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NICOLAS TOUSSAINT CHARLET (1792-1845)

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Originally appearing in Volume V05, Page 945 of the 1911 Encyclopedia Britannica.
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NICOLAS
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TOUSSAINT CHARLET (1792-1845)
  , French de-signer and painter, more especially of military subjects, was born in Paris on the 20th of December 1792 . He was the son of a dragoon in the Republican army, whose
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death in the ranks
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left the widow and
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orphan in very poor circumstances . Madame Charlet, however, a woman of determined spirit and an extreme Napoleonist, managed to give her boy a moderate
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education at the Lycee
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Napoleon, and was repaid by his lifelong affection . His first employment was in a Parisian mairie, where he had to
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register recruits: he served in the
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National Guard in 1814, fought bravely at the Barriere de
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Clichy, and, being thus unacceptable to the Bourbon party, was dismissed from the mairie in 1816 . He then, having from a very early age had a propensity for
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drawing, entered the atelier of the distinguished painter Baron Gros, and soon began issuing the first of those lithographed designs which eventually brought him renown . His "
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Grenadier de
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Waterloo," 1817, with the motto " La Garde meurt et ne se rend pas " (a famous phrase frequently attributed to Cambronne, but which he never uttered, and which cannot, perhaps, be traced farther than to this lithograph by Charlet), was particularly popular . It was only towards 1822, however, that he began to be successful in a professional sense . Lithographs (about 2000 altogether),
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water-colours, sepia-drawings, numerous oil sketches, and a few etchings followed one another rapidly; there were also three exhibited oil pictures, the first of which was especially admired—"
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Episode in the
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Campaign of Russia " (1836), the " Passage of the Rhine by Moreau " (1837), " Wounded Soldiers Halting in a
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Ravine " (1843) . Besides the military subjects in which he peculiarly delighted, and which found an energetic response in the popular heart, and kept alive a feeling of regret for the
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recent past of the French nation and discontent with the
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present,—a feeling which increased upon the artist himself towards the close of his career,—Charlet designed many subjects of
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town
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life and peasant life, the ways of children, &c., with much wit and whim in the descriptive mottoes . One of the most famous sets is the "
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Vie civile, politique, et militaire du Caporal Valentin," 50 lithographs, dating from 1838 to 1842 . In 1838 his
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health began to fail owing to an affection of the chest . He died in Paris on the 3oth of
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October 1845 .

Charlet was an uncommonly tall

man, with an expressive face, bantering and good natured; his character corresponded, full of boyish fun and high
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spirits, with manly independence, and a vein of religious feeling, and he was a hearty favourite among his intimates, one of whom was the painter Gericault . Charlet married in 1824, and two sons survived him . A life of Charlet was published in 1856 by a military friend, De la Combe . (W . M .

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