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CRAYON (Fr. craie, See also: drawing, employed generally in the See also: form of pencils, but sometimes also as a powder, and consisting of native earthy and stony friable substances, or of artificially prepared mixtures of a See also: base of See also: pipe or See also: china See also: clay with Prussian blue, See also: orpiment, See also: vermilion, See also: umber and other pigments
.
Calcined See also: gypsum, See also: talc and compounds of magnesium, See also: bismuth and See also: lead are occasionally used as bases
.
The required shades of tints are obtained by adding varying amounts of colouring See also: matter to equal quantities of the base
.
Crayons are used by the artist to make groupings of See also: colours and to secure landscape and other effects with ease and rapidity
.
The outline as well as the rest of the picture is See also: drawn in crayon
.
The colours are softened off and blended by the See also: finger, with the assistance of a stump of See also: leather or paper; and shading is produced by See also: cross-hatching and stippling
.
The See also: art of See also: painting in crayon or See also: pastel is supposed to have originated in See also: Germany in the 17th century
.
By Johann See also: Alexander Thiele (1685–1752) it was carried to
See also: great perfection, and in See also: France it was early practised with much success
.
Amongst the earlier pastellists may be mentioned Rosalba Carriera (1675–1757), W
.
See also: Hoare (1707–1792), F
.
See also: Cotes (1726–1770), and J
.
See also: Russell (1744–1806); and in See also: recent years the art has been successfully revived
.
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