See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

JOHN See also:

• PAYNE, PETER (c. 138o-1455)

PAYNE See also:

• COLLIER, ARTHUR (1680-1732)
• COLLIER, JEREMY (1650-1726)
• JOHN PAYNE COLLIER (1789–1883)

COLLIER (1789–1883)  , See also:

• ENGLISH

English Shakespearian critic, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• LONDON

London, on the 11th of See also:

• JANUARY

January 1789 . His See also:

• FATHER

father, See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

John See also:

• DYER, JOHN (c. 1700-1758)
• DYER, SIR EDWARD (d. 1607)
• DYER, THOMAS HENRY (1804-1888)

Dyer See also:

• COLLIER, ARTHUR (1680-1732)
• COLLIER, JEREMY (1650-1726)
• COLLIER, JOHN PAYNE (1789–1883)

Collier (1762–1825), was a successful journalist, and his connexion with the See also:

• PRESS (through Fr. presse from Lat. pressare, frequentative of premere, to crush, squeeze, press)

press obtained for his son a position on the See also:

• MORNING

Morning See also:

• CHRONICLE (from Gr. Xpovos, time)

Chronicle as See also:

• LEADER, BENJAMIN WILLIAMS (1831– )

leader writer, dramatic critic and reporter, which continued till 1847; he was also for some See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time a reporter for The Times . He was summoned before the See also:

• HOUSE
• HOUSE (O. Eng. hiss, a word common to Teutonic languages, cf. Dut. huis, Ger. Haus; in Gothic it is only found in gudhiss, a temple; it may be ultimately connected with the root of " hide," conceal)

House of See also:

• COMMONS

Commons in 1819 for giving an incorrect See also:

• REPORT (O.Fr. report or raport, modern rapport, from O.Fr. reporter, mod. rap porter, Lat. reportare, to bring back, in poetical use only, of bringing back an account, news, &c.)

report of a speech by See also:

• JOSEPH
• JOSEPH, COMTE DE (1785-1870)
• JOSEPH, FATHER (FRANCOIS LECLERC DU TREMBLAY) (1577-1638)

Joseph See also:

• HUME, ALEXANDER (c. 1557-1609)
• HUME, DAVID (1711-1776)
• HUME, JOSEPH (1777-1855)

Hume . He entered the See also:

• MIDDLE

Middle See also:

• TEMPLE
• TEMPLE, FREDERICK (1821-1902)
• TEMPLE, RICHARD
• TEMPLE, SIR RICHARD, BART
• TEMPLE, SIR WILLIAM, BART

Temple in 1811, but was not called to the See also:

• BAR
• BAR (0. Fr. barre, Late Lat. barra, origin unknown)
• BAR, CONFEDERATION OF
• BAR, FRANCOIS DE (1538-1606)
• BAR, THE

bar until 1829 . The delay was partly due to his indiscretion in See also:

• PUBLISHING

publishing the Criticisms on the Bar (1819) by " Amicus Curiae." His leisure was given to the study of See also:

• SHAKESPEARE, WILLIAM (1564-1616)

Shakespeare and the See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early English See also:

• DRAMA (literally "action," from Gr. Snail, act or do)

drama . After some See also:

• MINOR
• MINOR (Lat. for smaller, lesser)
• MINOR, ROBERT CRANNELL (1839-1904)

minor publications he produced in 1825–1827 a new edition of See also:

• DODSLEY, ROBERT (1703-1764)

Dodsley's Old Plays, and in 1833 a supplementary See also:

• VOLUME

volume entitled Five Old Plays . In 1831 appeared his See also:

• HISTORY

History of English Dramatic See also:

• POETRY

Poetry and See also:

• ANNALS (Annales, from annus, a year)

Annals of the See also:

• STAGE (Fr. 6/age; from Lat. stare, to stand)

Stage to the Restoration, a badly arranged, but valuable See also:

• WORK

work . It obtained for him the See also:

• POST

post of librarian to the See also:

• DUKE (corresponding to Fr. duc, Ital. duca, Ger. Herzog)

duke of See also:

• DEVONSHIRE (DEvoN)
• DEVONSHIRE, EARLS AND DUKES OF

Devonshire, and, subsequently, See also:

