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See also: born at See also: Ambert, See also: Puy de Dome, on the 18th of See also: January 1841
.
At first he only cultivated See also: music as an See also: amateur, and it was not until 1879 that he threw up an administration See also: appointment in See also: order to devote himself entirely to the See also: art
.
He had two years previously written an See also: opera bouffe entitled L'Etoile, which was performed at the Bouffes Parisiens
.
In 1881 he was appointed See also: chorus-master of the concerts then recently established by See also: Lamoureux
.
In 1883 he composed the brilliant orchestral rhapsody entitled Espana, the themes of which he had jotted down when travelling in See also: Spain
.
His opera Gwendoline was brought out with considerable success at Brussels on the loth of See also: April 1886, and was given later at the See also: Paris See also: Grand Opera
.
The following See also: year 1887, Le Roi malgre lui, an opera of a lighter description, was produced in Paris at the Opera Comique, its run being interrupted by the terrible fire by which this theatre was destroyed
.
His last opera, Briseis, was See also: left unfinished, and performed in a fragmentary condition at the Paris Opera, after the composer's See also: death in Paris on the 13th of See also: September 1894
.
Chabrier was also the author of a set of piano pieces entitled Pieces pittoresques, Valses romantiques, for two pianos, a fantasia for See also: horn and piano, &c
.
His See also: great admiration for Wagner asserted itself in Gwendoline, a See also: work which, in spite of inequalities due to want of experience, is animated by a high See also: artistic ideal, is poetically conceived, and shows considerable See also: harmonic originality, besides a thorough mastery over the treatment of the orchestra
.
The characteristics of Le Roimalgre lui have been well summed up by M
.
See also: Joncieres when he alludes to " See also: cette verve inepuisable, See also: ces rythmes endiables, cette exuberance de gaiete et de vigueur, a laquelle venait se joindre la note melancolique et emue." Chabrier's premature death prevented him from giving the full measure of his worth
.
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