See also:

• VICTOR
• VICTOR, GAIUS JULIUS (4th cent. A.D.)
• VICTOR, SEXTUS AURELIUS

VICTOR EUPHEMIEN PHILARETE See also:

• VICTOR EUPHEMIEN PHILARETE CHASLES (1798-1873)

CHASLES (1798-1873)  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French critic and See also:

• MAN
• MAN, ISLE OF (anc. Mona)

man of letters, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at Mainvilliers (See also:

• EURE

Eure et Loir) on the 8th of See also:

• OCTOBER

October 1798 . His See also:

• FATHER

father, See also:

• PIERRE

Pierre Jacques See also:

• MICHEL
• MICHEL, CLAUDE
• MICHEL, FRANCISQUE XAVIER (1809-1887)

Michel See also:

• CHASLES, VICTOR EUPHEMIEN PHILARETE (1798-1873)

Chasles (1754-1826), was a member of the See also:

• CONVENTION (Lat. conventio, an assembly or agreement, from convenire, to come together)
• CONVENTION, THE NATIONAL

Convention, and was one of those who voted the See also:

• DEATH

death of See also:

• LOUIS
• LOUIS (804–876)
• LOUIS (893–911)
• LOUIS, JOSEPH DOMINIQUE, BARON (1755-1837)
• LOUIS, or LEWIS (from the Frankish Chlodowich, Chlodwig, Latinized as Chlodowius, Lodhuwicus, Lodhuvicus, whence-in the Strassburg oath of 842-0. Fr. Lodhuwigs, then Chlovis, Loys and later Louis, whence Span. Luiz and—through the Angevin kings—Hungarian

Louis XVI . He brought up his son according to the principles of See also:

• ROUSSEAU, JACQUES (1633-1693)
• ROUSSEAU, JEAN BAPTISTE (1671-1741)
• ROUSSEAU, JEAN JACQUES (1712-1778)
• ROUSSEAU, PIERRE ETIENNE THEODORE (1812–1867); French painter of the Barbizon school, was born in Paris on the 15th of April 1812, of a bourgeois family which included one or two artists. At first he received a business training, but soon displayed aptitu

Rousseau's Emile, and the boy, after a regime of outdoor See also:

• LIFE

life, followed by some years' classical study, was apprenticed to a printer, so that he might make acquaintance with See also:

• MANUAL

manual labour . His See also:

• MASTER (Lat. magister, related to tnagis, more, as the corresponding minister is to minus, less; the English form is due partly to the O. Eng. maegister, and partly to O. Fr. maistre, mod. maitre; cf. Du. meester, Ger. Meister, Ital. maestro)

master was involved in one of the plots of 1815, and Philarete suffered two months' imprisonment . On his See also:

• RELEASE (O.Fr. reles, variant of relais, from relaisser, to release, let go, Lat. relaxare)

release he was sent to See also:

• LONDON

London, where he worked for the printer See also:

• VALPY, RICHARD (1754-1836)

Valpy on See also:

• EDITIONS

editions of classical authors . He wrote articles for the See also:

• ENGLISH

English reviews, and on his return to See also:

• FRANCE
• FRANCE, ANATOLE (1844– )

France did much to popularize the study of English authors . He was also one of the earliest to draw See also:

• ATTENTION (from Lat. ad-tendo, await, expect; the condition of being " stretched " or " tense ")

attention in France to Scandinavian and See also:

• RUSSIAN

Russian literature . He contributed to the Revue See also:

• DES

des deux mondes, until he had a violent See also:

• QUARREL

quarrel, terminating in a lawsuit, with See also:

• FRANCOIS (1558-1614)

Francois Buloz, who won his See also:

• CASE
• CASE, JOHN (d. 1600)

case . He became librarian of the Bibliotheque Mazarine, and from 1841 was See also:

• PROFESSOR (the Latin noun formed from the verb profiteri, to declare publicly, to acknowledge, profess)

professor of See also:

• COMPARATIVE

comparative literature at the See also:

• COLLEGE (Collegium)

College de France . During his active life he produced some fifty volumes of See also:

• LITERARY

literary See also:

• HISTORY

history and See also:

• CRITICISM
• CRITICISM (from the Gr. KpiTrlS, a judge, Kpivew, to decide, to give an authoritative opinion)

criticism, and of social history, much of which is extremely valuable . He died at See also:

• VENICE
• VENICE (continued)
• VENICE (Venezia)

Venice on the 18th of See also:

• JULY

July 1873 . His son, Emile Chasles (b .

1827), was a philologist of some reputation . Among his best See also:

• CRITICAL (in alphabetical order of authors)

critical See also:

• WORKS

works is See also:

• DIX, DOROTHEA LYNDE (1802-1887)
• DIX, JOHN

Dix-huitieme Siecle en Angleterre (1846), one of a See also:

• SERIES (a Latin word from serere, to join)

series of 20 vols. of Etudes de [literature See also:

• CORN (a common Teutonic word; cf. Lat. granum, seed, grain)
• CORN (fromm Lat. corms, horn)

corn See also:

• PANE (Fr. pan, Lat. pannus, a cloth, garment)

pane (1846–1875), which he called later Trente ans de critique . An See also:

• ACCOUNT
• ACCOUNT (through O. Fr. acont, Late Lat. comptum, cornputare, to calculate)

account of his strenuous boyhood is given in his Maison de mon Pere . His Memoires (1876–1877) did not fulfil the expectations based on his brilliant talk .