See also:

• COQUES (or Cocx), GONZALEZ (1614-1684)

COQUES (or Cocx), GONZALEZ (1614-1684)  , Flemish painter, son of Pieter Willemsen Cocx, a respectable Flemish See also:

• CITIZEN (a form corrupted in Eng., apparently by analogy with " denizen," from O. Fr. citeain, mod. Fr. citoyen)

citizen, and not, as his name might imply, a Spaniard, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• ANTWERP
• ANTWERP (Fr. Anvers)

Antwerp . At the See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age of twelve he entered the See also:

• HOUSE
• HOUSE (O. Eng. hiss, a word common to Teutonic languages, cf. Dut. huis, Ger. Haus; in Gothic it is only found in gudhiss, a temple; it may be ultimately connected with the root of " hide," conceal)

house of Pieter, the son of " See also:

• HELL (0. Eng. hel, a Teutonic word from a root meaning " to cover," cf. Ger. Holle, Dutch hel)

Hell " See also:

• BREUGHEL (or BRUEGIHEL), PIETER

Breughel, an obscure portrait painter, and at the expiration of his See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time as an apprentice became a journeyman in the workshop of See also:

• DAVID
• DAVID (a Hebrew name meaning probably beloved 1)
• DAVID, FELICIEN (1810—1876)
• DAVID, GERARD [GHEERAERT DAVIT], (?=1523)
• DAVID, PIERRE JEAN (1789–1856)
• DAVID, ST (Dewi, Sant)

David Ryckaert the second, under whom he made accurate studies of still See also:

• LIFE

life . At twenty-six he matriculated in the gild of St See also:

• LUKE
• LUKE, GOSPEL OF ST

Luke; he then married Ryckaert's daughter, and in 1653 joined the See also:

• LITERARY

literary and dramatic See also:

• CLUB (connected with " clump ")

club known as the " Retorijkerkamer." After having been made See also:

• PRESIDENT (Fr. president, from Lat. praesidens, post-Augustan Lat. for praeses, director, ruler, from praesidere, to sit in front of, preside)

president of his gild in 1665, and in 1671 painter in See also:

• ORDINARY (med. Lat. ordinarius, Fr. ordinaire)

ordinary to See also:

• COUNT (Lat. comes, gen. comitis, Fr. comte, Ital. conte, Span. conde)

Count See also:

• MONTEREY

Monterey, See also:

• GOVERNOR (from the Fr. gouverneur, from gouverner, O. Fr. governer, Lat. gubernare, to steer a ship, to direct, guide)

governor-See also:

• GENERAL
• GENERAL (Lat. generalis, of or relating to a genus, kind or class)

general of the See also:

• LOW, SETH (1850- )
• LOW, WILL HICOK (1853- )

Low Countries, he married again in 1674, and died full of honours in his native See also:

• PLACE (through Fr. from Lat. platea, street; Gr. IrAar6s, wide)

place . One of his canvases in the See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

gallery at the See also:

• HAGUE, THE (in Dutch, 's Gravenhage, or, abbreviated, den Haag; in Fr. La Haye; and in Late Lat. Haga Comitis)

Hague represents a See also:

• SUITE (Suite de pieces; Ordre; Partita)

suite of rooms hung with pictures, in which the artist himself may be seen at a table with his wife and two See also:

• CHILDREN, LAW RELATING TO

children, surrounded by masterpieces composed and signed by several contemporaries . See also:

• PARTNERSHIP (earlier forms, partener, parcener, from Late Lat. partionarius for partitionarius, from partitio, sharing, pars, part)

Partnership in See also:

• PAINTING

painting was See also:

• COMMON

common amongst the small masters of the Antwerp school; and it has been truly said of See also:

• COQUES (or Cocx), GONZALEZ (1614-1684)

Coques that he employed See also:

• JACOB
• JACOB, JOHN (1812-1858)

Jacob von Arthois for landscapes, Ghering and See also:

• VAN

van See also:

• EHRENBERG, CHRISTIAN GOTTFRIED (1795-1876)

Ehrenberg for architectural backgrounds, Steenwijck the younger for rooms, and Pieter Gysels for still life and See also:

• FLOWERS, ARTIFICIAL

flowers; but the See also:

• MODEL (0. Fr. modelle, mod. modele; It. modello, pattern, mould; from Lat. modus, measure, standard)

model upon which Coques formed himself was Van Dyck, whose sparkling See also:

• TOUCH (derived through Fr. toucher from a common Teutonic and Indo-Germanic root, cf. " tug," " tuck," O. H. Ger. zucchen, to twitch or draw)

touch and refined manner he imitated with See also:

• GREAT

great success . He never ventured beyond the "See also:

• CABINET

cabinet," but in this limited See also:

• FIELD (a word common to many West German languages, cf. Ger. Feld, Dutch veld, possibly cognate with O.E. f olde, the earth, and ultimately with root of the Gr. irAaror, broad)
• FIELD, CYRUS WEST (1819-1892)
• FIELD, DAVID DUDLEY (18o5-1894)
• FIELD, EUGENE (1850-1895)
• FIELD, FREDERICK (18o1—1885)
• FIELD, HENRY MARTYN (1822-1907)
• FIELD, JOHN (1782—1837)
• FIELD, MARSHALL (183 1906)
• FIELD, NATHAN (1587—1633)
• FIELD, STEPHEN JOHNSON (1816-1899)
• FIELD, WILLIAM VENTRIS FIELD, BARON (1813-1907)

field the See also:

• FAMILY

family See also:

• GROUPS
• GROUPS, THEORY

groups of his See also:

• MIDDLE

middle time are full of life,brilliant from the sheen of costly See also:

• DRESS (from the Fr. dresser, to set out, arrange, formed from Lat. directus, arranged, dirigere, to direct, arrange)

dress and sparkling See also:

• PLAY

play of See also:

• LIGHT

light and shade, combined with finished See also:

• EXECUTION (from Lat. ex-sequor, exsecutus, follow or carry out)

execution and enamelled See also:

• SURFACE

surface .