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PLACIDO See also: Italian architectural designer,. who worked chiefly in See also: England in the latter See also: part of the 18th century
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He belonged to the school of the See also: Adams and Pergolesi, and like them frequently designed the enrichments of furniture
.
He was a prolific producer of chimney-pieces, which are often mistaken for
See also: Adam See also: work, of moulded friezes, and painted plaques for cabinets and the like
.
There can be no question that the See also: English furniture designers of the end of the 18th century, and especially the Adams, See also: Hepplewhite and See also: Sheraton, owed much to his graceful, flowing and classical conceptions, although they are often inferior to those of Pergolesi
.
His books are still a valuable store-See also: house of sketches for See also: internal architectural decoration
.
His See also: principal See also: works are:—Vases and Tripods (1970); A New See also: Book of Ornaments, containing a variety of elegant designs for See also: Modern Panels, commonly executed in Stucco, See also: Wood or See also: Painting, and used in decorating Principal Rooms (1775); A variety of Capitals, Friezes and Corniches, and how to increase and decrease them, still retaining their proportions (1776)
.
He also assisted See also: John
See also: Crunden in the production of The Chimney-piece Makers' Daily Assistant (1776)
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