See also:

• WILLIAM
• WILLIAM (1143-1214)
• WILLIAM (1227-1256)
• WILLIAM (1J33-1584)
• WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
• WILLIAM (c. 1130-C. 1190)
• WILLIAM, 13TH

WILLIAM See also:

• CONGREVE, RICHARD (1818-1899)
• CONGREVE, SIR WILLIAM
• WILLIAM CONGREVE (167o-1729)

CONGREVE (167o-1729)  , See also:

• ENGLISH

English dramatist, the greatest English See also:

• MASTER (Lat. magister, related to tnagis, more, as the corresponding minister is to minus, less; the English form is due partly to the O. Eng. maegister, and partly to O. Fr. maistre, mod. maitre; cf. Du. meester, Ger. Meister, Ital. maestro)

master of pure See also:

• COMEDY

comedy, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• BARDSEY (i.e. " Bards' Island ": cf. Anglesey, " Angles' Island "; Welsh, Ynys Enlli, " isle of the current ")

Bardsey near See also:

• LEEDS
• LEEDS, THOMAS OSBORNE

Leeds, where he was baptized on the loth of See also:

• FEBRUARY

February 1670, although the inscription on his See also:

• MONUMENT (Lat. monumentum or monumentum; from monere, to advise, bring to mind, remind; the German equivalent is Denkmal)

monument gives his date of See also:

• BIRTH (a word common in various forms to Teutonic languages from the root of the verb " to bear ")

birth as 1672 . He was the son of See also:

• WILLIAM
• WILLIAM (1143-1214)
• WILLIAM (1227-1256)
• WILLIAM (1J33-1584)
• WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
• WILLIAM (c. 1130-C. 1190)
• WILLIAM, 13TH

William See also:

• CONGREVE, RICHARD (1818-1899)
• CONGREVE, SIR WILLIAM
• CONGREVE, WILLIAM (167o-1729)

Congreve, a soldier who was soon after his son's birth placed in command of the 1 See also:

• GARRISON
• GARRISON, WILLIAM LLOYD (1805-1879)

garrison at See also:

• YOUGHAL (pronounced Yawl)

Youghal . To See also:

• IRELAND
• IRELAND, CHURCH
• IRELAND, CHURCH OF
• IRELAND, JOHN (1761-1842)
• IRELAND, JOHN (1838- )
• IRELAND, WILLIAM HENRY (1777-1835)

Ireland, therefore, is due the See also:

• CREDIT (Lat. credere, to believe)

credit of his See also:

• EDUCATION

education—as a schoolboy at See also:

• KILKENNY
• KILKENNY, STATUTE OF

Kilkenny, as an under-See also:

• GRADUATE (Med. Lat. graduale, to admit to an academical degree, gradus)

graduate at See also:

• DUBLIN

Dublin, where he was a contemporary and friend of See also:

• SWIFT
• SWIFT, JONATHAN (1667—1745)

Swift . From See also:

• COLLEGE (Collegium)

college he came to See also:

• LONDON

London, and was entered as a student of See also:

• LAW
• LAW (0. Eng. lagu, M. Eng. lawe; from an old Teutonic root lag, " lie," what lies fixed or evenly; cf. Lat. lex, Fr. loi)
• LAW, JOHN (1671—1729)
• LAW, WILLIAM (1686-1761)

law at the See also:

• MIDDLE

Middle See also:

• TEMPLE
• TEMPLE, FREDERICK (1821-1902)
• TEMPLE, RICHARD
• TEMPLE, SIR RICHARD, BART
• TEMPLE, SIR WILLIAM, BART

Temple . The first-fruits of his studies appeared under the boyish See also:

• PSEUDONYM (Gr. >l ev&,vuµos, having a false name, ¢Evirls, false and ovoµa, name)

pseudonym of " Cleophil," in the See also:

• FORM (Lat. forma)

form of a novel whose existence is now remembered only through the unabashed avowal of so austere a moralist as Dr See also:

