See also:

• GEORGE
• GEORGE, 8TH MARQUESS OF TWEEDDALE (1787-1876)
• GEORGE, HENRY (1839—1897)
• GEORGE, LAKE
• GEORGE, SAINT (d. 303)

GEORGE See also:

• GEORGE CLAUSEN (1852- )

CLAUSEN (1852- )  , See also:

• ENGLISH

English painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• LONDON

London, the son of a decorative artist . He attended the See also:

• DESIGN (Fr. desiin, drawing; Lat. designare, to mark out)

design classes at the See also:

• SOUTH
• SOUTH, ROBERT (1634–1716)

South See also:

• KENSINGTON

Kensington See also:

• SCHOOLS

schools from 1867-1873 with See also:

• GREAT

great success . He then worked in the studio of See also:

• EDWIN, AEDUINI
• EDWIN, JOHN (1749–1790)

Edwin See also:

• LONG, GEORGE (1800-1879)
• LONG, JOHN DAVIS (1838– )

Long, R.A., and subsequently in See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris under See also:

• BOUGUEREAU, ADOLPHE WILLIAM (1825-1905)

Bouguereau and See also:

• ROBERT
• ROBERT (1275—1343)
• ROBERT, HUBERT (1753-1808)
• ROBERT, LOUIS LEOPOLD (1794-1835)

Robert-See also:

• FLEURY [ABRAHAM JOSEPH BENARD] (1750-.1822)
• FLEURY, ANDRE HERCULE DE (1653-1743)
• FLEURY, CLAUDE (1640-1723)

Fleury . He became one of the foremost See also:

• MODERN

modern painters of landscape and of See also:

• PEASANT (O. Fr. paysant, Mod. paysan; Lat. pagensis, belonging to the pagus or country; cf. " pagan ")

peasant See also:

• LIFE

life, influenced to a certain extent by the impressionists with whom he shared the view that See also:

• LIGHT

light is the real subject of landscape See also:

• ART

art . His pictures excel in rendering the See also:

• APPEARANCE (from Lat. apparere, to appear)

appearance of things under flecking outdoor sunlight, or in the shady shelter of a See also:

• BARN

barn or See also:

• STABLE

stable . His " Girl at the See also:

• GATE

Gate " was acquired for the nation by the See also:

• CHANTREY, SIR FRANCIS LEGATT (1782-1841)

Chantrey Trustees and is now at the See also:

• NATIONAL

National See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

Gallery of See also:

• BRITISH

British Art (See also:

• TATE, JAMES (1771-1843)
• TATE, NAHUM (1652-1715)
• TATE, RALPH (1840-1901)
• TATE, SIR HENRY, BART

Tate Gallery) . He was elected See also:

• ASSOCIATE (Lat. associates, from ad, to, and sociare to join)

associate of the Royal See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy in 1895, and as See also:

• PROFESSOR (the Latin noun formed from the verb profiteri, to declare publicly, to acknowledge, profess)

professor of See also:

• PAINTING

painting gave a memorable See also:

• SERIES (a Latin word from serere, to join)

series of lectures to the students of the schools,—published as Six Lectures on Painting (1904) and Aims and Ideals in Art (1906) .