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See also: born in See also: Rouen of a See also: good See also: family
.
Iler See also: father's name was Desmares
.
She made her first appearance on the stage at Rouen with See also: Charles Chevillet (1645–1701), who called himself sieur de
See also: Champmesle, and they were married in 1666
.
By 1669 they were playing in See also: Paris at the Theatre du Marais, her first appearance there being as See also: Venus in Boyer's Fete de Venus
.
The next See also: year, as Hermione in Racine's Andromaque, she had a See also: great success at the Hotel de Bourgogne
.
Her intimacy with Racine See also: dates from then
.
Some of his finest tragedies were written for her, but her repertoire was not confined to them, and many an indifferent play—like See also: Thomas Corneille's Ariane and Comte d'Essex—owed its success to " her natural manner of acting, and her pathetic rendering of the hapless heroine." Phedre was the
See also: climax of her triumphs, and when she and her See also: husband deserted the Hotel de Bourgogne (see BEJART ad fin.), it was selected to open the Comedic Fran9aise on the 26th of See also: August 1680
.
Here, with Mme Guerin as the leading See also: comedy actress, she played the great tragic love parts for more than See also: thirty years, dying on the 15th of May 1698
.
La Fontaine dedicated to her his novel Belphegor, and Boileau immortalized her in verse
.
Her husband distinguished himself both as actor and playwright, and his Parisien (1682) gave Mme Guerin one of her greatest successes
.
Her See also: brother, the actor NICOLAS DESMARES (c
.
1650–1714), began as a member of a subsidized See also: company at See also: Copenhagen, but by her influence he came to Paris and was received in 1685 sans debut—the first See also: time such an honour had been accorded—at the Comedie Fran9aise, where he became famous for peasant parts
.
His daughter, to whom Christian V. and hisSee also: queen stood sponsors, CHRISTINE ANTOINETTE See also: CHARLOTTE DESMARES (1682—17 J3), was a See also: fine actress in both tragedy and soubrette parts
.
She made her debut at the Comedie Fran9aise in 1699, in La See also: Grange Chancel's Oreste et Pylade, and was at once received as societaire
.
She retired in 1721
.
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