See also:

• TIMOTHY
• TIMOTHY, FIRST EPISTLE TO
• TIMOTHY, SECOND EPISTLE TO

TIMOTHY See also:

• COLE, SIR HENRY (1808–1882)
• COLE, THOMAS (1801–1848)
• TIMOTHY COLE (1852– )
• COLE, VICAT (1833–1893)

COLE (1852– )  , See also:

• AMERICAN

American See also:

• WOOD, ANTHONY A2 (1632-1695)
• WOOD, JOHN GEORGE (1827—1889)
• WOOD, MRS HENRY [ELLEN] (1814—1887)
• WOOD, SEARLES VALENTINE (1798—188o)

wood engraver, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• LONDON

London, See also:

• ENGLAND
• ENGLAND, THE CHURCH OF

England, in 1852, his See also:

• FAMILY

family emigrating to the See also:

• UNITED

United States in 1858 . He established himself in See also:

• CHICAGO
• CHICAGO, UNIVERSITY OF

Chicago, where in the See also:

• GREAT

great See also:

• FIRE (in O. Eng. f j'r; the word is common to West German languages, cf. Dutch vuur, Ger. Feuer; the pre-Teutonic form is seen in Sanskrit pu, pavaka, and Gr. irup; the ultimate origin is usually taken to be a root meaning to purify, cf. Lat. purus)

fire of 1871 he lost everything he possessed . In 1875 he removed to New See also:

• YORK
• YORK (HOUSE OF)
• YORK, EDMUND OF LANGLEY, DUKE OF (1341-1402)
• YORK, EDWARD
• YORK, FREDERICK AUGUSTUS, DUKE OF (1763-1827)
• YORK, RICHARD, DUKE

York, finding See also:

• WORK

work on the See also:

• CENTURY (from Lat. centuria, a division of a hundred men)

Century (then Scribner's) See also:

• MAGAZINE

magazine . He immediately attracted See also:

• ATTENTION (from Lat. ad-tendo, await, expect; the condition of being " stretched " or " tense ")

attention by his unusual facility and his sympathetic See also:

• INTERPRETATION (from Lat. interpretari, to expound, explain, inter pres, an agent, go-between, interpreter; inter, between, and the root pret-, possibly connected with that seen either in Greek 4 p4'ew, to speak, or irpa-rrecv, to do)

interpretation of illustrations and pictures, and his publishers sent him abroad in 1883 to engrave a set of blocks after the old masters in the See also:

• EUROPEAN

European galleries . These achieved for him a brilliant success . His reproductions of See also:

• ITALIAN

Italian, Dutch, Flemish and See also:

• ENGLISH

English pictures were published in See also:

• BOOK

book See also:

• FORM (Lat. forma)

form with appreciative notes by the engraver himself . Though the See also:

• ADVENT (Lat. Adventus, sc. Redemptoris, " the coming of the Saviour ")

advent of new See also:

• MECHANICAL

mechanical processes had rendered wood See also:

• ENGRAVING

engraving almost a lost See also:

• ART

art and See also:

• LEFT

left practically no demand for the work of such craftsmen, Mr See also:

• COLE, SIR HENRY (1808–1882)
• COLE, THOMAS (1801–1848)
• COLE, TIMOTHY (1852– )
• COLE, VICAT (1833–1893)

Cole was thus enabled to continue his work, and became one of the foremost contemporary masters of wood engraving . He received a See also:

• MEDAL (Fr. medaille, from Lat. metallum)

medal of the first class at the See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris See also:

• EXHIBITION

Exhibition of 19oo, and the only See also:

• GRAND

grand See also:

• PRIZE, or PRIZE OF WAR (Fr. prise, from prendre, to take)

prize given for wood engraving at the See also:

• LOUISIANA

Louisiana See also:

• PURCHASE

Purchase Exposition at St See also:

• LOUIS
• LOUIS (804–876)
• LOUIS (893–911)
• LOUIS, JOSEPH DOMINIQUE, BARON (1755-1837)
• LOUIS, or LEWIS (from the Frankish Chlodowich, Chlodwig, Latinized as Chlodowius, Lodhuwicus, Lodhuvicus, whence-in the Strassburg oath of 842-0. Fr. Lodhuwigs, then Chlovis, Loys and later Louis, whence Span. Luiz and—through the Angevin kings—Hungarian

Louis, See also:

• MISSOURI

Missouri, in 1904 .