See also:

• THOMAS
• THOMAS (c. 1654-1720)
• THOMAS (d. 110o)
• THOMAS, ARTHUR GORING (1850-1892)
• THOMAS, CHARLES LOUIS AMBROISE (1811-1896)
• THOMAS, GEORGE (c. 1756-1802)
• THOMAS, GEORGE HENRY (1816-187o)
• THOMAS, ISAIAH (1749-1831)
• THOMAS, PIERRE (1634-1698)
• THOMAS, SIDNEY GILCHRIST (1850-1885)
• THOMAS, ST
• THOMAS, THEODORE (1835-1905)
• THOMAS, WILLIAM (d. 1554)

THOMAS See also:

• SIDNEY
• SIDNEY (or SYDNEY), ALGERNON (1622-1683)
• SIDNEY, SIR HENRY (1529-1586)
• SIDNEY, SIR PHILIP (1554-1586)

SIDNEY See also:

• COOPER
• COOPER (or COUPER), THOMAS (c. 1517-1594)
• COOPER, ABRAHAM (1787—1868)
• COOPER, ALEXANDER (d. i66o)
• COOPER, CHARLES HENRY (18o8-1866)
• COOPER, JAMES FENIMORE (1789-1851)
• COOPER, PETER (1791-1883)
• COOPER, SAMUEL (1609-1672)
• COOPER, SIR ASTLEY PASTON (1768-1841)
• COOPER, THOMAS (1759–1840)
• COOPER, THOMAS (1805–1892)
• THOMAS SIDNEY COOPER (1803–1902)

COOPER (1803–1902)  , See also:

• ENGLISH

English painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• CANTERBURY
• CANTERBURY, CHARLES

Canterbury on the 26th of See also:

• SEPTEMBER (Lat. septem, seven)

September 1803 . In very See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early childhood he showed in many ways the strength of his See also:

• ARTISTIC

artistic inclinations, but as the circumstances of his See also:

• FAMILY

family did not admit of his receiving any systematic training, he began be-fore he was twelve years old to See also:

• WORK

work in the See also:

• SHOP

shop of a See also:

• COACH (through the Fr. coche, originally from the Magyar kocsi, an adjective from the Hungarian place named Kocs, between Raab and Buda, i.e. the sort of vehicle used there in the 15th century)

coach painter . A little later he obtained employment as a See also:

• SCENE (Fr. scene, Lat. scaena, Gr. oflvil, a tent or booth, a stage or scene)

scene painter; and he alternated between these two occupations for about eight years . But the See also:

• DESIRE

desire to become an artist continued to See also:

• INFLUENCE (Late Lat. influentia, from influere, to flow in)

influence him, and all his spare moments were given up to See also:

• DRAWING

drawing and See also:

• PAINTING

painting from nature . At the See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age of twenty he went to See also:

• LONDON

London, See also:

• DREW
• DREW, SAMUEL (1765-1833)

drew for a while in the See also:

• BRITISH

British Museum, and was admitted as a student of the Royal See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy . He then returned to Canterbury, where he was able to See also:

• EARN

earn a living as a drawing-See also:

• MASTER (Lat. magister, related to tnagis, more, as the corresponding minister is to minus, less; the English form is due partly to the O. Eng. maegister, and partly to O. Fr. maistre, mod. maitre; cf. Du. meester, Ger. Meister, Ital. maestro)

master and by the See also:

• SALE
• SALE, GEORGE (c. 1697-1736)
• SALE, SIR ROBERT HENRY (1782—1845)

sale of sketches and drawings . In 1827 he settled in See also:

• BRUSSELS (Fr. Bruxelles, Flem. Brussel)

Brussels; but four years later he returned to London to live, and by showing his first picture at the Royal Academy (1833) began an unprecedentedly prolonged career as an exhibitor . See also:

• COOPER
• COOPER (or COUPER), THOMAS (c. 1517-1594)
• COOPER, ABRAHAM (1787—1868)
• COOPER, ALEXANDER (d. i66o)
• COOPER, CHARLES HENRY (18o8-1866)
• COOPER, JAMES FENIMORE (1789-1851)
• COOPER, PETER (1791-1883)
• COOPER, SAMUEL (1609-1672)
• COOPER, SIR ASTLEY PASTON (1768-1841)
• COOPER, THOMAS (1759–1840)
• COOPER, THOMAS (1805–1892)
• COOPER, THOMAS SIDNEY (1803–1902)

Cooper's name is mainly associated with pictures of See also:

• CATTLE (Norman Fr. catel, from Late Lat. capitale, wealth or property, a word applied in the feudal system to movable property and particularly to live stock, and surviving in its wider meaning as " chattel " or " chattle ")

cattle or See also:

• SHEEP
• SHEEP (from the Anglo-Saxon sceap, a word common in various forms to Teutonic languages; e.g. the German Schaf)

sheep, and the most notable of the many See also:

• HUNDRED

hundred he produced are: " A Summer's See also:

• NOON

Noon " (1836), " A Drover's See also:

• HALT

Halt on the Fells " (1838), " A See also:

• GROUP

Group in the Meadows " (1845), " The See also:

• HALF

Half-past One o'See also:

• CLOCK

Clock See also:

• CHARGE
• CHARGE (through the Fr. from the Late Lat. carricare, to load in a carrus or wagon; cf. " cargo ")

Charge at See also:

• WATERLOO

Waterloo " (1847), " The Shepherd's See also:

• SABBATH

Sabbath " (1866), " The Monarch of the Meadows " (1873), " Separated but not Divorced " (1874), " See also:

• ISAAC (Hebrew for " he laughs," on explanatory references to the name, see ABRAHAM)

Isaac's Substitute " (188o), " Pushing off for Tilbury Fort " (1884), " On a See also:

• FARM

Farm in See also:

• EAST
• EAST, ALFRED (1849- )

East See also:

• KENT
• KENT, EARLS AND DUKES OF
• KENT, JAMES (1763-1847)
• KENT, WILLIAM (1685-1748)

Kent " (1889), " Return to the Farm, Milking See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

Time " (1897) . He was elected A.R.A. in 1845 and R.A. in 1867 . He presented to his native See also:

• PLACE (through Fr. from Lat. platea, street; Gr. IrAar6s, wide)

place, in 1882, the See also:

• SIDNEY
• SIDNEY (or SYDNEY), ALGERNON (1622-1683)
• SIDNEY, SIR HENRY (1529-1586)
• SIDNEY, SIR PHILIP (1554-1586)

Sidney Cooper See also:

• ART

Art See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

Gallery, built on the site of the See also:

• HOUSE
• HOUSE (O. Eng. hiss, a word common to Teutonic languages, cf. Dut. huis, Ger. Haus; in Gothic it is only found in gudhiss, a temple; it may be ultimately connected with the root of " hide," conceal)

house in which he was born . He wrote his reminiscences, under the See also:

• TITLE (0. Fr. title, mod. titre, from Lat. titulus)

title of My See also:

• LIFE

Life, in 189o; and died on the 7th of See also:

• FEBRUARY

February 1902 .