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See also: miscellaneous writer, was See also: born on the 19th of See also: July 1829, at See also: Geneva, where his See also: father, See also: Andre Cherbuliez (1795-1874), was a classical professor at the university
.
He was descended from a See also: family of See also: Protestant refugees, and many years later Victor Cherbuliez resumed his French See also: nationality, taking See also: advantage of an See also: act passed in the early days of the Revolution
.
Geneva was the scene of his early See also: education; thence he proceeded to See also: Paris, and afterwards to the See also: universities of See also: Bonn and Berlin
.
He returned to his native See also: town and engaged in the profession of teaching
.
After his resumption of French citizenship he was elected a member of the See also: Academy (1881), and having received the See also: Legion of Honour in 187o, he was promoted to be officer of the See also: order in 1892
.
He died on the 1st of July 1899
.
Cherbuliez was a voluminous and successful writer of fiction
.
His first See also: book, originally published in 186o, reappeared in 1864 under the title of Un Cheval de Phidias: it is a romantic study of See also: art in the See also: golden age of Athens
.
He went on to produce a series of novels, of which the following are the best known: Le Comte Kostia (1863), Le See also: Prince Vitale (1864), Le See also: Roman d'une honne"te femme (1866), L'Aventure de Ladislas Bolski (1869), See also: Miss Ravel (1875), See also: Samuel Broil et Cie (1877), L'Idee de See also: Jean Teterol (1878), Noirs et rouges (1881), La Vocation du Comte Ghislain (1888), Une Gageure (189o), Le Secret du precepteur (1893), Jacquine Vanesse (1898), &c
.
Most of these novels first appeared in the Revue See also: des deux mondes, to which Cherbuliez also contributed a number of See also: political and learned articles, usually printed with the pseudonym G
.
Valbert
.
Many of these have been published in collected See also: form under the titles L'Allemagne politique (187o), L'Espagne politique (1874), .Profits strangers (1889), L'Art et la nature (1892), &c
.
The See also: volume Etudes de litterature et d'art (1873) includes articles for the most See also: part reprinted from Le Temps
.
The earlier novels of Cherbuliez have been said with truth to show marked traces of the influence of See also: George See also: Sand; and in spite of modification, his method was that of an older school
.
He did not possess the sombre power or the intensely See also: analytical skill of some of his later contemporaries, but his books are distinguished by a freshness and honesty, fortified by cosmopolitan knowledge and lightened by unobtrusive See also: humour, which fully account for their wide popularity in many countries besides his own
.
His See also: genius was the See also: reverse of dramatic, and attempts to See also: present two of his stories on the stage have not succeeded
.
His essays have all the merits due to liberal observation and thoroughness of treatment; their See also: style, like that of the novels, is admirably lucid and correct
.
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