• JOHNSON, ANDREW
• JOHNSON, ANDREW (1808–1875)
• JOHNSON, BENJAMIN (c. 1665-1742)
• JOHNSON, EASTMAN (1824–1906)
• JOHNSON, REVERDY (1796–1876)
• JOHNSON, RICHARD (1573–1659 ?)
• JOHNSON, RICHARD MENTOR (1781–1850)
• JOHNSON, SAMUEL (1709-1784)
• JOHNSON, SIR THOMAS (1664-1729)
• JOHNSON, SIR WILLIAM (1715–1774)
• JOHNSON, THOMAS

Johnson, that he "would rather praise it than read it." In 1693 Congreve's real career began, and See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early enough by the latest computation, with the brilliant See also:

• APPEARANCE (from Lat. apparere, to appear)

appearance and instant success of his first comedy, The Old See also:

• BACHELOR (from Med. Lat. baccalarius, with its late and rare variant baccalaris—cf. Ital. baccalare—through O. Fr. bacheler)

Bachelor, under the generous auspices of See also:

• DRYDEN, JOHN (1631-1700)

Dryden, then as ever a living and immortal See also:

• WITNESS
• WITNESS (from O. Eng. witan, to know)

witness to the falsehood of the vulgar See also:

• CHARGE
• CHARGE (through the Fr. from the Late Lat. carricare, to load in a carrus or wagon; cf. " cargo ")

charge which taxes the greater among poets with See also:

• JEALOUSY (adapted from Fr. jalousie, formed from jaloux, jealous, Low Lat. zelosus, Gr. j'i os, ardour, zeal, from the root seen in '&u', to boil, ferment; cf. " yeast ")

jealousy or envy, the natural badge and See also:

• BRAND, JOHN (1744-1806)
• BRAND, SIR JOHN HENRY (1823-1888)

brand of the smallest that would claim a See also:

• PLACE (through Fr. from Lat. platea, street; Gr. IrAar6s, wide)

place among their See also:

• KIND (O. E. ge-cynde, from the same root as is seen in " kin," supra)

kind . The discrowned See also:

• LAUREATE (Lat. laureatus, from laurea, the laurel tree)

laureate had never, he said, seen such a first See also:

• PLAY

play; and indeed the graceless See also:

• GRACE (Fr. grace, Lat. gratia, from grates, beloved, pleasing; formed from the root cra-, Gr. xav-, cf. xaipw, x6p,ua, Xapts)
• GRACE, WILLIAM GILBERT (1848– )

grace of the See also:

• DIALOGUE

dialogue was as yet only to be matched by the last and best See also:

• WORK

work of Etherege, See also:

• STANDING

standing as till then it had done alone among the barefaced brutalities of See also:

• WYCHERLEY, WILLIAM (c. 1640-1716)

Wycherley and See also:

• SHADWELL, THOMAS (c. 1642-1692)

Shadwell . The types of Congreve's first work were the See also:

• COMMON

common conventional properties of See also:

• STAGE (Fr. 6/age; from Lat. stare, to stand)

stage tradition; but the See also:

• FINE

fine and clear-cut See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style in which these types were reproduced was his own . The See also:

• GIFT (a common Teutonic word, cf. Ger. die Gift, gift, das Gift, poison, formed from the Teut. stem gab-, to give, cf. Dutch geven, Ger. geben; in O. Eng. the word appears with initial y, the guttural of later English is due to Scandinavian influence)

gift of one place and the reversion of another were the solid fruits of his splendid success . Next See also:

• YEAR

year a better play from the same See also:

• HAND
• HAND (a word common to Teutonic languages; cf. Ger. Hand, Goth. handus)
• HAND, FERDINAND GOTTHELF (1786-185r)

hand met with worse See also:

• FORTUNE, ROBERT (1813-188o)

fortune on the stage, and with yet higher See also:

• HONOUR (Lat. honos or lwnor, honoris; in English the word was spelled with or without the u indifferently until the 17th century, but during the 18th century it became fashion-able to spell the word " honor "; Johnson's and Webster's Dictionaries stereoty

honour from the first living poet of his nation . The See also:

• NOBLE, SIR ANDREW (1832- )

noble verses, as faultless in the expression as reckless in the extravagance of their See also:

• APPLAUSE (Lat. applaudere, to strike upon, clap)

applause, prefixed by Dryden to The See also:

