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See also: political, See also: comedy
.
Hardly anything is known of his See also: life, and only fragments of his See also: works have been preserved
.
But a See also: good idea of their character can be gained from the opinions of his contemporaries, especially Aristophanes
.
His comedies were chiefly distinguished by their See also: direct and vigorous political satire, a marked exception being the burlesque 'Ohvvveis, dealing with the See also: story of Odysseus in the cave of See also: Polyphemus, probably written while a See also: law was in force forbidding all political references on the stage
.
They were also remarkable for the See also: absence of the parabasis and See also: chorus
.
See also: Persius calls the author " the bold," and even See also: Pericles at the height of his power did not escape his vehement attacks, as in the See also: Nemesis and Archilochi, the last-named a lament for the loss of the recently deceased See also: Cimon, with whose conservative sentiments See also: Cratinus was in sympathy
.
The Panoptae was a satire on the sophists and omniscient speculative philosophers of the See also: day
.
Of his last comedy the See also: plot has come down to us
.
It was occasioned by the sneers of Aristophanes and others, who declared that he was no better than a doting drunkard
.
Roused by the taunt, Cratinus put forth all his strength, and in 423 B.C. produced the Hvrfvrl,
or Bottle, which gained the first prize over the Clouds of Aristophanes
.
In this comedy, good-humouredly making fun of his own weakness, Cratinus represents the comic muse as the faithful wife of his youth
.
His guilty fondness for a rival—the bottle—has aroused her jealousy
.
She demands a See also: divorce from the See also: archon; but her See also: husband's love is not dead and he returns penitent to her See also: side
.
In Grenfell and See also: Hunt's Oxyrhynchus Papyri, iv
.
(1904), containing a further instalment of their edition of the Behnesa papyri discovered by them in 1896-1897, one of the greatest curiosities is a scrap of paper bearing the See also: argument of a See also: play by Cratinus,—the Dionysalexandros (i.e
.
Dionysus in the See also: part of See also: Paris), aimed against Pericles; and the epitome reveals something of its wit and point
.
The See also: style of Cratinus has been likened to that of See also: Aeschylus; and Aristophanes, in the Knights, compares him to a rushing torrent
.
He appears to have been fond of lofty diction and bold figures, and was most successful in the lyrical parts of his dramas, his choruses being the popular festal songs of his day
.
According to the statement of a doubtful authority, which is not See also: borne out by See also: Aristotle, Cratinus increased the number of actors in comedy to three
.
He wrote 21 comedies and gained the prize nine times
.
Fragments in Meineke, Fragmenta Comicorum Graecorum, or See also: Kock, Comicorum Atticorum fragmenta
.
A younger Cratinus flourished in the See also: time of See also: Alexander the
See also: Great
.
It is considered that some of the comedies ascribed'to the elder Cratinus were really the See also: work of the younger
.
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