CORNELIS See also:

• CORNELIS CORT (1536-1578)

CORT (1536-1578)  , Dutch engraver, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• HORN
• HORN (a common Teutonic word, cognate with Lat. cornu; cf. Gr. Kipas)
• HORN (Lat. cornu; corresponding terms being Fr. cor, trompe; Ger. Horn; Ital. corno)
• HORN, ARVID BERNHARD, COUNT (1664-1742)
• HORN, PHILIP DE MONTMORENCY, COUNT

Horn in See also:

• HOLLAND
• HOLLAND, CHARLES (1733–1769)
• HOLLAND, COUNTY AND PROVINCE OF
• HOLLAND, HENRY FOX, 1ST BARON (1705–1774)
• HOLLAND, HENRY RICH, 1ST EARL OF (1S9o-,649)
• HOLLAND, HENRY RICHARD VASSALL FOX, 3RD
• HOLLAND, JOSIAH GILBERT (1819-1881)
• HOLLAND, PHILEMON (1552-1637)
• HOLLAND, RICHARD, or RICHARD DE HOLANDE (fl. 1450)
• HOLLAND, SIR HENRY, BART

Holland, and studied See also:

• ENGRAVING

engraving under Hieronymus Cockx of See also:

• ANTWERP
• ANTWERP (Fr. Anvers)

Antwerp . About 1565 he went to See also:

• VENICE
• VENICE (continued)
• VENICE (Venezia)

Venice, where See also:

• TITIAN
• TITIAN (c. 1477-1576)

Titian employed him to execute the well-known copperplates of St See also:

• JEROME, JEROME KLAPKA (1859– )
• JEROME, ST (HIERONYMUS, in full EUSEBIUS SOPHRONIUS HIERONYMUS) (c. 340–420)

Jerome in the See also:

• DESERT

Desert, the Magdalen, See also:

• PROMETHEUS

Prometheus, See also:

• DIANA

Diana and See also:

• ACTAEON

Actaeon, and Diana and Calisto . From See also:

• ITALY
• ITALY (Italia)

Italy he wandered back to the See also:

• NETHERLANDS

Netherlands, but he returned to Venice soon after 1567, proceeding thence to See also:

• BOLOGNA
• BOLOGNA, GIOVANNI DA (1524–1608)

Bologna and See also:

• ROME
• ROME (Roma)

Rome, where he produced engravings from all the See also:

• GREAT

great masters of the See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time . At Rome he founded the well-known school in which, as Bartsch tells us, the See also:

• SIMPLE

simple See also:

• LINE

line of See also:

• MARCANTONIO [MARCANTONIO RAIMONDI]

Marcantonio was modified by a brilliant See also:

• TOUCH (derived through Fr. toucher from a common Teutonic and Indo-Germanic root, cf. " tug," " tuck," O. H. Ger. zucchen, to twitch or draw)

touch of the burin, afterwards imitated and perfected by See also:

• AGOSTINO
• AGOSTINO, or AGOSTINI [AUGUSTINUS], PAOLO (1593-1629)

Agostino See also:

• CARACCI, LODOVICO, AGOSTINO

Caracci in Italy and See also:

• NICOLAS
• NICOLAS, SIR NICHOLAS HARRIS (1799–1848)

Nicolas de Bruyn in the Netherlands . Before visiting Italy, See also:

• CORT, CORNELIS (1536-1578)

Cort had been content to copy See also:

• MICHAEL
• MICHAEL (1596-1645)
• MICHAEL (Hebrew Sn,q, " Who is like God? ")

Michael See also:

• COXCIE, MICHAEL (1499–1592)

Coxcie, F . See also:

• FLORIS, FRANS

Floris, See also:

• HEEMSKERK, JOHAN VAN (1597—1656)
• HEEMSKERK, MARTIN JACOBSZ (1498-1574)

Heemskerk, G . Mostaert, Bartholomaus Spranger and Stradan . In Italy he gave circulation to the See also:

• WORKS

works of See also:

• RAPHAEL (Hebrew smm, " God heals ")

Raphael, Titian, Polidoro da See also:

• CARAVAGGIO
• CARAVAGGIO, MICHELANGELO AMERIGHI (or MERIGI) DA (1569-1609)
• CARAVAGGIO, POLIDORO CALDARA DA (1495 or 1492-1543)

Caravaggio, Baroccio, Giulio See also:

• CLOVIO, GIORGIO GIULIO (1498-1578)

Clovio, See also:

• MUZIANO, GIROLAMO (1528-1592)

Muziano and the Zuccari . His connexion with Cockx and Titian is pleasantly illustrated in a See also:

• LETTER (through Fr. lettre from Lat. littera or litera, letter of the alphabet; the origin of the Latin word is obscure; it has probably no connexion with the root of linere, to smear, i.e. with wax, for an inscription with a stilus)

letter addressed to the latter by Dominick Lampson of See also:

• LIEGE
• LIEGE (Walloon, Lige, Flemish, Luik, Ger. Lilltich)

Liege in 1567 . Cort is said to have engraved upwards of one See also:

• HUNDRED

hundred and fifty-one plates . In Italy he was known as Cornelio Fiammingo .