• DOUBLE
• DOUBLE (from the Mid. Eng. duble, the form which gives the present pronunciation, through the Old Er. duble, from Lat. duplus, twice as much)

Double Dealer, must naturally have supported the younger poet, if indeed such support can have been required, against the momentary annoyance of assailants whose passing clamour See also:

• LEFT

left uninjured and secure the fame of his second comedy; for the following year witnessed the crowning See also:

• TRIUMPH (triumphus)

triumph of his See also:

• ART

art and See also:

• LIFE

life, in the appearance of Love for Love (1695) . Two years later his ambition rather than his See also:

• GENIUS (from Lat. genere, gignere)

genius adventured on the See also:

• FOREIGN

foreign ground of tragedy, and The See also:

• MOURNING (from the verb " to mourn," to be sorrowful, 0. Eng. murnan; cf. O.H.G. mornen, Goth. maurnan, to be anxious, O.N. morna, to pine away; by some referred to root seen in Gr. jdptpva, sorrow, by others to root mer-, to die)

Mourning See also:

• BRIDE (a common Teutonic word, e.g..Goth. bruths, O. Eng. bryd, O. H. Ger. prs2t, Mod. Ger. Bract, Dut. bruid, possibly derived from the root bru-, cook, brew; from the med. latinized form bruta, in the sense of daughter-in-law, is derived the Fr. bru)

Bride (1697) began such a See also:

• LONG, GEORGE (1800-1879)
• LONG, JOHN DAVIS (1838– )

long career of See also:

• GOOD, JOHN MASON (1764-1827)

good fortune as in earlier or later times would have been closed against a far better work . Next year he attempted, without his usual success, a reply to the attack of See also:

• JEREMY, EPISTLE OF

Jeremy See also:

• COLLIER, ARTHUR (1680-1732)
• COLLIER, JEREMY (1650-1726)
• COLLIER, JOHN PAYNE (1789–1883)

Collier, the nonjuror, "on the immorality and profaneness of the English stage "—an attack for once not discreditable to the assailant, whose honesty and courage were evident enough to approve him incapable alike of the ignominious precaution which might have suppressed his own name, and of the dastardly mendacity which would have stolen the See also:

• MASK (Fr. masque, apparently from med. Lat. mascus, masca, spectre, through Ital. maschera, Span. mascara)

mask of a stranger's .

Against this merit must he set the See also:

• MISTAKE (i.e. take amiss)

mistake of confounding in one indiscriminate See also:

• INDICTMENT (from Anglo-Fr. enditernent, enditer, to charge; Lat. in, against, dictare, declare)

indictment the levities of a writer like Congreve with the brutalities of a writer like Wycherley— an See also:

• ERROR (Lat. error, from errare, to wander, to err)

error which ever since has more or less perverted the See also:

• JUDGMENT

judgment of succeeding critics . The See also:

• GENERAL
• GENERAL (Lat. generalis, of or relating to a genus, kind or class)

general See also:

• CASE
• CASE, JOHN (d. 1600)

case of comedy was then, however, as untenable by the See also:

• ARGUMENT

argument as indefensible by the See also:

• SARCASM

sarcasm of its most brilliant and comparatively blameless See also:

• CHAMPION (Fr. champion, Late Lat. campio from campus; a field or open space, i.e. one " who takes the field " or fights; cf. Ger. Kampf, battle, and Kampfer, fighter)

champion . Art itself, more than anything else, had been out-raged and degraded by the See also:

• RECENT

recent school of the Restoration; and the comic work of Congreve, though different rather in kind than in degree from the bestial and blatant See also:

• LICENCE (through the French from Lat. licentia, licere, to be lawful)

licence of his immediate precursors, was inevitably for a See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time involved in the See also:

• SENTENCE (Lat. sententia, a way of thinking, opinion, judgment; vote, sentire, to feel, think)

sentence passed upon the comic work of men in all ways alike his inferiors . The true and triumphant See also:

• ANSWER (derived from and, against, and the same root as swear)

answer to all possible attacks of honest men or liars, brave men or cowards, was then as ever to be given by the See also:

