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CIGOLI (or C1vo1a), LODOVICO CARDI DA (1559-1613) , See also: Italian painter, architect and poet, was See also: born at Cigoli in See also: Tuscany
.
Educated under Alessandro See also: Allori and Santi di Tito, he formed a See also: peculiar See also: style by the study at Florence of Michelangelo, See also: Correggio, See also: Andrea del Sarto and See also: Pontormo
.
Assimilating more of the second of these masters than of all the others, he laboured for some years with success; but the attacks of his enemies, and intense application to the production of a See also: wax See also: model of certain anatomical preparations, induced an alienation of mind which affected him for three years
.
At the end of this See also: period he visited See also: Lombardy, whence he returned to Florence
.
There he painted an " Ecce Homo," in competition with Passignani and See also: Caravaggio, which gained the prize
.
This See also: work was afterwards taken by See also: Bonaparte to the Louvre, and was restored to Florence in 1815
.
Other important pictures are—a " St See also: Peter Healing the Lame See also: Man," in St Peter's at See also: Rome; a " Conversion of St See also: Paul," in the See also: church of
See also: San Paolo fuori le Mura, and a " See also: Story of See also: Psyche," in See also: fresco, at the See also: Villa See also: Borghese; a " Martyrdom of See also: Stephen," which earned him the name of the Florentine Correggio, a" See also: Venus and Satyr," a " Sacrifice of Isaac," a " Stigmata of St See also: Francis," at Florence
.
Cigoli, who was made a knight of See also: Malta at the See also: request of See also: Pope Paul III., was a See also: good and solid draughtsman and the possessor of a See also: rich and harmonious palette
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He died, it is said, of grief at the failure of his last fresco (in the See also: Roman church of See also: Santa Maria Maggiore), which is rendered ridiculous by an abuse of perspective
.
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