See also:

• CONDITION (Lat. condicio, from condicere, to agree upon, arrange; not connected with conditio, from condere, conditum, to put together)

CONDITION OF THE See also:

• ART

ART OF See also:

• PAINTING

PAINTING IN See also:

• ITALY
• ITALY (Italia)

ITALY BEFORE THE REVIVAL . See also:

• WALL (O. Eng. weal, weall, Mid. Eng. wal, wane, adapted from Lat. vallum, rampart; the original O. Eng. word for a wall was wag or tenth)
• WALL, RICHARD (1694-1778)

Wall Paintings of poor See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style, with hard See also:

• BLACK
• BLACK, ADAM (1784-1874)
• BLACK, JEREMIAH SULLIVAN (1810–1883)
• BLACK, WILLIAM (1841-1898)

black outlines, devoid of any feeling for beauty or truth to nature . See also:

• PANEL (O. Fr. panel, mod. panneau, piece of cloth, from Med. Lat. pannellus, diminutive of pannus, cloth)

Panel Paintings, chieflyinthe See also:

• FORM (Lat. forma)

form of Enthroned Madonnas of See also:

• BYZANTINE

Byzantine type, heavy but dignified ;and painted Crucifixes; repulsive in , aspect, with exaggeration of See also:

• PHYSICAL

physical suffering, black outlines, See also:

• GREEN, A
• GREEN, ALEXANDER HENRY (1832—1896)
• GREEN, DUFF (1791—1875)
• GREEN, JOHN RICHARD (1837—1883)
• GREEN, MATTHEW (1696-1737)
• GREEN, THOMAS HILL (1836-1882)
• GREEN, VALENTINE (1739–1813)
• GREEN, WILLIAM HENRY (.1825–1900)

green shadows, hatched See also:

• LIGHTS, CEREMONIAL USE OF

lights . [ Best See also:

• ITALIAN

Italian See also:

• SCULPTURE
• SCULPTURE (Lat. sculptura, from sculpere, to carve, cognate with Gr. yXb4ew)

Sculpture, e.g. by Antellami at See also:

• PARMA

Parma, c .