See also:

• GEORGE
• GEORGE, 8TH MARQUESS OF TWEEDDALE (1787-1876)
• GEORGE, HENRY (1839—1897)
• GEORGE, LAKE
• GEORGE, SAINT (d. 303)

GEORGE See also:

• PAUL
• PAUL (PAULUS)

PAUL See also:

• CHALMERS, ALEXANDER (1759-1834)
• CHALMERS, GEORGE (1742-1825)
• GEORGE PAUL CHALMERS (1836-1878)
• CHALMERS, JAMES (1841-1901)
• CHALMERS, THOMAS (1780-1847)

CHALMERS (1836-1878)  , Scottish painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• MONTROSE
• MONTROSE, JAMES GRAHAM, MARQUESS OF (1612—1650)
• MONTROSE, MARQUESSES AND DUKES OF

Montrose, and studied at See also:

• EDINBURGH

Edinburgh . His landscapes are now more valued than the portraits which formed his earlier See also:

• WORK

work . The best of these are " The End of the See also:

• HARVEST (A.S. hcerfest " autumn," O.H. Ger. herbist, possibly through an old Teutonic root representing Lat. car pere, " to pluck ")

Harvest " (1873), " See also:

• RUNNING

Running See also:

• WATER

Water" (1875), and " The See also:

• LEGEND (through the French from the med. Lat. legenda, things to be read, from legere, to read)

Legend " (in the See also:

• NATIONAL

National See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

Gallery, Edinburgh) . He became an See also:

• ASSOCIATE (Lat. associates, from ad, to, and sociare to join)

associate (1867) and a full member (1871) of the Scottish See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy .