See also:

• COLLATION (Lat. collatio, from conferre, to bring together or compare)

COLLATION (See also:

• LAT

Lat. collatio, from conferre, to bring together or compare)  , the bringing together of things for the See also:

• SPECIAL

special purpose of comparison, and thus, particularly, the See also:

• CRITICAL (in alphabetical order of authors)

critical examination of the texts of documents or See also:

• MSS

MSS. and the result of such comparison . The word is also a See also:

• TERM

term in See also:

• PRINTING (from Lat. imprimere, O. Fr. empreindre)

printing and See also:

• BOOKBINDING

bookbinding for the See also:

• REGISTER

register of the " signatures," the number of quires and leaves in each See also:

• QUIRE (in earlier forms quaer, quaer and quere, from the O. Fr. quaier, modern cahier, a copy-book, manuscript book; Lat. quaterni, set of four, from quattuor)

quire of a See also:

• BOOK

book or MS . In See also:

• ROMAN

Roman and Scots See also:

• LAW
• LAW (0. Eng. lagu, M. Eng. lawe; from an old Teutonic root lag, " lie," what lies fixed or evenly; cf. Lat. lex, Fr. loi)
• LAW, JOHN (1671—1729)
• LAW, WILLIAM (1686-1761)

law " See also:

• COLLATION (Lat. collatio, from conferre, to bring together or compare)

collation " answers to the See also:

• ENGLISH

English law term "hotch-pot" (q.v.) . From another meaning of the Latin word, a consultation or See also:

• CONFERENCE

conference, and so a See also:

• TREATISE

treatise or See also:

• HOMILY

homily, comes the See also:

• TITLE (0. Fr. title, mod. titre, from Lat. titulus)

title of a See also:

• WORK

work of Johannes See also:

• CASSIANUS, JOANNES EREMITA, or JOANNES

Cassianus (q.v.), the Conferences of the Fathers (Collationes Patrum) . Readings from this and similar See also:

• WORKS

works were customary in monasteries; by the See also:

• REGULA

regula of St See also:

• BENEDICT (BENEDICTUS)
• BENEDICT, SIR JULIUS (1804-1885)

Benedict it is ordered that on rising from supper there should be read collationes, passages from the lives of the Fathers and other edifying works; the word is then applied to the discussions arising from such readings . On fast days it was usual in monasteries to have a very See also:

• LIGHT

light See also:

• MEAL

meal after the Collatio, and hence the meal itself came to be called " collation," a meaning which survives in the See also:

• MODERN

modern use of the word for any light or quickly prepared repast . See also:

• COLL

COLL$, See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

CHARLES (1709–1783), See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French dramatist and See also:

• SONG

song-writer, the son of a See also:

• NOTARY, or NOTARY PUBLIC

notary, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris in 1709 . He was See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early interested in the rhymes of See also:

• JEAN

Jean Heguanier, then the most famous maker of couplets in Paris . From a notary's See also:

• OFFICE (from Lat. officium, " duty," " service," a shortened form of opifacium, from facere, " to do," and either the stem of opes, " wealth," " aid," or opus, " work ")

office Colle was transferred to that of M. de Neulan, the See also:

• RECEIVER

receiver-See also:

• GENERAL
• GENERAL (Lat. generalis, of or relating to a genus, kind or class)

general of See also:

• FINANCE

finance, and remained there for nearly twenty years . When about seventeen, however, he made the acquaintance of See also:

• ALEXIS
• ALEXIS, WILLIBALD

Alexis See also:

• PIRON, ALEXIS (1689-1773)

Piron, and afterwards, through Gallet (d . 1757), of Panard . The example of these three masters of the See also:

• VAUDEVILLE

vaudeville, while determining his vocation, made him diffident; and for some See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time he composed nothing but amphigouris—verses whose merit was measured by their unintelligibility .

