See also:

• ABRAHAM, or ABRAM (Hebrew for " father is high ")

ABRAHAM See also:

• COOPER
• COOPER (or COUPER), THOMAS (c. 1517-1594)
• ABRAHAM COOPER (1787—1868)
• COOPER, ALEXANDER (d. i66o)
• COOPER, CHARLES HENRY (18o8-1866)
• COOPER, JAMES FENIMORE (1789-1851)
• COOPER, PETER (1791-1883)
• COOPER, SAMUEL (1609-1672)
• COOPER, SIR ASTLEY PASTON (1768-1841)
• COOPER, THOMAS (1759–1840)
• COOPER, THOMAS (1805–1892)
• COOPER, THOMAS SIDNEY (1803–1902)

COOPER (1787—1868)  , See also:

• ENGLISH

English See also:

• ANIMAL
• ANIMAL (Lat. animalis, from anima, breath, soul)

animal and See also:

• BATTLE

battle painter, the son of a tobacconist, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• LONDON

London . At the See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age of thirteen he became an employe at See also:

• ASTLEY, JACOB ASTLEY, BARON (1579-1652)
• ASTLEY, SIR JOHN DIIGDALB

Astley's See also:

• AMPHITHEATRE (Gr. 441, around, and O&arpov, a place for spectators)

amphitheatre, and was afterwards See also:

• GROOM

groom in the service of See also:

• SIR

Sir See also:

• HENRY
• HENRY (1129-1195)
• HENRY (c. 1108-1139)
• HENRY (c. 1174–1216)
• HENRY (Fr. Henri; Span. Enrique; Ger. Heinrich; Mid. H. Ger. Heinrich and Heimrich; O.H.G. Haimi- or Heimirih, i.e. " prince, or chief of the house," from O.H.G. heim, the Eng. home, and rih, Goth. reiks; compare Lat. rex " king "—" rich," therefore " mig
• HENRY, EDWARD LAMSON (1841– )
• HENRY, JAMES (1798-1876)
• HENRY, JOSEPH (1797-1878)
• HENRY, MATTHEW (1662-1714)
• HENRY, PATRICK (1736–1799)
• HENRY, PRINCE OF BATTENBERG (1858-1896)
• HENRY, ROBERT (1718-1790)
• HENRY, VICTOR (1850– )
• HENRY, WILLIAM (1795-1836)

Henry Meux . When he was twenty-two, wishing to possess a portrait of a favourite See also:

• HORSE (a word common to Teutonic languages in such forms as hors, hros, ros; cf. the Ger. ross)

horse under his care, he bought a See also:

• MANUAL

manual of See also:

• PAINTING

painting, learned something of the use of oil-See also:

• COLOURS, MILITARY

colours, and painted the picture on a See also:

• CANVAS

canvas hung against the See also:

• STABLE

stable See also:

• WALL (O. Eng. weal, weall, Mid. Eng. wal, wane, adapted from Lat. vallum, rampart; the original O. Eng. word for a wall was wag or tenth)
• WALL, RICHARD (1694-1778)

wall . His See also:

• MASTER (Lat. magister, related to tnagis, more, as the corresponding minister is to minus, less; the English form is due partly to the O. Eng. maegister, and partly to O. Fr. maistre, mod. maitre; cf. Du. meester, Ger. Meister, Ital. maestro)

master bought it and encouraged him to continue in his efforts . He accordingly began to copy prints of horses, and was introduced to See also:

• BENJAMIN
• BENJAMIN, JUDAHPHILIP (1811-1884)

Benjamin See also:

• MARSHALL
• MARSHALL, ALFRED (1842– )
• MARSHALL, JOHN (1755–1835)
• MARSHALL, JOHN (1818-1891)
• MARSHALL, STEPHEN (c. 1594-1655)

Marshall, the animal painter, who took him into his studio, and seems to have introduced him to the Sporting See also:

• MAGAZINE

Magazine, an illustrated periodical to which he was him-self a contributor . In 1814 he exhibited his " See also:

• TAM, JACOB BEN MEIR (1100-1171)

Tam O'Shanter," and in 1816 he won a See also:

• PRIZE, or PRIZE OF WAR (Fr. prise, from prendre, to take)

prize of boo for his " Battle of Ligny." In 1817 he exhibited his " Battle of See also:

• MARSTON, JOHN (c. 1575-1634)
• MARSTON, PHILIP BOURKE (1850-1887)

Marston See also:

• MOOR

Moor " and was made See also:

• ASSOCIATE (Lat. associates, from ad, to, and sociare to join)

associate of the See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy, and in 182o he was elected Academician . See also:

• COOPER
• COOPER (or COUPER), THOMAS (c. 1517-1594)
• COOPER, ABRAHAM (1787—1868)
• COOPER, ALEXANDER (d. i66o)
• COOPER, CHARLES HENRY (18o8-1866)
• COOPER, JAMES FENIMORE (1789-1851)
• COOPER, PETER (1791-1883)
• COOPER, SAMUEL (1609-1672)
• COOPER, SIR ASTLEY PASTON (1768-1841)
• COOPER, THOMAS (1759–1840)
• COOPER, THOMAS (1805–1892)
• COOPER, THOMAS SIDNEY (1803–1902)

Cooper, although See also:

• ILL

ill educated, was a See also:

• CLEVER

clever and conscientious artist; his colouring was somewhat See also:

• FLAT (a modification of O. Eng. flet, an obsolete word of Teutonic origin, meaning the ground beneath the feet)

flat and dead, but he was a master of equine See also:

• PORTRAITURE

portraiture and See also:

• ANATOMY
• ANATOMY (Gr. avaroyil, from ava-silo c', to cut up)

anatomy, and had some antiquarian knowledge . He had a See also:

• SPECIAL

special fondness for See also:

• CAVALIER
• CAVALIER, JEAN (1681-1740)

Cavalier and See also:

• ROUNDHEAD

Roundhead pictures .