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See also: American author, was See also: born at Bagni di Lucca, See also: Italy, on the 2nd of See also: August 1854, being the son of the American sculptor See also: Thomas
See also: Crawford (q.v.), and the See also: nephew of Julia See also: Ward
See also: Howe, the American poet
.
He studied successively at St See also: Paul's school, Concord, New Hampshire; Cambridge University; See also: Heidelberg; and See also: Rome
.
In 1879 he went to See also: India, where he studied See also: Sanskrit and edited the See also: Allahabad See also: Indian Herald
.
Returning to See also: America he continued to study Sanskrit at Harvard University for a See also: year, contributed to various See also: periodicals, and in 1882 produced his first novel, Mr Isaacs, a brilliant sketch of See also: modern Anglo-Indian See also: life mingled with a touch of See also: Oriental mystery
.
This See also: book had an immediate success, and its author's promise was confirmed by the publication of Dr See also: Claudius (1883)
.
After a brief residence in New See also: York and See also: Boston, in 1883 he returned to Italy, where he made his permanent home
.
This accounts perhaps for the fact that, in spite of his See also: nationality, Marion Crawford's books stand apart from any distinctively American current in literature
.
Year by See also: wear he published a number of successful novels: A
See also: Roman See also: Singer (1884), An American Politician (1884), To Leeward (1884), Zoroaster (1885), A Tale of a Lonely Parish (1886), Marzio's Crucifix (1887), Saracinesca (1887), Paul Patoff (1887), With the Immortals (1888), Greifenstein (1889), Sant' Ilario (1889), A Cigarette-maker's See also: Romance (189o), Khaled (1891), The See also: Witch of See also: Prague (1891), The Three Fates (1892), The See also: Children of the See also: King (1892),
See also: Don Orsino (1892), Marion Darche (1893), Pietro Ghisleri (1893), Katharine Lauderdale (1894), Love in Idleness (1894), The Ralstons, (1894), Casa Braccio (1895), See also: Adam See also: Johnston's Son (1895), Taquisara (1896), A See also: Rose of Yesterday (1897), See also: Corleone (1897), Via Crucis (1899), In the Palace of the King (1900), See also: Marietta (1901), See also: Cecilia (1902), Whosoever Shall Offend (1904), See also: Soprano (1905), A Lady of Rome (1906)
.
He also published the See also: historical See also: works, See also: Ave See also: Roma Immortalis (1898), Rulers of the See also: South (1900)—renamed See also: Sicily, See also: Calabria and See also: Malta in 1904,—and Gleanings from Venetian See also: History (1905)
.
In these his intimate knowledge of See also: local See also: Italian history combines with the romancist's imaginative faculty to excellent effect
.
But his place in See also: con-temporary literature depends on his novels
.
He was a gifted narrator, and his books of fiction, full of historic vitality and dramatic characterization, became widely popular among readers to whom the See also: realism of " problems " or the eccentricities of subjective analysis were repellent, for he could unfold a romantic See also: story in an attractive way, setting his See also: plot amid picturesque surroundings, and gratifying the reader's intelligence by a See also: style at once straightforward and accomplished
.
The Saracinesca series shows him perhaps at his best . A Cigarette-maker's Romance was dramatized, and had considerable popularity on the stage as well as in its novelSee also: form; and in 1902 an See also: original See also: play from his See also: pen, Francesca da See also: Rimini, was produced in See also: Paris by Sarah Bernhardt
.
He died at See also: Sorrento on the 9th of See also: April 1909
.
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