• PRODUCTION (Lat. productionem, from producere, to pro-duce)

production of work unarraignable alike by See also:

• FAIR

fair means or foul, by See also:

• FRANK, JAKOB (1726-1791)

frank See also:

• IMPEACHMENT (O. Fr. empeahement, empeschement, from em pecher or empescher, to hinder, Late Lat. impedicare, to entangle, pedica, fetter, pes, foot)

impeachment or furtive imputation . In 1700 Congreve thus replied to Collier with The Way of the See also:

• WORLD

World—the unequalled and unapproached master-piece of English comedy, which may fairly claim a place beside or but just beneath the mightiest work of See also:

• MOLIERE (1622-1673)

Moliere . On the stage which had recently acclaimed with uncritical applause the author's more questionable appearance in the See also:

• FIELD (a word common to many West German languages, cf. Ger. Feld, Dutch veld, possibly cognate with O.E. f olde, the earth, and ultimately with root of the Gr. irAaror, broad)
• FIELD, CYRUS WEST (1819-1892)
• FIELD, DAVID DUDLEY (18o5-1894)
• FIELD, EUGENE (1850-1895)
• FIELD, FREDERICK (18o1—1885)
• FIELD, HENRY MARTYN (1822-1907)
• FIELD, JOHN (1782—1837)
• FIELD, MARSHALL (183 1906)
• FIELD, NATHAN (1587—1633)
• FIELD, STEPHEN JOHNSON (1816-1899)
• FIELD, WILLIAM VENTRIS FIELD, BARON (1813-1907)

field of tragedy, this final and flawless See also:

• EVIDENCE (Lat. evidentia, evideri, to appear clearly)

evidence of his incomparable See also:

• POWERS, HIRAM (1805-1873)

powers met with a rejection then and ever since inexplicable on any ground of conjecture . During the twenty-eight years which remained to him, Congreve produced little beyond a See also:

• VOLUME

volume of fugitive verses, published ten years after the See also:

• MISCARRIAGE

miscarriage of his master-piece . His even course of good fortune under Whig and Tory governments alike was counterweighed by the See also:

• PHYSICAL

physical infirmities of See also:

• GOUT

gout and failing sight . He died, See also:

• JANUARY

January 19, 1729, in consequence of an injury received on a See also:

• JOURNEY (through O. Fr. jornee or journee, mod. Fr. journee, from med. Lat. diurnata, Lat. diurnus, of or belonging to dies, day)

journey to See also:

• BATH
• BATH, THOMAS THYNNE
• BATH, WILLIAM

Bath by the upsetting of his See also:

• CARRIAGE

carriage; was buried in See also:

• WESTMINSTER
• WESTMINSTER, MARQUESSES AND DUKES OF
• WESTMINSTER, STATUTES OF
• WESTMINSTER, SYNODS OF

Westminster See also:

• ABBEY (Lat. abbatia; from Syr. abba, father)
• ABBEY, EDWIN AUSTIN (1852– )

Abbey, after lying in See also:

• STATE
• STATE, GREAT OFFICERS OF

state in the See also:

• JERUSALEM (Heb. ^S0-r, Yerushalaim, pronounced as a dual)
• JERUSALEM, SYNOD OF (1672)

Jerusalem Chamber; and bequeathed the bulk of his fortune to the See also:

• CHIEF (from Fr. chef, head, Lat. caput)

chief friend of his last years, Henrietta, duchess of See also:

• MARLBOROUGH
• MARLBOROUGH, EARLS AND DUKES OF
• MARLBOROUGH, JOHN CHURCHILL, 1ST DUKE OF (1650-1722)

Marlborough, daughter of the See also:

• GREAT

great See also:

• DUKE (corresponding to Fr. duc, Ital. duca, Ger. Herzog)

duke, rather than to his See also:

• FAMILY

family, which, according to Johnson, was then in difficulties, or to Mrs See also:

• BRACEGIRDLE, ANNE (c. 1674-1748)

Bracegirdle, the actress, with whom he had lived longer on intimate terms than with any other See also:

• MISTRESS

mistress or friend, but who inherited by his will only £200 . The one memorable incident of his later life was the visit of See also:

