influentia, from influere, to flow in)

influence he exerted to the See also:

• ADVANTAGE

advantage of See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early Spanish See also:

• ART

art was considerable . Cristobal de See also:

• VERA, AUGUSTO (1813-1885)

Vera, Juan de Pefialosa and Zambrano were among his pupils . His best picture is a Last Supper at Cordova, but there are See also:

• GOOD, JOHN MASON (1764-1827)

good examples of his See also:

• WORK

work at Seville and at See also:

• MADRID

Madrid . Cespedes was author of several opuscules in See also:

• PROSE

prose on subjects connected with his profession . Of his poem on The Art of See also:

• PAINTING

Painting enough was preserved by Pacheco to enable us to See also:

• FORM (Lat. forma)

form an See also:

• OPINION (Lat. opinio, from opinari, to think)

opinion of the whole .

It is esteemed the best didactic verse in Spanish; and it has been compared, not disadvantageously, with the Georgics . It is written in strong and sonorous octaves, in the majestic declamatory vein of Fernando See also:

• HERRERA, FERNANDO DE (c. 1534-1597)
• HERRERA, FRANCISCO (1576-1656)

Herrera, and is not altogether so dull and lifeless as is most didactic verse . It contains a glowing eulogy of Michelangelo, and some excellent See also:

• ADVICE (Fr. avis, from Lat. ad, to, and visum, viewed)

advice to See also:

• YOUNG
• YOUNG, A
• YOUNG, ARTHUR (1741-1820)
• YOUNG, BRIGHAM (1801-1877)
• YOUNG, CHARLES MAYNE (1777–1856)
• YOUNG, EDWARD (1683–1765)
• YOUNG, JAMES (1811-1883)
• YOUNG, THOMAS (1773-1829)

young painters, insisting particularly on hard work and on the study of nature . The few fragments yet remaining,. amounting in all to some six See also:

• HUNDRED

hundred lines, were first printed by Pacheco in his See also:

• TREATISE

treatise Del See also:

• ARK (a word common to Teutonic languages, cf. Ger. Arche, adapted from the Lat. area, chest, cf. arcere, to shut up, enclose)„ a chest, basket or box. The Hebrew word tebah, translated in the' A.V. by " ark," is used in the Old Testament (1)

ark de la pintura, in 1649 .