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See also: English journalist and author, who came of a See also: family of estate-agents, was See also: born in See also: London on the 29th of May 1874
.
He was educated
at St See also: Paul's school, which he See also: left in 1891 with the idea of studying See also: art
.
But his natural bent was See also: literary, and he devoted himself mainly to cultivating that means of expression, both in See also: prose and verse; he did occasional reviewing, and had some experience in a publisher's office
.
In 'goo, having already produced a See also: volume of See also: clever poems, The See also: Wild Knight, he definitely took to journalism as a career, and became a See also: regular contributor of signed articles to the Liberal See also: journals, the See also: Speaker and Daily See also: News
.
He established himself from the first as a writer with a distinct See also: personality, combative to a swashbuckling degree, unconventional and dogmatic; and the republication of much of his See also: work in a series of volumes (e.g
.
Twelve Types, Heretics, Orthodoxy), characterized by much acuteness of See also: criticism, a pungent See also: style, and the capacity of laying down the See also: law with unflagging impetuosity and See also: humour, enhanced his reputation
.
His See also: powers as a writer are best shown in his studies of See also: Browning (in the " English Men of Letters " series) and of Dickens; but these were only rather more ambitious essays among a medley of characteristic utterances, ranging from fiction (including The See also: Napoleon of Notting-See also: hill) to fugitive verse, and from
See also: artistic criticism to discussions of See also: ethics and See also: religion
.
The See also: interest excited by his work and views was indicated and analysed in an See also: anonymous volume (G
.
K
.
Chesterton: a Criticism) published in 1908
.
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