See also:

• CODA (Ital. for " tail "; from the Lat. cauda)

CODA (Ital. for " tail "; from the See also:

• LAT

Lat. cauda)  , in See also:

• MUSIC

music, a See also:

• TERM

term for a passage which brings a See also:

• MOVEMENT

movement or a See also:

• SEPARATE

separate piece to a conclusion . This See also:

• DEVELOPED

developed from the See also:

• SIMPLE

simple chords of a See also:

• CADENCE (through the Fr. from the Lat. cadentia, from cadere, to fall)

cadence into an elaborate and See also:

• INDEPENDENT

independent See also:

• FORM (Lat. forma)

form . In a See also:

• SERIES (a Latin word from serere, to join)

series of See also:

• VARIATIONS
• VARIATIONS, CALCULUS
• VARIATIONS, CALCULUS OF

variations on a theme or in a See also:

• COMPOSITION
• COMPOSITION (Lat. compositio, from componere, to put together)

composition with a fixed See also:

• ORDER
• ORDER (through Fr. ordre, for earlier ordene, from Lat. ordo, ordinis, rank, service, arrangement; the ultimate source is generally taken to be the root seen in Lat. oriri, rise, arise, begin; cf. " origin ")
• ORDER, HOLY

order of subjects, the " See also:

• CODA (Ital. for " tail "; from the Lat. cauda)

coda " is a passage sufficiently contrasted with the conclusions of the separate variations or subjects, added to form a See also:

• COMPLETE

complete conclusion to the whole . See also:

• BEETHOVEN, LUDWIG VAN (1770-1827)

Beethoven raised the " coda " to a feature of the highest importance .