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CLAQUE (Fr. claquer, to clap the hands) , an organized See also: body of professional applauders in the French theatres
.
The hiring of persons to applaud dramatic performances was See also: common in classical times, and the emperor See also: Nero, when he acted, had his performance greeted by an encomium chanted by five thousand of his soldiers, who were called Angustals
.
The recollection of this gave the 16th-century French poet, See also: Jean Daurat, an idea which has See also: developed into the See also: modern claque
.
Buying up a number of tickets for a performance of one of his plays, he distributed them gratuitously to those who promised publicly to express their approbation
.
It was not, however, till 1820 that a M
.
Sauton seriously undertook the systematization of the claque, and opened an office in See also: Paris for the supply of claqueurs
.
By 1830 the claque had become a See also: regular institution
.
The manager of a theatre sends an See also: order for any number of claqueurs
.
These See also: people are usually under a chef de claque, whose duty it is to See also: judge where their efforts are needed and to start the demonstration of approval
.
This takes several forms
.
Thus there are commissaires, those who learn the piece by See also: heart, and See also: call the See also: attention of their neighbours to its See also: good points between the acts
.
The rieurs are those who laugh loudly at the jokes
.
The pleureurs, generally See also: women, feign tears, by holding their See also: hand-kerchiefs to their eyes
.
The chatouilleurs keep the See also: audience in a good See also: humour, while the bisseurs simply clap their hands and cry bisl Ns/ to secure encores
.
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