See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

CHARLES See also:

• VICTOR
• VICTOR, GAIUS JULIUS (4th cent. A.D.)
• VICTOR, SEXTUS AURELIUS

VICTOR See also:

• CHARLES VICTOR CHERBULIEZ (1829-1899)

CHERBULIEZ (1829-1899)  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French novelist and See also:

• MISCELLANEOUS

miscellaneous writer, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born on the 19th of See also:

• JULY

July 1829, at See also:

• GENEVA
• GENEVA (Fr. Geneve, Ger. Genf, Ital. Ginevra, Late Lat. Gebenna, though Genava in good Latin)
• GENEVA, LAKE OF

Geneva, where his See also:

• FATHER

father, See also:

• ANDRE, JOHN (1751-178o)

Andre See also:

• CHERBULIEZ, CHARLES VICTOR (1829-1899)

Cherbuliez (1795-1874), was a classical See also:

• PROFESSOR (the Latin noun formed from the verb profiteri, to declare publicly, to acknowledge, profess)

professor at the university . He was descended from a See also:

• FAMILY

family of See also:

• PROTESTANT

Protestant refugees, and many years later See also:

• VICTOR
• VICTOR, GAIUS JULIUS (4th cent. A.D.)
• VICTOR, SEXTUS AURELIUS

Victor Cherbuliez resumed his French See also:

• NATIONALITY

nationality, taking See also:

• ADVANTAGE

advantage of an See also:

• ACT (Lat. actus, actum)

act passed in the See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early days of the Revolution . Geneva was the See also:

• SCENE (Fr. scene, Lat. scaena, Gr. oflvil, a tent or booth, a stage or scene)

scene of his early See also:

• EDUCATION

education; thence he proceeded to See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris, and afterwards to the See also:

• UNIVERSITIES

universities of See also:

• BONN

Bonn and See also:

• BERLIN
• BERLIN, CONGRESS AND TREATY OF
• BERLIN, ISAIAH (1725–1799)

Berlin . He returned to his native See also:

• TOWN

town and engaged in the profession of teaching . After his resumption of French citizenship he was elected a member of the See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy (1881), and having received the See also:

• LEGION (Lat. legio)

Legion of See also:

• HONOUR (Lat. honos or lwnor, honoris; in English the word was spelled with or without the u indifferently until the 17th century, but during the 18th century it became fashion-able to spell the word " honor "; Johnson's and Webster's Dictionaries stereoty

Honour in 187o, he was promoted to be officer of the See also:

• ORDER
• ORDER (through Fr. ordre, for earlier ordene, from Lat. ordo, ordinis, rank, service, arrangement; the ultimate source is generally taken to be the root seen in Lat. oriri, rise, arise, begin; cf. " origin ")
• ORDER, HOLY

order in 1892 . He died on the 1st of July 1899 . Cherbuliez was a voluminous and successful writer of fiction . His first See also:

• BOOK

book, originally published in 186o, reappeared in 1864 under the See also:

• TITLE (0. Fr. title, mod. titre, from Lat. titulus)

title of Un Cheval de Phidias: it is a romantic study of See also:

• ART

art in the See also:

• GOLDEN

golden See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age of See also:

• ATHENS
• ATHENS ['AN vat, Athenae, modem colloquial Greek `Ath va]

Athens . He went on to produce a See also:

• SERIES (a Latin word from serere, to join)

series of novels, of which the following are the best known: Le See also:

• COMTE, AUGUSTE [ISIDORE AUGUSTE MARIE FRANCOIS XAVIER] (1798-1857)

Comte Kostia (1863), Le See also:

• PRINCE
• PRINCE (Lat. princeps, from primus capio, " I am the first to take "; Ital. principe, Fr. prince)

Prince Vitale (1864), Le See also:

• ROMAN

Roman d'une honne"te femme (1866), L'Aventure de Ladislas Bolski (1869), See also:

• MISS

Miss Ravel (1875), See also:

• SAMUEL

Samuel Broil et Cie (1877), L'Idee de See also:

• JEAN

Jean Teterol (1878), Noirs et rouges (1881), La Vocation du Comte Ghislain (1888), Une Gageure (189o), Le See also:

• SECRET (Lat. secretum, hidden, concealed)

Secret du precepteur (1893), Jacquine Vanesse (1898), &c . Most of these novels first appeared in the Revue See also:

• DES

des deux mondes, to which Cherbuliez also contributed a number of See also:

• POLITICAL

political and learned articles, usually printed with the See also:

• PSEUDONYM (Gr. >l ev&,vuµos, having a false name, ¢Evirls, false and ovoµa, name)

pseudonym G . Valbert . Many of these have been published in collected See also:

• FORM (Lat. forma)

form under the titles L'Allemagne politique (187o), L'Espagne politique (1874), .Profits strangers (1889), L'Art et la nature (1892), &c .

The See also:

• VOLUME

volume Etudes de litterature et d'art (1873) includes articles for the most See also:

• PART

part reprinted from Le Temps . The earlier novels of Cherbuliez have been said with truth to show marked traces of the See also:

• INFLUENCE (Late Lat. influentia, from influere, to flow in)

influence of See also:

• GEORGE
• GEORGE, 8TH MARQUESS OF TWEEDDALE (1787-1876)
• GEORGE, HENRY (1839—1897)
• GEORGE, LAKE
• GEORGE, SAINT (d. 303)

George See also:

• SAND
• SAND, GEORGE (1804-1876)

Sand; and in spite of modification, his method was that of an older school . He did not possess the sombre See also:

• POWER [WILLIAM GRATTAN] TYRONE (1797-1841)

power or the intensely See also:

• ANALYTICAL

analytical skill of some of his later contemporaries, but his books are distinguished by a freshness and honesty, fortified by See also:

• COSMOPOLITAN (Gr. Kbvµos, world, and IroXirgs, citizen)

cosmopolitan knowledge and lightened by unobtrusive See also:

• HUMOUR (Latin humor)

humour, which fully See also:

• ACCOUNT
• ACCOUNT (through O. Fr. acont, Late Lat. comptum, cornputare, to calculate)

account for their wide popularity in many countries besides his own . His See also:

• GENIUS (from Lat. genere, gignere)

genius was the See also:

• REVERSE

reverse of dramatic, and attempts to See also:

• PRESENT

present two of his stories on the See also:

• STAGE (Fr. 6/age; from Lat. stare, to stand)

stage have not succeeded . His essays have all the merits due to liberal observation and thoroughness of treatment; their See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style, like that of the novels, is admirably lucid and correct .