See also:

• COMPOSITION
• COMPOSITION (Lat. compositio, from componere, to put together)

COMPOSITION (See also:

• LAT

Lat. compositio, from componere, to put together)  , the See also:

• ACTION

action of putting together and combining, and the product of such action . There are many applications of the word . In See also:

• PHILOLOGY

philology it is used of the putting together of two distinct words to See also:

• FORM (Lat. forma)

form a single word; and in See also:

• GRAMMAR (from Lat. grammatica, sc. ars; Gr. ypaµ)

grammar, of the See also:

• COMBINATION (Lat. combinare, to combine)

combination of words into sentences, and sentences into periods, and then applied to the result of such combination, and to the See also:

• ART

art of producing a See also:

• WORK

work in See also:

• PROSE

prose or See also:

• VERSE (from Lat. versus, literally a line or furrow drawn by turning the plough, from vertere, and afterwards signifying an arrangement of syllables into feet)

verse, or to the work itself . In See also:

• MUSIC

music " See also:

• COMPOSITION
• COMPOSITION (Lat. compositio, from componere, to put together)

composition " is used both of the art of combining musical sounds in accordance with the rules of musical form, and, more generally, of the whole art of creation or invention . The name " composer " is thus particularly applied to the musical creator in See also:

• GENERAL
• GENERAL (Lat. generalis, of or relating to a genus, kind or class)

general . In the other See also:

• FINE

fine arts the word is more strictly used of the balanced arrangement of the parts of a picture, of a piece of See also:

• SCULPTURE
• SCULPTURE (Lat. sculptura, from sculpere, to carve, cognate with Gr. yXb4ew)

sculpture or a See also:

• BUILDING

building, so that they should form one harmonious whole . The word also means an agreement or an See also:

• ADJUSTMENT (from late Lat. ad juxtare, derived from juxta, near, but early confounded with a supposed derivation from justus, right)

adjustment of See also:

• DIFFERENCES, CALCULUS OF (Theory of Finite Differences)

differences between two or more parties, and is thus the best general See also:

• TERM

term to describe the agreement, often called by the See also:

• EQUIVALENT

equivalent See also:

• GERMAN
• GERMAN, DUTCH AND SCANDINAVIAN

German word " Ausgleich," between See also:

• AUSTRIA
• AUSTRIA, LOWER (Ger. Niederosterreich or Osterreich unter der Enns, " Austria below the river Enns ")
• AUSTRIA, UPPER (Ger. Oberosterreich or Osterreich ob der Enns, " Austria above the river Enns ")

Austria and See also:

• HUNGARY
• HUNGARY (Hungarian Magyarorszdg)

Hungary in 1867 . A more particular use is the legal one, for an agreement by which a creditor agrees to take from his debtor a sum less than his See also:

• DEBT (Lat. debitum, a thing owed)

debt in See also:

• SATISFACTION (Lat. salisfacerc, to satisfy)

satisfaction of the whole (see See also:

• BANKRUPTCY (from Lat. bancus or Fr. banquet table or counter, and Lat. ruptus, broken)

BANKRUPTCY) . In See also:

• LOGIC (Xoy1K7, sc. rixvrt, the art of reasoning)

logic " composition " is the name given to a See also:

• FALLACY (Lat. fall-ax, apt to mislead)

fallacy of equivocation, where what is true distributively of each member of a class is inferred to be true of the whole class collectively . The fallacy of " See also:

• DIVISION (from Lat. dividere, to break up into parts, separate)

division " is the converse of this, where what is true of a term used collectively is inferred to be true of its several parts . A See also:

• COMMON

common source of these errors in reasoning is the confusion between the collective and distributive meanings of the word " all." Composition, often shortened to " compo," is the name given to many materials compounded of more than one substance, and is used in various trades and manufactures, as in building, for a mixture, such as See also:

• STUCCO (Ital. stucco, adapted from O.H.G. stucchi, crust, piece, patch, Ger. Stuck, piece, allied to stock)

stucco, See also:

• CEMENT (from Lat. caementum, rough pieces of stone, a shortened form of caedimentum, from caedere, to cut)

cement and See also:

• PLASTER

plaster, for covering walls, &c., often made to represent See also:

• STONE
• STONE (0. Eng. shin; the word is common to Teutonic languages, cf. Ger. Stein, Du. steen, Dan. and Swed. sten; the root is also seen in Gr. aria, pebble)
• STONE, CHARLES POMEROY (1824-1887)
• STONE, EDWARD JAMES (1831-1897)
• STONE, FRANK (1800-1859)
• STONE, GEORGE (1708—1764)
• STONE, LUCY [BLACKWELL] (1818-1893)
• STONE, MARCUS (184o— )
• STONE, NICHOLAS (1586-1647)

stone or See also:

• MARBLE (from Lat. marmor, Gr. pApµapos, shining stone)

marble; a similar moulded See also:

• COMPOUND
• COMPOUND (from Lat. componere, to combine or put together)

compound is employed to represent carved See also:

• WOOD, ANTHONY A2 (1632-1695)
• WOOD, JOHN GEORGE (1827—1889)
• WOOD, MRS HENRY [ELLEN] (1814—1887)
• WOOD, SEARLES VALENTINE (1798—188o)

wood .