CLARINA  , a comparatively new See also:

• INSTRUMENT (Lat. instrumentum, from insincere, to build up, furnish, arrange, prepare)

instrument of the See also:

• WOOD, ANTHONY A2 (1632-1695)
• WOOD, JOHN GEORGE (1827—1889)
• WOOD, MRS HENRY [ELLEN] (1814—1887)
• WOOD, SEARLES VALENTINE (1798—188o)

wood-See also:

• WIND
• WIND (a common Teut. word, cognate with Skt. vats, Lat. ventus, cf. " weather," to be of course distinguished from to " wind," to coil or twist, O.Eng. windan, cf. "wander," "wend," &c.)

wind class (although actually made of See also:

• METAL
• METAL (through Fr. from Lat. metallum, mine, quarry, adapted from Gr. µATaXAov, in the same sense, probably connected with ,ueraAAdv, to search after, explore, µeTa, after, aAAos, other)

metal), a hybrid possessing characteristics of both See also:

• OBOE, or HAUTBOY (Fr. hautbois, Ger. Hoboe, Ital. oboe)

oboe and See also:

• CLARINET
• CLARINET, or CLARIONET (Fr. clarinette; Ger. Clarinette, Klarinett; Ital. clarinetto, chiarinetto)

clarinet . The clarina was invented by W . Heckel of Biebrich-am-Rhein, and has been used since 1891 at the Festspielhaus, See also:

• BAYREUTH, or BAIREUTH

Bayreuth, in See also:

• TRISTAN
• TRISTAN, or TRISTRAM

Tristan and Isolde, as a substitute for the See also:

• HOLZTROMPETE (Wooden Trumpet)

Holztrompete made according to See also:

• WAGNER, ADOLF (1835- )
• WAGNER, RUDOLPH (1805-1864)
• WAGNER, WILHELM RICHARD (1813-1883)

Wagner's instructions . The clarina has been found more See also:

• PRACTICAL

practical and more effective in producing the desired See also:

• TONE, THEOBALD WOLFE (1763-1798)

tone-See also:

• COLOUR (Lat. color, connected with celare, to hide, the root meaning, therefore, being that of a covering)

colour . The clarina is a metal instrument with the conical See also:

• BORE

bore and fingering of the oboe and the clarinet single-See also:

• REED
• REED, ANDREW (1787-1862)
• REED, ISAAC (1742—1807)
• REED, JOSEPH (1741—1785)
• REED, THOMAS BRACKETT (1839—1902)

reed See also:

• MOUTHPIECE (Fr. embouchure; Ger. Mundstuck; Ital. bocchino)

mouthpiece . The See also:

• COMPASS (Fr. corn pas, ultimately from Lat. cum, with, and passus, step)

compass of the Notation . --to to Real sounds . r instrument is as shown, and it stands in the See also:

• KEY
• KEY (in O. Eng. tang; the ultimate origin of the word is unknown; it appears only in Old Frisian kei of other Teutonic languages; until the end of the 17th century the pronunciation was kay, as in other words in O. Eng. ending in aeg; cf. daeg, day; clang
• KEY (the phraseograms being indicated by hyphens)
• KEY, SIR ASTLEY COOPER (1821-1888)
• KEY, THOMAS HEWITT (1799-1875)

key of Bb . Like the clarinet, the clarina is a transposing instrument, for which the See also:

• MUSIC

music must be written in a key a tone higher than that of the See also:

• COMPOSITION
• COMPOSITION (Lat. compositio, from componere, to put together)

composition . The timbre resulting from the See also:

• COMBINATION (Lat. combinare, to combine)

combination of conical bore and single-reed mouthpiece has in the lowest See also:

• REGISTER

register See also:

• AFFINITIES

affinities with the See also:

• COR

cor anglais, in the See also:

• MIDDLE

middle with the See also:

• SAXOPHONE (Ger. Saxophon, Ital. sassofone)

saxophone, and in the highest with the clarinet . Other See also:

• GERMAN
• GERMAN, DUTCH AND SCANDINAVIAN

German orchestras have followed the example of Bayreuth . The clarina has also been found very effective as a See also:

• SOLO, OR SOLO WHIST

solo instrument .

(K .