See also:born in
See also:Paris, and studied under
See also:Cabanel . His first
See also:Salon picture, "
See also:Hamlet et le Roi," was hung in 1869, and he became at once one of the recognized
See also:modern masters in France . In addition to a number of subject-pictures, such as " Trop Tard " (187o), " Samson et
See also:Delilah " (1871), and others taken from Moroccan studies, he was an eminent painter of portraits of some of the most prominent men and
See also:women of the
See also:day, one of his last being that of
See also:Victoria (1900) . He was a member of the Institut de France and received several French and
See also:foreign decorations .
HENRI BENJAMIN CONSTANT DE REBECQUE (1767-183o)
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