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CORYBANTES (Gr. Kopb(3avrer)

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Originally appearing in Volume V07, Page 212 of the 1911 Encyclopedia Britannica.
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CORYBANTES (Gr. Kopb(3avrer)  , in See also:Greek See also:mythology, See also:half divine, half demonic beings, bearing the same relation to the See also:Asiatic See also:Great See also:Mother of the Gods that the See also:Curetes See also:bear to See also:Rhea . From their first See also:appearance in literature, they are already often identified or confused with them, and are distinguished only by their Asiatic origin and by the more pronouncedly orgiastic nature of their See also:rites . Various accounts of their origin are given: they were See also:earth-See also:born, sons of Cronus, sons of See also:Zeus and See also:Calliope, sons of Rhea, of Ops, of the Great Mother and a mystic See also:father, of See also:Apollo and Thalia, of See also:Athena and Helios . Their names and number were as indistinct even to the ancients as those of the Curetes and Idaean Dactyli . Like the Curetes, Dactyli, Telchines and Cabeiri (q.v.), however, they represent See also:primitive gods of procreative significance, who survived in the historic See also:period as subordinate deities associated with a See also:form of the Great Mother goddess, their relation to the Great Mother of the Gods, See also:Cybele, being comparable with that of See also:Attis (q.v.) . They may have been represented or impersonated by priests in her rites as Attis was, but they were also, like him, not actual priests in the first instance, but See also:objects of See also:worship in which a frenzied See also:dance, with See also:accompaniment of See also:flute See also:music, the beating of tambourines, the clashing of See also:cymbals and See also:castanets, See also:wild cries and self-infliction of wounds—the whole culminating in a See also:state of See also:ecstasy and exhaustion—were the most prominent features . The dance of the Corybantic priests, like that of the priests who represented the!Curetes, may have originated in a primitive faith in the See also:power of See also:noise to avert evil . Its psychic effect, both upon the dancer and upon the mystic about whom he danced during the See also:initiation of the Cybele-Attis mysteries, made it a widely known and popular feature of the cult . In See also:art the See also:Corybantes appear, usually not more than two or three in number, fully armed and executing their orgiastic dance in the presence of the Great Mother, her lions and Attis . They sometimes appear with the See also:child See also:Dionysus, between whose cult and that of the Mother there was a See also:close See also:affinity . (G .

End of Article: CORYBANTES (Gr. Kopb(3avrer)
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