• ACCESS (Lat. accessus)

access to the See also:

• CHIEF (from Fr. chef, head, Lat. caput)

chief collections of early English literature throughout the See also:

• KINGDOM

kingdom, especially to the treasures of See also:

• BRIDGWATER

Bridgwater House . These opportunities were unhappily misused to effect a See also:

• SERIES (a Latin word from serere, to join)

series of See also:

• LITERARY

literary fabrications, which may be charitably, and perhaps not unjustly, attributed to literary monomania, but of which it is difficult to speak with See also:

• PATIENCE

patience, so completely did they for a See also:

• LONG, GEORGE (1800-1879)
• LONG, JOHN DAVIS (1838– )

long time bewilder the See also:

• CHRONOLOGY (Gr. xpovo?oyfa, computation of time, xp6vos)

chronology of Shakespeare's writings, and such suspicion have they thrown upon MS. See also:

• EVIDENCE (Lat. evidentia, evideri, to appear clearly)

evidence in See also:

• GENERAL
• GENERAL (Lat. generalis, of or relating to a genus, kind or class)

general . After New Facts, New Particulars and Further Particulars respecting Shakespeare had appeared and passed See also:

• MUSTER (Mid. Eng. mostre, moustre, adapted from the similar O. Fr. forms; Lat. monstrare)

muster, Collier produced (1852) the famous See also:

• PERKINS, CHARLES CALLAHAN (1823-1886)
• PERKINS, JACOB (1766-1849)

Perkins See also:

• FOLIO (properly the ablative case of the Lat. folium, leaf, but also frequently an adaptation of the Ital. foglio)

Folio, a copy of the second folio (1632), so called from a name written on the See also:

• TITLE (0. Fr. title, mod. titre, from Lat. titulus)

title-See also:

• PAGE
• PAGE, THOMAS NELSON (1853- )
• PAGE, WILLIAM (1811-1885)

page . On this See also:

• BOOK

book were numerous MS. emendations of Shakespeare said by Collier to be from the See also:

• HAND
• HAND (a word common to Teutonic languages; cf. Ger. Hand, Goth. handus)
• HAND, FERDINAND GOTTHELF (1786-185r)

hand of " an old corrector." He published these corrections as Notes and Emendations to the See also:

• TEXT (Lat. textum, woven fabric, from texere, to weave)

Text of Shakespeare (1852), and boldly incorporated them in his edition (1853) of Shakespeare . Their authenticity was disputed by S .

W . See also:

• SINGER, SIMEON (1846-1906)

Singer in The Text of Shakespeare Vindicated (1853) and by E . A . Brae in Literary See also:

• COOKERY (Lat. coquus, a cook)

Cookery (18J5) on See also:

• INTERNAL

internal evidence; and when in 1859 the folio was submitted by its owner, the duke of Devonshire, to experts at the See also:

• BRITISH

British Museum, the emendations were incontestably proved to be forgeries of See also:

• MODERN

modern date . Collier was exposed by Mr See also:

• NICHOLAS
• NICHOLAS (1841– )
• NICHOLAS (or NICLAES), HENRY (or HENDRIK) (c. 1501-C. 158o)
• NICHOLAS, SIR EDWARD (1593-1669)
• NICHOLAS, ST

Nicholas See also:

• HAMILTON
• HAMILTON (GRAND or ASHUANIPI)
• HAMILTON, ALEXANDER (1757-1804)
• HAMILTON, ANTHONY, or ANTOINE (1646-1720)
• HAMILTON, ELIZABETH (1758–1816)
• HAMILTON, EMMA, LADY (c. 1765-1815)
• HAMILTON, JAMES (1769-1831)
• HAMILTON, JAMES HAMILTON, 1ST DUKE OF (1606-1649)
• HAMILTON, JOHN (c. 1511–1571)
• HAMILTON, MARQUESSES AND DUKES OF
• HAMILTON, PATRICK (1504-1528)
• HAMILTON, ROBERT (1743-1829)
• HAMILTON, SIR WILLIAM
• HAMILTON, SIR WILLIAM (1730-1803)
• HAMILTON, SIR WILLIAM ROWAN (1805-1865)
• HAMILTON, THOMAS (1789-1842)
• HAMILTON, WILLIAM (1704-1754)
• HAMILTON, WILLIAM GERARD (1729-1796)

