See also:

• CIGOLI (or C1vo1a), LODOVICO CARDI DA (1559-1613)

CIGOLI (or C1vo1a), LODOVICO CARDI DA (1559-1613)  , See also:

• ITALIAN

Italian painter, architect and poet, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• CIGOLI (or C1vo1a), LODOVICO CARDI DA (1559-1613)

Cigoli in See also:

• TUSCANY
• TUSCANY (Toscana)

Tuscany . Educated under Alessandro See also:

• ALLORI, ALESSANDRO (1535—1607)

Allori and Santi di Tito, he formed a See also:

• PECULIAR

peculiar See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style by the study at See also:

• FLORENCE
• FLORENCE (Ital. Firenze, Lat. Florentia)

Florence of See also:

• MICHELANGELO (MICHELAGNIOLO BUONARROTI) (1475-1564)

Michelangelo, See also:

• CORREGGIO
• CORREGGIO, or COREGGIO

Correggio, See also:

• ANDREA, GIOVANNI (1275-1348)

Andrea del Sarto and See also:

• PONTORMO, JACOPO DA (1494-1557)

Pontormo . Assimilating more of the second of these masters than of all the others, he laboured for some years with success; but the attacks of his enemies, and intense application to the See also:

• PRODUCTION (Lat. productionem, from producere, to pro-duce)

production of a See also:

• WAX

wax See also:

• MODEL (0. Fr. modelle, mod. modele; It. modello, pattern, mould; from Lat. modus, measure, standard)

model of certain anatomical preparations, induced an See also:

• ALIENATION (from Lat. alienus, belonging to another)

alienation of mind which affected him for three years . At the end of this See also:

• PERIOD
• PERIOD (Gr. irepioSos, a going or way round, circuit, aepi, round, and &Sis, way, road)

period he visited See also:

• LOMBARDY

Lombardy, whence he returned to Florence . There he painted an " Ecce Homo," in competition with Passignani and See also:

• CARAVAGGIO
• CARAVAGGIO, MICHELANGELO AMERIGHI (or MERIGI) DA (1569-1609)
• CARAVAGGIO, POLIDORO CALDARA DA (1495 or 1492-1543)

Caravaggio, which gained the See also:

• PRIZE, or PRIZE OF WAR (Fr. prise, from prendre, to take)

prize . This See also:

• WORK

work was afterwards taken by See also:

• BONAPARTE

Bonaparte to the Louvre, and was restored to Florence in 1815 . Other important pictures are—a " St See also:

• PETER
• PETER (Lat. Petrus from Gr. irfpos, a rock, Ital. Pietro, Piero, Pier, Fr. Pierre, Span. Pedro, Ger. Peter, Russ. Petr)
• PETER (PEDRO)
• PETER, EPISTLES OF
• PETER, ST

Peter Healing the Lame See also:

• MAN
• MAN, ISLE OF (anc. Mona)

Man," in St Peter's at See also:

• ROME
• ROME (Roma)

Rome; a " See also:

• CONVERSION (Lat. conversio, from convertere, to turn or ,change)

Conversion of St See also:

• PAUL
• PAUL (PAULUS)

Paul," in the See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

church of See also:

• SAN

San See also:

• PAOLO (GIROLAMO GASPARE)5 (1532-1600)

Paolo fuori le Mura, and a " See also:

• STORY, JOHN (c. 1510-1571)
• STORY, JOSEPH (1779-1845)
• STORY, ROBERT HERBERT (1835-1907)
• STORY, WILLIAM WETMORE (1819—1895)

Story of See also:

• PSYCHE (//vxi7)

Psyche," in See also:

• FRESCO (Ital. for cool, " fresh ")

fresco, at the See also:

• VILLA

Villa See also:

• BORGHESE

Borghese; a " Martyrdom of See also:

• STEPHEN
• STEPHEN (1097?-1154)
• STEPHEN (ISTVAN) BATHORY (1533-1586)
• STEPHEN, SIR JAMES (1789-1859)
• STEPHEN, SIR JAMES FITZJAMES, BART
• STEPHEN, SIR LESLIE (1832-1904)

Stephen," which earned him the name of the Florentine Correggio, a" See also:

• VENUS

Venus and Satyr," a " See also:

• SACRIFICE (from Lat. sacrificium; sacer, holy, and facere, to make)

Sacrifice of See also:

• ISAAC (Hebrew for " he laughs," on explanatory references to the name, see ABRAHAM)

Isaac," a " Stigmata of St See also:

• FRANCIS
• FRANCIS (FRarrcols) OF SALES, ST (1567-1622)
• FRANCIS (Lat. Franciscus, Ital. Francesco, Span. Francisco, Fr. Francois, Ger. Franz)
• FRANCIS, SIR PHILIP (174o-1818)

Francis," at Florence . Cigoli, who was made a See also:

• KNIGHT, CHARLES (1791-1873)
• KNIGHT, DANIEL RIDGWAY (1845– )
• KNIGHT, JOHN BUXTON (1843–1908)

knight of See also:

• MALTA
• MALTA (or MEDITERRANEAN) FEVER

Malta at the See also:

• REQUEST, LETTERS OF

request of See also:

• POPE (Gr. irarraas, post-classical Lat. papa, father)
• POPE, ALEXANDER (1688–1744)
• POPE, ALEXANDER (1763-1835)
• POPE, JANE (1742-1818)
• POPE, JOHN (1822-1892)
• POPE, SIR THOMAS (c. 1507-1559)

Pope Paul III., was a See also:

• GOOD, JOHN MASON (1764-1827)

good and solid draughtsman and the possessor of a See also:

• RICH, BARNABE (c. 1540-1617)
• RICH, CLAUDIUS JAMES (1787-1821)
• RICH, JOHN (1692-1761)
• RICH, PENELOPE, LADY (c. 1562–1607)
• RICH, RICHARD, 1ST BARON RICH (1490?-1567)

rich and harmonious See also:

• PALETTE (the Fr. diminutive of pale, spade, blade of an oar, from Lat. Pala, spade, baker's shovel or peel; cf. pandere, to spread)

palette . He died, it is said, of grief at the failure of his last fresco (in the See also:

• ROMAN

Roman church of See also:

• SANTA

Santa Maria See also:

• MAGGIORE, LAGO (Lacus Verbanus of the Romans; Fr. Lac Majeur; Ger. Langensee)

Maggiore), which is rendered ridiculous by an abuse of See also:

• PERSPECTIVE (Lat. peespicere, to see through)

perspective .