• VOLTAIRE, FRANCOIS MARIE AROUET DE (1694–1778)

Voltaire, whom he astonished and repelled by his rejection of proffered praise and the expression of his wish to be considered merely as any other See also:

• GENTLEMAN (from Lat. gentilis, " belonging to a race or gens," and " man "; Fr. gentilhomme, Span. gentil hombre, Ital. gentil huomo, in its original and strict signification, a term denoting a man of good family, the Lat. generosus (its invariable transl

gentleman of no See also:

• LITERARY

literary fame . The great master of well-nigh every See also:

• PROVINCE
• PROVINCE (Lat. provincia; perhaps a contraction of providentia)

province in the See also:

• EMPIRE

empire of letters, except the only one in which his See also:

• HOST

host reigned supreme, replied that in that sad case Congreve would not have received his visit . The fame of the greatest English comic dramatist is founded wholly or mainly on but three of his five plays .

His first comedy was little more than a brilliant study after such See also:

• MODELS

models as were eclipsed by this earliest effort of their imitator; and tragedy under his hands appears rouged and wrinkled, in the patches and See also:

• POWDER (through O. Fr. puldre, modern poudre, from Lat. pulvis, pulveris, dust)

powder of See also:

• LADY (0. Eng. hlaefdige, Mid. Eng. ldfdi, lavedi; the first part of the word is hldf, loaf, bread, as in the corresponding hldford, lord; the second part is usually taken to be from the root dig-, to knead, seen also in " dough "; the sense development fr

Lady Wishfort . But his three great comedies are more than enough to sustain a reputation as durable as our See also:

• LANGUAGE (adapted from the Fr. langage, from langue, tongue, Lat. lingua)

language . Were it not for these we should have no samples to show of comedy in its purest and highest form . See also:

• BEN (from Old Eng. bennan, within)

Ben See also:

• JONSON

Jonson, who alone attempted to introduce it by way of reform among the mixed work of a time when comedy and tragedy were as inextricably blended on the stage as in actual life, failed to give the requisite ease and the indispensable grace of comic life and See also:

• MOVEMENT

movement to the See also:

• ACTION

action and See also:

• PASSION (post-classical Lat. passio, formed from pati, passus, to suffer, endure)

passion of his elaborate and magnificent work . Of Congreve's immediate predecessors, whose aim had been to raise on See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French See also:

• FOUNDATIONS

foundations a new English fabric of See also:

• SIMPLE

simple and unmixed comedy, Wycherley was of too See also:

• BASE

base See also:

• METAL
• METAL (through Fr. from Lat. metallum, mine, quarry, adapted from Gr. µATaXAov, in the same sense, probably connected with ,ueraAAdv, to search after, explore, µeTa, after, aAAos, other)

metal and Etherege was of metal too See also:

• LIGHT

light to be weighed against him; and besides theirs no other or finer See also:

• COIN
• COIN (older forms of the word are coyne, quoin and coign, all derived through the O. Fr. coing, and cuigne from Lat. cuneus, a wedge)

coin was current than the crude See also:

• BRITISH

British ore of Shadwell's brutal and burly See also:

• TALENT (Lat. talentum, adaptation of Gr. TaXavrov, balance, ! Recollections of a First Visit to the Alps (1841); Vacation Rambles weight, from root raX-, to lift, as in rXi vac, to bear, 1-aXas, and Thoughts, comprising recollections of three Continental

talent . Borrowing a See also:

• METAPHOR

metaphor from See also:

• LANDOR, WALTER SAVAGE (1775-1864)

Landor, we may say that a See also:

• LIMB

limb of Moliere would have sufficed to make a Congreve, a limb of Congreve would have sufficed to make a See also:

• SHERIDAN
• SHERIDAN, PHILIP HENRY (1831-1888)

Sheridan . The broad and robust See also:

• HUMOUR (Latin humor)

humour of See also:

• VANBRUGH, SIR JOHN (1664-1726)

Vanbrugh's admirable comedies gives him a place on the master's right hand; on the left stands See also:

• FARQUHAR, GEORGE (1677-1707)

Farquhar, whose See also:

