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Originally appearing in Volume V06, Page 777 of the 1911 Encyclopedia Britannica.
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COMMODIANUS, a Christian Latin poet, who flourished about A.D. 250. The only ancient writers who mention him are Gennadius, presbyter of Massilia (end of 5th century), in his De rcripioribus ecclesiasticis, and Pope Gelasius in De libris recipiendis et non recipiendis, in which his works are classed as Apocryphi, probably on account of certain heterodox statements contained in them. Commodianus is supposed to have been an African. As he himself tells us, he was originally a heathen, but was converted to Christianity when advanced in years, and felt called upon to instruct the ignorant in the truth. He was the author of two extant Latin poems, Instructions and Carmen apologeticum (first published in 1852 by J. B. Pitra in the Spicilegium Solesmense, from a MS. in the Middlehill collection, now at Cheltenham, supposed to have been brought from the monastery of Bobbio). The Instructiones consist of 8o poems, each of which is an acrostic (with the exception of 6o, where the initial letters are in alphabetical order). The initials of 8o, read backwards, give Commodianus Mendicus Christi. The A pologeticum, undoubtedly by Commodianus, although the name of the author (as well as the title) is absent from the MS., is free from the acrostic restriction. The first part of the Instructiones is addressed to the heathens and Jews, and ridicules the divinities of classical mythology; the second contains reflections on Antichrist, the end of the world, the Resurrection, and advice to Christians, penitents and the clergy. In the Apologeticum all mankind are exhorted to repent, in view of the approaching end of the world. The appearance of Antichrist, identified with Nero and the Alan from the East, is expected at an early date. Although they display fiery dogmatic zeal, the poems cannot be considered quite orthodox. To the classical scholar the metre alone is of interest. Although they are professedly written in hexameters, the rules of quantity are sacrificed to accent. The first four lines of the Instructiones may be quoted by way of illustration: " Praefatio nostra viam erranti demonstrat, Respectumque bonum, cum venerit saeculi meta, Aeternum fieri, quod discredunt inscia corda: Ego similiter erravi tempore multo." These versus politici (as they are called) show that the change was already passing over Latin which resulted in the formation of the Romance languages. The use of cases and genders, the construction of verb, and prepositions, and the verbal forms exhibit striking irregularities. The author, however, shows an acquaintance with Latin poets—Horace, Virgil, Lucretius. The best edition of the text is by B. Dombart (Vienna, 1887), and a good account of the poems will be found in M. Manitius, Geschichte der christlich-lateinischen Poesie (1891), with bibliography, to which may be added G. Boissier, " Commodien," in the Melanges Renier (1887) ; H. Brewer, Kommodian von Gaza (Paderborn, 1906) ; L. Vernier, " La Versification latine populaire en Afrique," in Revue de philologie, xv. (1891); and C. E. Freppel, Commodien, Arnobe, Lactance (1893). Teuffel-Schwabe, Hist. of Roman Literature (Eng. trans., 384), should also be consulted.
End of Article: COMMODIANUS
COMMITTEE (from commute, an Anglo-Fr. past particip...
COMMODORE (a form of " commander"; in the 17th cent...

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