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HENDRIK See also: born at See also: Antwerp on the 3rd of See also: December 1812
.
Although he invariably signed his name Hendrik, his baptismal name was See also: Henri
.
He was the son of a Frenchman, See also: Pierre See also: Conscience, from See also: Besancon, who had been chef de timonerie in the See also: navy of See also: Napoleon, and who was appointed under-harbourmaster at Antwerp in 1811, when that city formed See also: part of See also: France
.
Hendrik's See also: mother was a See also: Fleming, See also: Cornelia Balieu
.
When, in 1815, the French abandoned Antwerp after the Congress of Vienna, they See also: left Pierre Conscience behind them
.
He was a very eccentric See also: person, and he took up the business of buying and breaking-up worn-out vessels, of which the See also: port of Antwerp was full after the See also: peace
.
The See also: child See also: grew up in an old See also: shop stocked with marine stores, to which the See also: father afterwards added a collection of unsaleable books; among them were old romances which inflamed the fancy of the child
.
His mother died in 182o, and the boy and his younger See also: brother had no other companion than their grim and somewhat sinister father
.
In 1826 Pierre Conscience married again, this See also: time a widow much younger than himself, Anna Catherina Bogaerts
.
Hendrik had long before this See also: developed an insatiable passion for See also: reading, and revelled all See also: day long among the See also: ancient, torn and dusty tomes which passed through the garret of " The See also: Green Corner " on their way to destruction
.
Soon after his second See also: marriage Pierre took a violent dislike to the See also: town, sold the shop, and retired to that See also: Kempen or Campine which Hendrik Conscience so of ten describes in his books—the desolate flat See also: land that stretches between Antwerp and Venloo
.
Here Pierre bought a little See also: farm, with a See also: great garden round it, and here, while their father was buying See also: ships in distant havens, the boys would spend See also: weeks, and even months, with no companion but their stepmother
.
At the age of seventeen Hendrik left the paternalSee also: house in Kempen to become a tutor in Antwerp, and to prosecute his studies, which were soon broken in upon by the revolution of 183o
.
He volunteered as a private in the new Belgian army, and served in barracks at Venloo, and afterwards at Dendermonde, until 1837, when he retired with. the grade of sergeant-major
.
Thrown in this way with Flemings of every class, and made a close observer of their See also: mental habits, the See also: young See also: man formed the idea of writing in the despised idiom of the country,
an idiom which was then considered too vulgar to be spoken, and much less written in, by educated Belgians
.
Although, close by, across the See also: Scheldt, the Dutch possessed a See also: rich and honoured literature, many centuries old, written in a language scarcely to be distinguished from Flemish, a foolish See also: prejudice denied recognition to the language of the Flemish provinces of Belgium
.
As a See also: matter of fact, nothing had been written in it for many years, when the separation in 1831 served to make the chasm between the nations and the See also: languages one which could never be bridged over
.
It was therefore with the foresight of a See also: prophet that Conscience wrote, in 183o itself, "I do not know how it is, but I confess I find in the real Flemish something indescribably romantic, mysterious, profound, energetic, even savage
.
If I ever gain the power to write, I shall throw myself See also: head over ears into Flemish composition." His poems, however, written while he was a soldier, were all in French
.
He received no pension when he was discharged, and going back idle to his father's house, he determined to do the impossible, and write a Flemish See also: book for sale
.
A passage in See also: Guicciardini fired his fancy, and straightway he wrote off that series of scenes in the War of Dutch Independence which lives in Belgian literature under the title of In't Wonderjaar 1566; this was published in See also: Ghent in 1837
.
His father thought it so vulgar of his son to write a book in Flemish that he turned him out of doors, and the celebrated novelist of the future started for Antwerp, with a See also: fortune which was strictly confined to two francs and a bundle of clothes
.
An old schoolfellow found him in the street and took him to his home; and soon various See also: people of position, amongst them the eminent painter, Wappers, interested themselves in the brilliant and unfortunate young man
.
Wappers even gave him a suit of clothes, and presented him to the See also: king, who expressed a wish, which was not immediately carried out in consequence of some red tape, that the Wonderjaar should be added to the library of every Belgian school
.
But it was under the patronage of Leopold I. that Conscience published his secondSee also: work, Fantasy, in the same See also: year, 1837
.
A small See also: appointment in the provincial archives relieved him from the actual pressure of want, and in 1838 he made his first great success with the See also: historical See also: romance called The See also: Lion of See also: Flanders, which still holds its place as one of his masterpieces
.
To this followed How to become a Painter (1843), What a Mother can Suffer (1843), Siska See also: van Roosemaei (1844), Lambrecht Hensmans (1847), See also: Jacob van Artevelde (1849), and The Conscript (185o)
.
During these years he lived a variegated existence, for some thirteen months actually as an under-gardener in a country house, but finally as secretary to the See also: Academy of See also: Fine Arts in Antwerp
.
It was long before the sale of his books, greatly praised but seldom bought, made him in any degree See also: independent
.
His ideas, however, began to be generally accepted
.
At a Flemish congress which met at Ghent so early as 1841, the writings of Conscience were mentioned as the seed which was most likely to yield a crop of See also: national literature
.
Accordingly the patriotic party undertook to encourage their circulation, and each fresh contribution from the See also: pen of Conscience was welcomed as an honour to Belgium
.
In 1845 Conscience was made a knight of the See also: Order of Leopold
.
To write in Flemish had now ceased to be regarded as a proof of vulgarity; on the contrary, the See also: tongue of the See also: common people became almost fashionable, and Flemish literature began to live
.
In 1845 Conscience published a See also: History of Belgium, but he was well advised to return to those exquisite pictures of Flemish home-See also: life which must always See also: form the most valuable portion of his repertory
.
He was now at the height of his See also: genius, and See also: Blind Rosa (185o), Rikketikketak (1851), The Decayed Gentle-man (1851), and The See also: Miser (1853) See also: rank among the most important of the long See also: list of his novels
.
These had an instant effect upon contemporary fiction, and Conscience had many imitators . Nevertheless, not one of the latter has approached Conscience in popularity, or has deserved to approach him . In 1855 the earliest See also: translations of his tales began to appear in See also: English, French, See also: German and See also: Italian, and his fame became universal
.
In 1867 the See also: post of keeper of the Royal Belgian museums was created, and this important sinecure was givento Conscience
.
He continued to produce novels with great regularity, and his See also: separate publications amounted at last to nearly eighty in number
.
He was now the most eminent of the citizens of Antwerp, and his seventieth birthday was celebrated by public festivities
.
After a long illness he died, in his house in Antwerp, on the loth of See also: September 1883; he was awarded a public funeral
.
The portraits of Conscience See also: present to us a countenance rather French than Flemish in type, with long smooth hair, contemplative dark eyes under heavy brows, a pointed nose, and a humorous broad mouth; in See also: late life he wore the See also: ornament of a long See also: white
See also: beard
.
Whether the historical romances of Conscience will retain the enormous popularity which they have enjoyed is much less than certain, but far itiore likely to live are the novels in which he undertook to be the genre-painter of the life of his own day
.
In spite of too rhetorical a use of soliloquizing, and of a See also: key of sentiment often pitched too high for
See also: modern taste, the stories of Conscience are animated by a real spirit of genius, mildly lustrous, perhaps; rather than startlingly brilliant
.
Whatever glories may be in store for the literature of Flanders, Conscience is always sure of a distinguished place as its forerunner and its earliest classic
.
(E
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