• BRIGHT, JOHN (1811-188g)
• BRIGHT, SIR CHARLES TILSTON

bright light genius is to Congreve's as See also:

• FEMALE

female is to male, or "as moonlight unto sunlight." No English writer, on the whole, has so nearly touched the skirts of Moliere; but his splendid intelligence is wanting in the deepest and subtlest quality which has won for Moliere from the greatest poet of his See also:

• COUNTRY (from the Mid. Eng. contre or contrie, and O. Fr. cuntree; Late Lat. contrata, showing the derivation from contra, opposite, over against, thus the tract of land which fronts the sight, cf. Ger. Gegend, neighbourhood)

country and our See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age the See also:

• TRIBUTE (Lat. tributurn, a stated payment, contribution)

tribute of exact and final See also:

• DEFINITION (Lat. definitio, from de-finire, to set limits to, describe)

definition conveyed in that perfect phrase which salutes at once and denotes him—" ce moqueur pensif comme un apotre." Only perhaps in a single See also:

• PART

part has Congreve See also:

• HALF

half consciously touched a See also:

• NOTE
• NOTE (Lat. nota, mark, sign, from noscere, to know)

note of almost tragic See also:

• DEPTH

depth and See also:

• SUGGESTION

suggestion; there is something well-nigh akin to the See also:

• GROTESQUE

grotesque and piteous figure of Arnolphe himself in the unvenerable old age of Lady Wishfort, set off and relieved as it is, with grace and art worthy of the supreme French master, against the only figure on any stage which need not shun comparison even with that of Celiane . The See also:

• WORKS

Works of William Congreve were published in 1710 (3 vols.) . The Dramatic Works of Wycherley, Congreve . . . edited by See also:

• LEIGH
• LEIGH, EDWARD (1602–1671)

Leigh See also:

• HUNT, ALFRED WILLIAM (183o-1896)
• HUNT, HENRY (1i73-1835)
• HUNT, HENRY JACKSON (1819-1889)
• HUNT, JAMES HENRY LEIGH (1784-1859)
• HUNT, ROBERT (1807-1887)
• HUNT, THOMAS STERRY (1826-1892)
• HUNT, WILLIAM HENRY (1790—1864)
• HUNT, WILLIAM HOLMAN (1827-1910)
• HUNT, WILLIAM MORRIS (1824-1879)

Hunt (184o), contains a See also:

• BIOGRAPHICAL

biographical and See also:

• CRITICAL (in alphabetical order of authors)

critical See also:

• NOTICE

notice of Congreve . See also The Comedies of William Congreve (1895), with an introduction by W . G .

S . See also:

• STREET
• STREET, GEORGE EDMUND (1824-1881)

Street; and The Best Plays of William Congreve (1887, 1903), edited for the Mermaid See also:

• SERIES (a Latin word from serere, to join)

Series by A . C . See also:

• EWALD, GEORG HEINRICH AUGUST VON (1803-1875)
• EWALD, JOHANNES (1743-1781)

Ewald . The Life of William Congreve (1887) by See also:

• EDMUND
• EDMUND, or EADMUND (c. 980-1016)
• EDMUND, SAINT [EDMUND RICE] (d. 1240)

Edmund See also:

• GOSSE, EDMUND (1849– )
• GOSSE, PHILIP HENRY (1810–r888)

Gosse, in E . S . See also:

• ROBERT
• ROBERT (1275—1343)
• ROBERT, HUBERT (1753-1808)
• ROBERT, LOUIS LEOPOLD (1794-1835)

Robert-son's Great Writers, contains a bibliography by J . P . See also:

• ANDERSON
• ANDERSON, ADAM (1692—1765)
• ANDERSON, ALEXANDER (c. 1582-1620?)
• ANDERSON, ELIZABETH GARRETT (1836— )
• ANDERSON, JAMES (1662—1728)
• ANDERSON, JAMES (1739-1808)
• ANDERSON, JOHN (1726-1796)
• ANDERSON, MARY (1859– )
• ANDERSON, RICHARD HENRY (1821–1879)
• ANDERSON, ROBERT (1750–1830)
• ANDERSON, SIR EDMUND (1530-1605)

Anderson . (A . C .