The friendship of the younger See also:

• CREBILLON, PROSPER JOLYOT DE (1674-1762)

Crebillon, however, diverted him from this by-way of See also:

• ART

art, and the See also:

• ESTABLISHMENT (0. Fr. establissement, Fr. etablissement, late Norm. Fr. establishement, from O. Fr. establir, Fr. etablir, Lat. stabilire, to make stable)

establishment in 1729 of the famous "Caveau " gave him a See also:

• FIELD (a word common to many West German languages, cf. Ger. Feld, Dutch veld, possibly cognate with O.E. f olde, the earth, and ultimately with root of the Gr. irAaror, broad)
• FIELD, CYRUS WEST (1819-1892)
• FIELD, DAVID DUDLEY (18o5-1894)
• FIELD, EUGENE (1850-1895)
• FIELD, FREDERICK (18o1—1885)
• FIELD, HENRY MARTYN (1822-1907)
• FIELD, JOHN (1782—1837)
• FIELD, MARSHALL (183 1906)
• FIELD, NATHAN (1587—1633)
• FIELD, STEPHEN JOHNSON (1816-1899)
• FIELD, WILLIAM VENTRIS FIELD, BARON (1813-1907)

field for the display of his See also:

• FINE

fine See also:

• TALENT (Lat. talentum, adaptation of Gr. TaXavrov, balance, ! Recollections of a First Visit to the Alps (1841); Vacation Rambles weight, from root raX-, to lift, as in rXi vac, to bear, 1-aXas, and Thoughts, comprising recollections of three Continental

talent for popular song . In 1739 the Society of the Caveau, which numbered among its members Helvetius, Charles See also:

• DUCLOS, CHARLES PINOT (1704–1772)

Duclos, See also:

• PIERRE

Pierre See also:

• JOSEPH
• JOSEPH, COMTE DE (1785-1870)
• JOSEPH, FATHER (FRANCOIS LECLERC DU TREMBLAY) (1577-1638)

Joseph See also:

• BERNARD, CHARLES DE
• BERNARD, CLAUDE (1813-1878)
• BERNARD, JACQUES (1658--1718)
• BERNARD, MOUNTAGUE (1S2o—1882)
• BERNARD, SAINT
• BERNARD, SAINT (Iogo-1153)
• BERNARD, SIMON (1779—1839)
• BERNARD, SIR THOMAS, BART

Bernard, called Gentil-Bernard, Jean Philippe See also:

• RAMEAU, JEAN PHILIPPE (1683-1764)

Rameau, Alexis Piron, and the two Crebillons, was dissolved, and was not reconstituted till twenty years afterwards . His first and his best See also:

• COMEDY

comedy, La Verite clans le vin, appeared in 1747 . Meanwhile, the See also:

• REGENT (from Lat. regere, to rule)

Regent See also:

• ORLEANS
• ORLEANS, CHARLES, DUKE OF (1391-1465)
• ORLEANS, DUKES OF
• ORLEANS, FERDINAND PHILIP LOUIS CHARLES HENRY, DUKE OF (1810-1842)
• ORLEANS, HENRI, PRINCE
• ORLEANS, HENRIETTA, DUCHESS
• ORLEANS, JEAN BAPTISTE GASTON, DUKE
• ORLEANS, LOUIS
• ORLEANS, LOUIS PHILIPPE JOSEPH
• ORLEANS, LOUIS PHILIPPE ROBERT, DUKE
• ORLEANS, LOUIS PHILIPPE, DUKE OF (1725–1785)
• ORLEANS, LOUIS, DUKE OF (1372–1407)
• ORLEANS, PHILIP I
• ORLEANS, PHILIP II

Orleans, who was an excellent comic actor, particularly in representations of See also:

• LOW, SETH (1850- )
• LOW, WILL HICOK (1853- )

low See also:

• LIFE

life, and had been looking out for an author to write suitable parts for him, made Colle his reader . It was for the See also:

• DUKE (corresponding to Fr. duc, Ital. duca, Ger. Herzog)

duke and his associates that Colle composed the greater See also:

• PART

part of his See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

Theatre de societe . In 1763 Colle produced at the Theatre See also:

• FRANCAIS, ANTOINE, COUNT (1756-1836)

Francais See also:

• DUPUIS, CHARLES FRANCOIS (1742-1809)

Dupuis et Desronais, a successful sentimental comedy, which was followed in 1771 by La Veuve, which was a See also:

• COMPLETE

complete failure . In 1774 appeared La Partie de See also:

• CHASSE (Fr. for " chased ")
• CHASSE (from the Fr., in full chasse-cafe, or " coffee-chaser ")

chasse de See also:

• HENRI

Henri Quatre (partly taken from See also:

• DODSLEY, ROBERT (1703-1764)

Dodsley's See also:

• KING
• KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
• KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
• KING, CHARLES WILLIAM (1818-1888)
• KING, CLARENCE (1842–1901)
• KING, EDWARD (1612–1637)
• KING, EDWARD (1829–1910)
• KING, HENRY (1591-1669)
• KING, RUFUS (1755–1827)
• KING, THOMAS (1730–1805)
• KING, WILLIAM (1650-1729)
• KING, WILLIAM (1663–1712)

King and the See also:

• MILLER, HUGH (1802–1856)
• MILLER, JOAQUIN (CINCINNATUS HEINE) (1841- )
• MILLER, JOE (JosEPH or JosIAS( (1684-1738)
• MILLER, SAMUEL FREEMAN (1816-1890)
• MILLER, WILLIAM (1782-1849)
• MILLER, WILLIAM (1795-1861)
• MILLER, WILLIAM (1796–1882)
• MILLER, WILLIAM HALLOWES (18o1–188o)

Miller of See also:

• MANSFIELD
• MANSFIELD, RICHARD (1857-1907)
• MANSFIELD, WILLIAM MURRAY, 1ST EARL

Mansfield), Colle's last and best See also:

• PLAY

play . From 1748 to 1772, besides these and a multitude of songs, Colle was See also:

• WRITING
• WRITING (the verbal noun of " to write," O. Eng. writan, to inscribe)

writing his See also:

• JOURNAL
• JOURNAL (through Fr. from late Lat. diurnalis, daily)

Journal, a curious collection of See also:

• LITERARY

literary and See also:

• PERSONAL

personal strictures on his boon companions as well as on their enemies, on Piron as on See also:

• VOLTAIRE, FRANCOIS MARIE AROUET DE (1694–1778)

Voltaire, on La Harpe as on See also:

• CORNEILLE, PIERRE (1606–1684)
• CORNEILLE, THOMAS (1625-1709)

Corneille . Colle died on the 3rd of See also:

• NOVEMBER (Lat. novem, nine)

November 1783 . His lyrics are See also:

• FRANK, JAKOB (1726-1791)

frank and jovial, though often licentious . The subjects are love and See also:

• WINE (Lat. vinum, Gr. oivos)

wine; occasionally, however, as in the famous lyric (1756) on the See also:

• CAPTURE (from Lat. capere, to take; Fr. prise maritime; Ger. Wegnahme)

capture of See also:

• PORT

Port Mahon, for which the author received a See also:

• PENSION (Lat. pensio, a payment, from pendere, to weigh, to pay)

pension of 600 livres, the See also:

• NOTE
• NOTE (Lat. nota, mark, sign, from noscere, to know)

note of patriotism is struck with no unskilful hang, while in many others Colle shows himself possessed of considerable epigrammatic force . See also H .

Bonhomme's edition (1868) of his Journal et Mimoires (1748–1772); See also:

• GRIMM, FRIEDRICH MELCHIOR, I
• GRIMM, JACOB LUDWIG CARL (1785-1863)
• GRIMM, WILHELM CARL (1786-1859)

Grimm's Correspondance; and C . A . Sainte-Beuve, Nouveaux lundis, vol. vii .