See also:

• MICHAEL
• MICHAEL (1596-1645)
• MICHAEL (Hebrew Sn,q, " Who is like God? ")

MICHAEL See also:

• MICHAEL COXCIE (1499–1592)

COXCIE (1499–1592)  , Flemish painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• MALINES (Flemish, Mechelen, called in the middle ages by the Latin name Mechlinia, whence the spelling Mechlin)

Malines, and studied under See also:

• BERNARD, CHARLES DE
• BERNARD, CLAUDE (1813-1878)
• BERNARD, JACQUES (1658--1718)
• BERNARD, MOUNTAGUE (1S2o—1882)
• BERNARD, SAINT
• BERNARD, SAINT (Iogo-1153)
• BERNARD, SIMON (1779—1839)
• BERNARD, SIR THOMAS, BART

Bernard See also:

• VAN

van See also:

• ORLEY

Orley, who probably induced him to visit See also:

• ITALY
• ITALY (Italia)

Italy . At See also:

• ROME
• ROME (Roma)

Rome in 1532 he painted the See also:

• CHAPEL

chapel of See also:

• CARDINAL (Lat. cardinalis)

Cardinal Enckenvoort in the See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

church of See also:

• SANTA

Santa Maria dell' Anima; and See also:

• VASARI, GIORGIO (1511-1571)

Vasari, who knew him, says with truth " that he fairly acquired the manner of an See also:

• ITALIAN

Italian." But See also:

• COXCIE, MICHAEL (1499–1592)

Coxcie's See also:

• PRINCIPAL

principal occupation was designing for engravers; and the See also:

• FABLE (Fr. fable, Lat. fabula)

fable of See also:

• PSYCHE (//vxi7)

Psyche in See also:

• THIRTY

thirty-two sheets by See also:

• AGOSTINO
• AGOSTINO, or AGOSTINI [AUGUSTINUS], PAOLO (1593-1629)

Agostino Veneziano and the See also:

• MASTER (Lat. magister, related to tnagis, more, as the corresponding minister is to minus, less; the English form is due partly to the O. Eng. maegister, and partly to O. Fr. maistre, mod. maitre; cf. Du. meester, Ger. Meister, Ital. maestro)

Master of the See also:

• DIE
• DIE (Fr. de, from Lat. datum, given)

Die are favourable specimens of his skill . During a subsequent See also:

• RESIDENCE (Latin residere, to remain behind, to dwell, reside)

residence in the See also:

• NETHERLANDS

Netherlands Coxcie greatly extended his practice in this See also:

• BRANCH (from the Fr. branche, late Lat. branca, an animal's paw)

branch of See also:

• ART

art . But his productions were till lately concealed under an interlaced See also:

• MONOGRAM (from Late Lat. monogramma, in Late Gr. µovoypaµµov, from µovos, single, ypaµµa, letter)

monogram M.C.O.K.X.I.N . Coxcie returned in 1539 to Malines, where he matriculated, and painted for the chapel of the gild of St See also:

• LUKE
• LUKE, GOSPEL OF ST

Luke the wings of an See also:

• ALTAR (Lat. altare, from alias, high; some ancient etymological guesses are recorded by St Isidore of Seville in Etymologiae xv. 4)

altar-piece now in Sanct See also:

• VEIT, PHILIPP (1793-1877)

Veit of See also:

• PRAGUE (Ger. Prag; Bohemian Praha)

Prague . The centre of this altar-piece, by See also:

• MABUSE, JAN (d. 1532)

Mabuse, represents St Luke portraying the Virgin; the See also:

• SIDE
• SIDE (mod. Eski Adalia)

side pieces contain the Martyrdom of St See also:

• VITUS, ST (German, Veit; French, Guy)

Vitus and the See also:

• VISION (from Lat. videre, to see), or SIGHT

Vision of St See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

John in See also:

• PATMOS

Patmos . At van Orley's See also:

• DEATH

death in 1541 Coxcie succeeded to the See also:

• OFFICE (from Lat. officium, " duty," " service," a shortened form of opifacium, from facere, " to do," and either the stem of opes, " wealth," " aid," or opus, " work ")

office of See also:

• COURT
• COURT (from the O. Fr. court, Late Lat. cortis, curtis, a popular form of class. Lat. cohors, gen. cohortis; the mod. Fr. form tour is due to the influence of the Lat. curia, the word used in medieval documents to translate " court " in the feudal sense)
• COURT, ANTOINE (1696-176o)

court painter to the See also:

• REGENT (from Lat. regere, to rule)

regent See also:

• MARY
• MARY (1457-1482)
• MARY (1496-1533)
• MARY, QUEEN OF SCOTS

Mary of See also:

• HUNGARY
• HUNGARY (Hungarian Magyarorszdg)

Hungary, for whom he decorated the See also:

• CASTLE
• CASTLE (Lat. castellum, a fort, diminutive of castra, a camp; Fr. chateau and chdtel)

castle of Binche . He was subsequently patronized by See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

Charles V., who often coupled his See also:

• WORKS

works with those of See also:

• TITIAN
• TITIAN (c. 1477-1576)

Titian; by See also:

• PHILIP
• PHILIP (Gr.'FiXtrsro , fond of horses, from dn)^eiv, to love, and limos, horse; Lat. Philip pus, whence e.g. M. H. Ger. Philippes, Dutch Filips, and, with dropping of the final s, It. Filippo, Fr. Philippe, Ger. Philipp, Sp. Felipe)
• PHILIP, JOHN (1775-1851)
• PHILIP, KING (c. 1639-1676)
• PHILIP, LANOGRAVE OF HESSE (1504-1567)

Philip II., who paid him royally fora copy of van See also:

• EYCK, VAN

Eyck's " Agnus Dei "; and by the See also:

• DUKE (corresponding to Fr. duc, Ital. duca, Ger. Herzog)

duke of See also:

• ALVA
• ALVA, or ALBA, FERNANDO ALVAREZ DE TOLEDO, DUKE OF, (1508-1583)

Alva, who once protected him from the insults of See also:

• SPANISH

Spanish soldiery at Malines . There are large and See also:

• CAPITAL (i.e. capital stock or fund)
• CAPITAL (Lat. caput, head)

capital works of his (1587–1588) in St Rombaud of Malines, in Ste Gudule of See also:

• BRUSSELS (Fr. Bruxelles, Flem. Brussel)

Brussels, and in the museums of Brussels and See also:

• ANTWERP
• ANTWERP (Fr. Anvers)

Antwerp . His See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style is Raphaelesque grafted on the Flemish, but his See also:

• IMITATION (Lat. imitatio, from intitari, to imitate)

imitation of See also:

• RAPHAEL (Hebrew smm, " God heals ")

Raphael, whilst it distantly recalls Giulio Romano, is never See also:

• FREE

free from affectation and stiffness . He died at Malines on the 5th of See also:

• MARCH
• MARCH (1) (from Fr. marcher, to walk; the earliest sense in French appears to be " to trample," and the origin has usually been found in the Lat. marcus, hammer; Low Lat. marcare, to hammer; hence to beat the road with the regular tread of a soldier: cf.
• MARCH, AUZIAS (c. "1395-1458)
• MARCH, EARLS OF
• MARCH, FRANCIS ANDREW (1825– )

March 1592 .