Hamilton in his Inquiry (1860) . The point whether he was deceiver or deceived was See also:

• LEFT

left undecided, but the falsifications of which he was unquestionably guilty among the See also:

• MSS

MSS. at See also:

• DULWICH

Dulwich See also:

• COLLEGE (Collegium)

College have left little doubt respecting it . He had produced the See also:

• MEMOIRS

Memoirs of See also:

• EDWARD

Edward See also:

• ALLEYN, EDWARD (1566-1626)

Alleyn for the Shakespeare Society in 1841 . He followed up this volume with the Alleyn Papers (1843) and the See also:

• DIARY

Diary of P . See also:

• HENSLOWE, PHILIP (d. 1616)

Henslowe (1845) . He forged the name of Shakespeare in a genuine See also:

• LETTER (through Fr. lettre from Lat. littera or litera, letter of the alphabet; the origin of the Latin word is obscure; it has probably no connexion with the root of linere, to smear, i.e. with wax, for an inscription with a stilus)

letter at Dulwich, and the See also:

• SPURIOUS

spurious entries in Alleyn's Diary were proved to be by Collier's hand when the See also:

• SALE
• SALE, GEORGE (c. 1697-1736)
• SALE, SIR ROBERT HENRY (1782—1845)

sale of his library in 1884 gave access to a transcript he had made of the Diary with interlineations corresponding with the Dulwich forgeries . No statement of his can be accepted without verification, and no See also:

• MANUSCRIPT

manuscript he has handled without careful examination, but he did much useful work . He compiled a valuable See also:

• BIBLIOGRAPHICAL

Bibliographical and See also:

• CRITICAL (in alphabetical order of authors)

Critical See also:

• ACCOUNT
• ACCOUNT (through O. Fr. acont, Late Lat. comptum, cornputare, to calculate)

Account of the Rarest Books in the English See also:

• LANGUAGE (adapted from the Fr. langage, from langue, tongue, Lat. lingua)

Language (1865); he reprinted a See also:

• GREAT

great number of early English tracts of extreme rarity, and rendered See also:

• GOOD, JOHN MASON (1764-1827)

good service to the numerous antiquarian See also:

• SOCIETIES, LEARNED

societies with which he was connected, especially in the See also:

• EDITIONS

editions he produced for the See also:

• CAMDEN
• CAMDEN, CHARLES PRATT, 1ST EARL (1714-1794)
• CAMDEN, JOHN JEFFREYS PRATT, 2ND EARL
• CAMDEN, WILLIAM (1551-1623)

Camden Society and the See also:

• PERCY (FAMILY)
• PERCY, SIR HENRY
• PERCY, THOMAS (1729-1811)
• PERCY, THOMAS (c. 156o-16os)

Percy Society .

His Old See also:

• MAN
• MAN, ISLE OF (anc. Mona)

Man's Diary (1871-1872) is an interesting See also:

• RECORD (Lat. recordari, to recall to mind, from cor, heart or mind)

record, though even here the taint of fabrication is not absent . Unfortunately what he did amiss is more striking to the See also:

• IMAGINATION

imagination than what he did aright, and he will be chiefly remembered by it . He died at See also:

• MAIDEN, or MAID

Maiden-See also:

• HEAD (in 0. Eng. heafad; the word is common to Teutonic languages; cf. Dutch hoofd, Ger. Haupt, generally taken to be in origin connected with Lat. caput, Gr. KerbOvi7)
• HEAD, SIR EDMUND WALKER, BART
• HEAD, SIR FRANCIS BOND, BART

head, where he had long resided, on the 17th of See also:

• SEPTEMBER (Lat. septem, seven)

September 1883 . For an account of the discussion raised by Collier's emendations see C.M . See also:

• INGLEBY, CLEMENT MANSFIELD (1823—1886)

Ingleby., See also:

• COMPLETE

Complete View of the Shakespeare Controversy (1861) .