GIOVANNI CARLO MARIA See also:

• GIOVANNI CARLO MARIA CLARI

CLARI  , See also:

• ITALIAN

Italian musical composer, See also:

• CHAPEL

chapel-See also:

• MASTER (Lat. magister, related to tnagis, more, as the corresponding minister is to minus, less; the English form is due partly to the O. Eng. maegister, and partly to O. Fr. maistre, mod. maitre; cf. Du. meester, Ger. Meister, Ital. maestro)

master at See also:

• PISTOIA
• PISTOIA, SYNOD OF

Pistoia, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• PISA
• PISA, COUNCIL OF (1409)

Pisa about the See also:

• YEAR

year 1669 . The See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time of his See also:

• DEATH

death is unknown . He was the most celebrated See also:

• PUPIL (Lat. pupillus, orphan, minor, dim. of pupus, boy, allied to puer, from root pm- or peu-, to beget, cf. "pupa," Lat. for " doll," the name given to the stage intervening between the larval and imaginal stages in certain insects)

pupil of See also:

• COLONNA
• COLONNA, GIOVANNI PAOLO (circa 1637—1695)
• COLONNA, VITTORIA (1490-1547)

Colonna, chapel-master of S . Petronio, at See also:

• BOLOGNA
• BOLOGNA, GIOVANNI DA (1524–1608)

Bologna . He became See also:

• MAESTRO

maestro di cappella at Pistoia about 1712, at Bologna in 1720, and at Pisa in 1736 . He is supposed to have died about 1745 . The See also:

• WORKS

works by which See also:

• CLARI, GIOVANNI CARLO MARIA

Clari distinguished himself pre-eminently are his vocal duets and trios, with a basso continuo, published between 1740 and 1747 . These compositions, which combine graceful See also:

• MELODY (Gr. ,ueXw3ia, a choral song, from name, tune, and gi6i, song)

melody with contrapuntal learning, were much admired by See also:

• CHERUBINI, MARIA LUIGI CARLO ZENOBIO SALVATORE (1760-1842)

Cherubini . They appear to have been admired by See also:

• HANDEL, GEORGE FREDERICK (1685–1759)

Handel also, since he did not hesitate to make appropriations from them . Clari composed one See also:

• OPERA (Italian for " work ")

opera, Il Savio delirante, produced at Bologna in 1695, and a large quantity of See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

church See also:

• MUSIC

music, several specimens of which were printed in See also:

• NOVELLO, VINCENT (1781-1861)

Novello's See also:

• FITZWILLIAM, SIR WILLIAM (1526-1599)
• FITZWILLIAM, WILLIAM WENTWORTH FITZWILLIAM, 2ND EARL (1748-1833)

Fitzwilliam Music .